Klon:Art:Resistance - Klon Art (00:05:05)
Subtitle: Dokumentarni prispevek na Gajba TV
Production: Gajba TV
Dokumentarni prispevek Gajba TV* o skupini grafitarjev in uličnih umetnikov KlonArt. Prispevek spremlja rap komad z naslovom Ilegal d.o.o., dinamična kamera, hitra menjava kadrov in nasičen kolorit, ki je značilen za ulično umetnost. Govorjeni tekst v prispevku predstavi nekatera idejna izhodišča umetniške skupine in pojasnjuje področje njihovega delovanja. Grafitarstvo predstavi kot življenjski stil, ki presega dualizme lepega in grdega in nastopa proti gentrificirani podobi mestne pokrajine. Gra...
DIVA activism
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24 results in works
Neven Korda, Dario Seraval, Zemira Alajbegović - The Wild Bunch (00:02:56)
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Subtitle: From the "So Young" compilation
Production: FV Video / ŠKD Forum, 1984
Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavia by the FV Label and successfully distributed via alternative channels. Videos are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of them presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedi...
Marko A. Kovačič - Metelkova Network (00:37:14)
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Production: Mreža za Metelkovo, 1990
Video documents a project "Mreža za Metelkovo", in which 200 partners gathered in 1990. Spatial needs of participating artists were presented in a programme, which came out in October 1990. All the corresponding institutions including the headquarters of the National Yugoslav Army were informed about the project. Mreža za Metelkova was as a society formally founded on 22.12.1990 on a National Yugoslav Army holiday. Although National Yugoslav Army was still placed in all barracks in Slovenia which made the...
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Maja Slavec - Woman Beauty Power Less (00:04:40)
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Ana Grobler - Beautiful (00:01:56)
Production: 2008
Video warns about the fact, that in order to reach the standards of beauty, imposed on us by mass media, animals get hurt due to testing of big cosmetic companies. Video is based on a black and white photography, except at the very end, when a warning is stressed. The work is composed of photographs and typography written as though typed on a writing machine. The sound of typing letters is present at the beginning and the end of the video.
Production: 2008
Video warns about the fact, that in order to reach the standards of beauty, imposed on us by mass media, animals get hurt due to testing of big cosmetic companies. Video is based on a black and white photography, except at the very end, when a warning is stressed. The work is composed of photographs and typography written as though typed on a writing machine. The sound of typing letters is present at the beginning and the end of the video.
Vesna Bukovec - Personal Advice (00:00:59)
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Production: V.B., 2010
Personal advice first seems like a secret being revealed by a soft voice, telling us to take its advice. This advice is a completely absurd series of words, which as we soon find out is taken out of astrological forecasts. Visual representation of the video is completely impersonal. The screen is divided into two levels of text also read by an android voice saying: »This is not the best time for an activity plan which calls for art diplomacy and caution as you tend to be extremely simple direct and po...
Amir Muratović - Zapeljevanje pogleda (1)
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Subtitle: 1. sezona : Marija Mojca Pungerčar / Polona Tratnik, Vadim Fiškin / Sašo Sedlaček, Damijan Kracina / Marko A. Kovačič, Uršula Berlot / son:Da
Production: RTV Slovenija, 2007-2009
Niz dokumentarnih oddaj o slovenski sodobni umetnosti Zapeljevanje pogleda nastaja v Izobraževalnem programu Televizije Slovenija od leta 2007. Serijo sestavljajo oddaje, v katerih se predstavljata po dva umetnika, ki nam skozi svoja dela in projekte predstavljata lasten pogled na umetnost. Zapeljevanje pogleda ni zvrstno in žanrsko omejena serija in se še zmerom dograjuje.
Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Sašo Sedlaček - Fernetiči / Fernetti (00:05:59)
Production:
Video je del projekta Izgubljena ozemlja. Kader je statičen in prikazuje mejni prehod Fernetiči med Italijo in Slovenijo. Umetnik spremeni državne simbole na način, da združi zastave v novi digitalni verziji. Forme dveh držav so prisotne, a so vseeno slabo vidne in izginjajo v digitalni posplošitvi. Tako kot je absurdna meja med državami, je absurdna tudi znakovna distinkcija.
Production:
Video je del projekta Izgubljena ozemlja. Kader je statičen in prikazuje mejni prehod Fernetiči med Italijo in Slovenijo. Umetnik spremeni državne simbole na način, da združi zastave v novi digitalni verziji. Forme dveh držav so prisotne, a so vseeno slabo vidne in izginjajo v digitalni posplošitvi. Tako kot je absurdna meja med državami, je absurdna tudi znakovna distinkcija.
Sašo Sedlaček - Rekviem za umirajoči medij / Requiem for a Dying Medium (00:09:43)
Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2007, Galerija Kapelica - Zavod K6/4, 2007
Video je del avtorjeve Iniciative za ustanovitev avtonomne medijske cone Infokalipsa zdaj! Rekviem za umirajoči medij na nek način časti izginotje analognega signala iz množične rabe. Prostor, ki je bil dolga leta polje različnih bojev, je zdaj prazen in neizkoriščen. Polaganje zastave tik ob veliki anteni oddajnika na Nanosu pomeni zasedbo zapuščenega prostora, je navidezna okupacija, pirova zmaga, iz katere se vendarle zna zgoditi nekaj koristnega.
Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2007, Galerija Kapelica - Zavod K6/4, 2007
Video je del avtorjeve Iniciative za ustanovitev avtonomne medijske cone Infokalipsa zdaj! Rekviem za umirajoči medij na nek način časti izginotje analognega signala iz množične rabe. Prostor, ki je bil dolga leta polje različnih bojev, je zdaj prazen in neizkoriščen. Polaganje zastave tik ob veliki anteni oddajnika na Nanosu pomeni zasedbo zapuščenega prostora, je navidezna okupacija, pirova zmaga, iz katere se vendarle zna zgoditi nekaj koristnega.
Sašo Sedlaček - Qi Gai (00:16:16)
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Valérie Wolf Gang - Artist Sleeping on The Street (trailer) (03:00:00 (00:01:06))
Production: Co-production: Famul VideoLab, 2013
"Artist Sleeping on The Street" is a one channel video installation. LCD screen was put on the street of Belgium city Arlon and left there for couple of hours: the real time of the video in which the artist is sleeping. The goal of the video installation was to test the public for two things: firstly if they can notice a small detail on the street and secondly if they would stop and look at the artist sleeping or if they would turn their back on it. The result of the first test was expected but al...
Production: Co-production: Famul VideoLab, 2013
"Artist Sleeping on The Street" is a one channel video installation. LCD screen was put on the street of Belgium city Arlon and left there for couple of hours: the real time of the video in which the artist is sleeping. The goal of the video installation was to test the public for two things: firstly if they can notice a small detail on the street and secondly if they would stop and look at the artist sleeping or if they would turn their back on it. The result of the first test was expected but al...
Zvonka T Simčič, Valérie Wolf Gang - Kombinat (trailer) (00:44:00 (trailer, 00:01:30))
Production: Zavod CCC & Zavod NOVI KOMBINAT, 2016
Female choir Kombinat is a group of women, which gathered on the 'Slovenian Day of resistance', 27th of April 2008 on the founding meeting in old factory Rog, Ljubljana, and decided that they will sing the worldwide songs of rebellion. Kombinat became a mascote of the Slovenian protests. They were singing with people and people sung with them. In this period a new song was made by Ksenija Jus, one of the members of Kombinat, called 'The rebellion song' and it became an anthem for Sloveni...
Production: Zavod CCC & Zavod NOVI KOMBINAT, 2016
Female choir Kombinat is a group of women, which gathered on the 'Slovenian Day of resistance', 27th of April 2008 on the founding meeting in old factory Rog, Ljubljana, and decided that they will sing the worldwide songs of rebellion. Kombinat became a mascote of the Slovenian protests. They were singing with people and people sung with them. In this period a new song was made by Ksenija Jus, one of the members of Kombinat, called 'The rebellion song' and it became an anthem for Sloveni...
Danilo Milovanović - Cover (00:06:13)
Production: D.M., 2016
Video documentation of a performance in a public space, recorded in Prague in 2016. The artist laid down on the sidewalk, while his friend covered him with empty plastic bottles. The pile of bottles on top of him keeps growing, but passers-by, with exception of an elderly man, do not seem to take much interest for the man on the ground. The performance ends with the arrival of an ambulance car. The action is documented with two static cameras. One is recording from a nearby space on the ground floor, the o...
Production: D.M., 2016
Video documentation of a performance in a public space, recorded in Prague in 2016. The artist laid down on the sidewalk, while his friend covered him with empty plastic bottles. The pile of bottles on top of him keeps growing, but passers-by, with exception of an elderly man, do not seem to take much interest for the man on the ground. The performance ends with the arrival of an ambulance car. The action is documented with two static cameras. One is recording from a nearby space on the ground floor, the o...
Ana Čigon - Heroinat / Heroines (00:15:00)
Production: Ana Čigon, Stacion Center for Contemporary Arts, Mestna galerija Ljubljana, 2015
Heroinat / Heroines is a short documentary film on the erection of a problematic monument, which was uncovered in 2015 in Prishtina. It was dedicated to the women that contributed in the war of 1998-99 in Kosovo and all the women that were victims of sexual assault during this war. In the film critique on the monument is shown through montage of interviews with a politician who supported the project, the artists and theoreticians from Prishtina, that are questioning the idea and aesthetics of such monument,...
Production: Ana Čigon, Stacion Center for Contemporary Arts, Mestna galerija Ljubljana, 2015
Heroinat / Heroines is a short documentary film on the erection of a problematic monument, which was uncovered in 2015 in Prishtina. It was dedicated to the women that contributed in the war of 1998-99 in Kosovo and all the women that were victims of sexual assault during this war. In the film critique on the monument is shown through montage of interviews with a politician who supported the project, the artists and theoreticians from Prishtina, that are questioning the idea and aesthetics of such monument,...
Nika Autor - Solidarity (00:05:04)
Production: Obzorniška fronta, 2012
The film is a reshot of the 1973 movie Solidarity by Joyce Wieland. It documents workers’ protests in Ljubljana. It raises questions such as: what is solidarity today, who is showing solidarity, with whom and when? The reshot of the movie was motivated by a current situation of mass unemployment, horrifyingly exploitative work conditions, ever more exploitative restructurations of the labour market when the question of solidarity is undermined by structures of domination. (Source: Nika Autor) NOTE: On...
Production: Obzorniška fronta, 2012
The film is a reshot of the 1973 movie Solidarity by Joyce Wieland. It documents workers’ protests in Ljubljana. It raises questions such as: what is solidarity today, who is showing solidarity, with whom and when? The reshot of the movie was motivated by a current situation of mass unemployment, horrifyingly exploitative work conditions, ever more exploitative restructurations of the labour market when the question of solidarity is undermined by structures of domination. (Source: Nika Autor) NOTE: On...
Nika Autor - In the land of bears (01:12:33)
Production: Obzorniška fronta, 2012
In 2010 and 2011, the huge Slovenian construction sector, which employed more than 70,000 foreign workers, collapsed, leaving behind it debts, halted construction activities and exploited and unpaid workers. Most employed workers came from the territory of former Yugoslavia, especially Bosnia and Herzegovina. While the government silently watched the exploited, underpaid, unpaid and humiliated workers, the accumulation of wealth on one side led to the accumulation of indignation and resistance on the side o...
Production: Obzorniška fronta, 2012
In 2010 and 2011, the huge Slovenian construction sector, which employed more than 70,000 foreign workers, collapsed, leaving behind it debts, halted construction activities and exploited and unpaid workers. Most employed workers came from the territory of former Yugoslavia, especially Bosnia and Herzegovina. While the government silently watched the exploited, underpaid, unpaid and humiliated workers, the accumulation of wealth on one side led to the accumulation of indignation and resistance on the side o...
Toni Poljanec - Hope and Despair (00:29:05)
Production: Hupa Brajdič produkcija, 2016
In August 2015, Toni Poljanec and Tina Glavič Novak travelled to the Greek island of Lesbos. They shot a documentary made up of interviews with refugees who survived a traumatic journey across the sea from Turkey on overloaded rubber boats. When refugees land on the shores of the European Union, the prospect of hope soon turns into hopelessness. Their new reality becomes overcrowded and poorly maintained refugee camps. The dreams of a better life seem unattainable. (Source: Toni Poljanec)
Production: Hupa Brajdič produkcija, 2016
In August 2015, Toni Poljanec and Tina Glavič Novak travelled to the Greek island of Lesbos. They shot a documentary made up of interviews with refugees who survived a traumatic journey across the sea from Turkey on overloaded rubber boats. When refugees land on the shores of the European Union, the prospect of hope soon turns into hopelessness. Their new reality becomes overcrowded and poorly maintained refugee camps. The dreams of a better life seem unattainable. (Source: Toni Poljanec)
Danilo Milovanović - Plastic Makes It Static (00:03:17)
Production: D.M. in Fotopub, 2017
Privatization and profit-making treatment of water resources is becoming an increasingly profitable business. Drinking water, which is vital for humans, should in no way be a commercial commodity that fills the shelves of supermarkets in hundreds of bottles of different brands. What would happen if all the water was packed and prevented from uninterrupted circulation in the nature? I recognized the fountain as an illustration of the hydrosphere in the urban area. That is the scene of my intervention. T...
Production: D.M. in Fotopub, 2017
Privatization and profit-making treatment of water resources is becoming an increasingly profitable business. Drinking water, which is vital for humans, should in no way be a commercial commodity that fills the shelves of supermarkets in hundreds of bottles of different brands. What would happen if all the water was packed and prevented from uninterrupted circulation in the nature? I recognized the fountain as an illustration of the hydrosphere in the urban area. That is the scene of my intervention. T...
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