Neven Korda, Zemira Alajbegović - Staro in novo (01:05:55)
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
Staro in novo je dokumentarec o posnetkih FV videa. Video rekonstruira živahni vrvež na ljubljanski subkulturni sceni v 80-ih letih, ki sta ji pripadala tudi avtorja. Množico dokumentov in video posnetkov, nastalih od 1982 do 1986, sta z minuciozno in hitro montažo slike in zvoka združila v enourno zgodbo, v kateri se lastna čustva in osebni pogledi prepletajo z družbeno-kritično subkulturo in širšim zgodovinskim okvirom - jugoslovanskim socialističnim sistemom. Eisenstein, čigar nas...
DIVA 1990-1999
186 results in works
Neven Korda, Zemira Alajbegović - The Old and the New (01:05:55)
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
The Old and the New reconstructs the lively bustle of the "Ljubljana subculture scene" in the eighties, and it was made by two insiders. With a minute and swift editing of the picture and sound, the makers have succeeded in compiling a number of documents and video shots - made between 1982 and 1988 under the label FV Video - into an hour-long narrative. The video combines the emotions and personal views with the socially-critical subculture and the wider historical context of the Yugoslav socialist system....
Production: V.S. Video / Forum Ljubljana, VPK & TV Slovenija (kulturna redakcija), 1997
The Old and the New reconstructs the lively bustle of the "Ljubljana subculture scene" in the eighties, and it was made by two insiders. With a minute and swift editing of the picture and sound, the makers have succeeded in compiling a number of documents and video shots - made between 1982 and 1988 under the label FV Video - into an hour-long narrative. The video combines the emotions and personal views with the socially-critical subculture and the wider historical context of the Yugoslav socialist system....
Marko A. Kovačič - Katastropolis (00:01:04)
Production: M. A. Kovačič, 1997
A one-minute flyover of the city of Katastropolis, built by the artist as a maquette - the basic setting for the video Forth into the Past. It is composed of artworks, artefacts, and found objects from different materials, techniques, spaces and times.
Production: M. A. Kovačič, 1997
A one-minute flyover of the city of Katastropolis, built by the artist as a maquette - the basic setting for the video Forth into the Past. It is composed of artworks, artefacts, and found objects from different materials, techniques, spaces and times.
Damijan Kracina - The Ant (00:03:53)
Production: 1997
The video shows the last minute in the life of a dying ant which is stuck on an adhesive surface. At exhibitions, the static footage is presented on a miniature screen, with the ant practically life-size. The author discusses human irresponsibility and merciless treatment of animals, revealing that the death of even such a tiny creature is just as dramatic as any other.
Production: 1997
The video shows the last minute in the life of a dying ant which is stuck on an adhesive surface. At exhibitions, the static footage is presented on a miniature screen, with the ant practically life-size. The author discusses human irresponsibility and merciless treatment of animals, revealing that the death of even such a tiny creature is just as dramatic as any other.
Damijan Kracina - Intervju z ogroženo vrsto / /Interview with the Threatened Kind (00:02:25)
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Metod Frlic - Svetloba kože / Brightness of Skin (00:05:10)
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Barbara Borčić - Škuc-Forum Video Production
Production: SCCA-Ljubljana, 1997
The text is accompanying the video program entitled "Škuc-Forum Video Production", curated by Barbara Borčić in 1997. It was presented at the Interstanding project (exhibition & conference) in Tallin, Estonia.
Production: SCCA-Ljubljana, 1997
The text is accompanying the video program entitled "Škuc-Forum Video Production", curated by Barbara Borčić in 1997. It was presented at the Interstanding project (exhibition & conference) in Tallin, Estonia.
Miha Vipotnik - Trikk – Space for your imagination (00:27)
Production: Aanima, 1997
Intro for a TV show Trikk screened on of the Slovene TV stations was expanded to a music video for a song by Kut: Gas by the author. The colour scheme of the intro is lively. It was shot on a blue screen and edited with Chroma key technique, the movement of the musicians and actors is synchronized with the rhythm of the music. (Source: DIVA)
Production: Aanima, 1997
Intro for a TV show Trikk screened on of the Slovene TV stations was expanded to a music video for a song by Kut: Gas by the author. The colour scheme of the intro is lively. It was shot on a blue screen and edited with Chroma key technique, the movement of the musicians and actors is synchronized with the rhythm of the music. (Source: DIVA)
Nika Špan - Video ne video (00:26:55)
Subtitle: Nika Špan
Production: Moderna galerija Ljubljana, 1997
Two-channeled synchronous video was shot at the second triennial of contemporary Slovene art (U3). Video captured Nika Špan and Peter Weibel who communicated without seeing each other. Their communication happened through two direct video broadcasts on monitors placed before both agents. Video broadcasts were shot at the same time. Unedited recordings were presented in a video installation. Artist Nika Špan was presenting her four newest projects including the one they were in at that very moment to curat...
Subtitle: Nika Špan
Production: Moderna galerija Ljubljana, 1997
Two-channeled synchronous video was shot at the second triennial of contemporary Slovene art (U3). Video captured Nika Špan and Peter Weibel who communicated without seeing each other. Their communication happened through two direct video broadcasts on monitors placed before both agents. Video broadcasts were shot at the same time. Unedited recordings were presented in a video installation. Artist Nika Špan was presenting her four newest projects including the one they were in at that very moment to curat...
Nika Špan - Video ne video (00:26:55)
Subtitle: Peter Weibel
Production: Moderna galerija Ljubljana, 1997
Two-channel video was made at the second triennial of Slovene art U3. Each of the camera follows one of the correspondents talking to each other about the author's projects without using any words. The author explains to her curator Peter Weibel about her newest projects only by drawing and writing and he responds by nodding.
Subtitle: Peter Weibel
Production: Moderna galerija Ljubljana, 1997
Two-channel video was made at the second triennial of Slovene art U3. Each of the camera follows one of the correspondents talking to each other about the author's projects without using any words. The author explains to her curator Peter Weibel about her newest projects only by drawing and writing and he responds by nodding.