Milena Kosec - The Scarecrow Statelet at the Exhibition (12:03)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Milena Kosec presents the exhibited archival materials of her long-term project of the sovereign, independent, artistic micro-state The Scarecrow Statelet at the exhibition Art in Extended Spaces. Slovene Art 1985-1995 in the Modern Gallery. (Source: DIVA Station)
DIVA 2000-2009
409 results in works
Milena Kosec - Black Cube (22:08)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Raw footage of the re-installation (and demolition) of the Black Cube in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. The first edition of the performative event took place in 1994 in Zvezda Park under the title The Pocket-size State of Scarecrows in your town – Black Cube in Park Zvezda (in the middle of the star) – a view in the infinity of the unknown. Priestesses: Lucija Grm, Bogdana Herman and Milena Kosec. The event a...
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Raw footage of the re-installation (and demolition) of the Black Cube in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. The first edition of the performative event took place in 1994 in Zvezda Park under the title The Pocket-size State of Scarecrows in your town – Black Cube in Park Zvezda (in the middle of the star) – a view in the infinity of the unknown. Priestesses: Lucija Grm, Bogdana Herman and Milena Kosec. The event a...
Milena Kosec - Past work – street sale PRICE DETERMINED BY THE BUYER! (11:10, 16:58)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Documentation of the street sale campaign in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. Documentation consists of two recordindgs, Part 1 and Part 2.Repetition of the campaign Past work – Clearance Sale, which took place for the first time in December 2003 and January 2004 in Vila Katarina. (Source: DIVA Station)
Subtitle: Art in Extended Spaces. Slovene Art 1985-1995
Production: Državica Ptičjestrašilna, 2004
Documentation of the street sale campaign in front of the Modern Gallery Ljubljana as part of the exhibition Art in Extended Spaces. Slovene Art 1985-1995. Documentation consists of two recordindgs, Part 1 and Part 2.Repetition of the campaign Past work – Clearance Sale, which took place for the first time in December 2003 and January 2004 in Vila Katarina. (Source: DIVA Station)
Dejan Habicht - die Heißeste Nummer
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004/06
die Heißeste Nummer / The Hottest Number is an e-book that one can print at home. It is composed of black and white photographs of a television screen showing the sports channel DSF that starts to broadcast phone sex commercials at 11 p.m.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2004/06
die Heißeste Nummer / The Hottest Number is an e-book that one can print at home. It is composed of black and white photographs of a television screen showing the sports channel DSF that starts to broadcast phone sex commercials at 11 p.m.
Nataša Prosenc Stearns - Swimming the Dark (00:03:52)
Production: Kanalya Pictures, 2005
Underwater recordings filmed by a swimmer accompanied with sounds of water streams and machines.
Production: Kanalya Pictures, 2005
Underwater recordings filmed by a swimmer accompanied with sounds of water streams and machines.
Nataša Prosenc Stearns - Crossing (0:04:59)
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
Production: Kanalya Pictures, 2005
Video Crossing contains different layers of recordings. A close-up of a face is covered with a layer of tracks of fire and water. The combination gives impressions of the layers shading and blending. The viewer faces a sequence of video projections moving from realistic to abstract. Installation is a display of transformation attracting the viewer to change, metamorphosis and decomposing of images.
Nataša Prosenc Stearns - Connected (0:08:00)
Subtitle: Living Sculpture / Human Bridge
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered with red fabric standing shoulder to shoulder on a bridge. The intention was to point out connections between people in a society run by individualism and hostility.
Subtitle: Living Sculpture / Human Bridge
Production: Kanalya Pictures, 2005
A documentary about a living sculpture on one of the bridges over the Venice canals. Connected was created as part of the 26th Venice Art Walk in celebration of the 100th anniversary of the Venice canals in California. The participants were all covered with red fabric standing shoulder to shoulder on a bridge. The intention was to point out connections between people in a society run by individualism and hostility.
Nataša Prosenc Stearns - Video Installations (1994-2005) (00:13:58)
Subtitle: Swimming the Dark, Crossing, Sphere, Well, Vortex, Shadows, Corner, Tomb, Pillar, More, Reason, Vertical Horizon, Journey into the Void, Place of the Game
Production: 2005
1. Swimming the Dark: podvodni eksperimentalni posnetki plavalke ob spremljavi šuma vodnih tokov in strojev. (2005) 2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instal...
Subtitle: Swimming the Dark, Crossing, Sphere, Well, Vortex, Shadows, Corner, Tomb, Pillar, More, Reason, Vertical Horizon, Journey into the Void, Place of the Game
Production: 2005
1. Swimming the Dark: podvodni eksperimentalni posnetki plavalke ob spremljavi šuma vodnih tokov in strojev. (2005) 2. Crossing: večkanalna instalacija, ki prikazuje razkrajanje podob z ognjem in vodo. Prvi del sestavljajo podobe visečega človeškega telesa, ki se staplja s plameni. Oblike in barve ognja ter kože se zlijejo druga v drugo in kmalu ne zaznamo več nobene razlike med njimi. Drugi del prikazuje povečane obraze s sledmi ognja in vode, ki se prelivajo po njihovi površini ter izseke instal...
Nataša Skušek - Ecstasy (00:11:28)
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.