Vuk Ćosić - Deep ASCII (01:00:05)
Production: 1998
The ASCII conversion of the famous porno film Deep Throat.The author reduces volume of the image to a combination of black and green with various symbols. He is interested about durability of data, but also posses a more complex question about the transfer of information. Video Deep ASCII plays with the limit where information disappears.
DIVA Computer Graphics
45 results in works
Marko Peljhan - LADOMIR-ФАКТУРА: FIRST SURFACE-MICROLAB V1.0 (23:02)
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.
OFFTIR - P1p3P3p1 (00:03:14)
Subtitle: Grafična notacija
Production: 2013
Grafična notacija P1p3P3p1 je bila razstavljena v okviru projekta projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video je grafična upodobitev računalniško zmiksanega zvoka bobnov, činele in predmetov s kontaktnimi mikrofoni.
Subtitle: Grafična notacija
Production: 2013
Grafična notacija P1p3P3p1 je bila razstavljena v okviru projekta projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Video je grafična upodobitev računalniško zmiksanega zvoka bobnov, činele in predmetov s kontaktnimi mikrofoni.
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Borut Savski - Sonic Point of View (00:08:46)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Production: 2002
Sonic Point of View is an event in-between a concert and performance where, through the interaction of sound and visual, the metaphors of universal opposites of the sky and the earth are created. For this occasion, the author made a mixing board that, due to its random functioning, prevents the virtuosic action, and thus it makes possible for anyone be a virtuoso. (DIVA)
Borut Savski - Videographics 18 (00:07:16)
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2006
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Borut Savski - Videographics 19 (00:04:23)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context. In Videographic 19, pairs of words are associated with video variations of "The Shroud of Turin". (DIVA)
Borut Savski - Videographics 22 (00:03:44)
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Production: KUD Trivia / Trivia Art [Association], 2007
Videographics are modern experimental narratives, where the image acts as a sound marker. Images are abstract and the connection between video and audio is direct, even though it does not follow any logic. Video graphics is the materialization of an audio signal and an integral part of the experimental context.
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Robertina Šebjanič - Cona D (0:11:59)
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Boštjan Kavčič - Symbiomat globalheART (0:01:06)
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
Sašo Sedlaček - Žicar 1.0 / Beggar 1.0 (0:04:33)
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Sašo Sedlaček - Biotop Condition (0:03:08)
Production: 2001
Video is a documentation of a project, combined with computer graphics, computer games and recordings of an exhibition.
Production: 2001
Video is a documentation of a project, combined with computer graphics, computer games and recordings of an exhibition.
Nika Špan - Kako socializirati blues (modre)? / How to socialise the blues? (00:01:58)
Subtitle: Cikel Fine Sciencies
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is a part of artist's series entitled Fine sciences.
Subtitle: Cikel Fine Sciencies
Production: 2007
Video work is a unit of eleven simulation videos by Dr. R.B. Jones available online. Re-editing of the material found online enables the artist to re-conceptualize the content and focus on the visual part, which originally serves as a support. The work is a part of artist's series entitled Fine sciences.
Nika Špan - Fine Sciencies (00:00:49)
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Neven Korda - 1 Sec of My Life (English version) (00:01:31)
Subtitle: Part of New New Films series
Production: 2001
Report from real every day. Inspiration and a tribute to the film Blue by Derek Jarman. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES....
Subtitle: Part of New New Films series
Production: 2001
Report from real every day. Inspiration and a tribute to the film Blue by Derek Jarman. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES....
Neven Korda - Reinkarnacija (00:01:14)
Subtitle: Vmesno poročilo, Part of New New Films series
Production: 2001
Rise up and leave this mass of meat behind. The world is obliged to make your existence possible. God is big, a tree is even bigger. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Un...
Subtitle: Vmesno poročilo, Part of New New Films series
Production: 2001
Rise up and leave this mass of meat behind. The world is obliged to make your existence possible. God is big, a tree is even bigger. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Un...
Neven Korda - Nomad (00:01:05)
Subtitle: Part of New New Films series
Production: 2001
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Neven Korda)
Subtitle: Part of New New Films series
Production: 2001
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Neven Korda)
