Nataša Prosenc Stearns - Čas? / Time? (0:01:18 in 0:01:17, na št. 69 0:01:18)
Production: TV Slovenija, 1990
The repeated use of a media image gives it the status of stereotype - in this case a clock announcing the beginning of the television news. The artist wishes to undermine the 'freezing' of the stereotypical media image; she transforms it and thus reinstates time in its natural and constant flow. The concept and form of the work are characterised by irony. (VD)

Nataša Prosenc Stearns - Tam (Framski slap) / Over There (Fram Waterfall) (0:07:25)
Production: Eurospekter (koprodukcija) & Otroški in mladinski program TV Slovenija, 1991
This video can be viewed as a video fairy-tale: it contains all the elements of one. The happening takes place in a forest. We see a dwarf that never shows its face, but on its travels it often encounters other incredible beings. Graphic signs are component parts of the image, and they are accentuated by Saba Skaberne's and Tamara Sevčnikar's sculptures, which also form part of the installation of the same title.

Rok Sieberer Kuri - Dobrodošli (00:06:36)
Production: Media Teror, Forum Ljubljana, 1996
Welcome is a short experimental video film which combines computer graphics and video image. The resulting new picture produces a new and different vision and meaning. The product of metamorphosis leaves the viewer with his/her own understanding of the work. (VD)

Rok Sieberer Kuri - Bombo ob 12h (00:03:28, na vhs 197: 00:04:23)
Production: Media Teror, V.S. Video, Forum Ljubljana, 1995
One of the typical features of the author is the use of non-professional technology to show everyday reality. On the basis of daily reality he aims to form conclusions pointing to the insanity of modern man. Perhaps a solution cannot be reached merely through an artistic attitude, but rather through radical activity. (VD)

Rok Sieberer Kuri - Vivisekcija (00:03:32)
Production: V.S. Video / Forum Ljubljana, 1997
Vivisection... the title tells us all.(VD)

Rok Sieberer Kuri - Chroma Quart Mix I (00:34:15)
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).

Rok Sieberer Kuri - Technotime (00:30:11)
Production: Media Teror, 1999
Video is playing with abstract forms of coloured masses dancing on the screen and changing shapes. The artist uses found footages from television news reports that he digitally manipulated, he typically uses fast changes of scenes and fast rhythm of video editing.

Rok Sieberer Kuri, Media Teror - Kriza (00:02:54)
Production: V.S. Video / Škuc - Forum, Ljubljana, 1989
Kuri, the actor in the video, faces the aggression of the TV medium. He compares the images of himself to media information, he yields to their influence; the multiplication of information brings him to a crisis. (VD)

Rok Sieberer Kuri - Kuri kompilacija (00:34:29)
Production: V.S.Đ.V., Ljubljana, 1991
The Kuri Compilation combines several humorous short video clips: Crisis, Yello Party, Ljubljana Trafik, Art Evening, Bonfire, Rollins, Crime-Criminal Story, The Koncilija Portrait, and Grandma's Robbery. An interview with a street newsvendor, city traffic, 'family' video in nature, video burlesque, criminal story featuring toys. (VD)

Mirko Simić - Out of Memory (00:04:47)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)

Mirko Simić - Do you hear the sound of silence (00:03:02)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)

Apolonija Šušteršič - Studio 016 (0:02:11)
Production: 1995
Zvočna intervencija v prostorih Rijksakademie van beeldene kunsten Amsterdam. Video prikazuje posnetke postopnega vstopanja v svetli prostor, snemanje tal ob hoji, snemanje obiskovalcev, ki poslušajo instalacijo na slušalke. Kamera je statična, na trenutke tudi premična. Na koncu videa se prostor postopoma izprazni. Zvočna kulisa, ki opremlja posnetek, je sestavljena iz korakov in hrupa obiskovalcev.

Mirko Simić - Parabola (00:35:28)
Production: VPK & Human Creative Net, 1997
Parabola is a short version of six hours long video performance in a club Gavioli Ambasy in Izola, Slovenia that the artist VJ Simo has performed at a live visual act. It is presenting a collage of numerous found fotages and documentary recordings from this tiny costal town. The video is interlaced with a rich electronic manipulation of image and patterns.

Mirko Simić - Anti Nazy Mix (00:18:02)
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.

Mirko Simić, Stanka Brljević - Scream (00:03:53)
Production: VPK, Bris, 1995
Video for the song Scream of group Borghesia. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video works, music videos, video tapes, music records and cassettes) formed by Zemira Alajbegović, Goran Devide (✝), Aldo Ivančić, Neven Korda and Dario Sereval. Borghesia was active as a multimedia group until 1989 and was later changed to a music duo by Aldo Ivančić and Dario Sereval.

Mirko Simić - Passer By (00:04:20)
Production: Bris & VS VIDEO / Škuc - Forum Ljubljana, 1990
A multitude of moving images presenting everyday life from various viewing angles. Images of life vibrate in the rhythm of music by Sergej Kurjohin. Although dance is in the forefront of this video, this is not a video spot. (VD)

Mirko Simić - Dugtren (00:05:27)
Production: Bris, 1991
The graphic signs appearing at the beginning are immediately transformed into real images of elements: shaping of clay, a fountain, a toilet bowl and the flushing of water accompanied by the sound of a train. Images follow the rhythm of the music which links them.

Mirko Simić - Back to the Bible (00:03:41)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)

Mirko Simić - Positive Connection II (00:03:20)
Production: Bris & V.S. Video / Forum, Ljubljana, 1990, 1990
A fleeting glance and noise bring us into a space of consciousness where the real and the abstract unite on the border of perception.

Mirko Simić - Anti Nazy (00:09:06)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)