Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.
DIVA urban
91 results in works
Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.
Neven Korda, Dario Seraval, Zemira Alajbegović - ZMR (00:03:49)
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Zmago Lenardič, Jasna Hribernik - NewMoscowYork (00:25:20)
Production: White Balance, 2004
The video is a humoristic comparison of two metropolises – New York and Moscow, where the life in the age of globalization is close to identical. Authors juxtapose similar scenes on two different channels. Each channel shows an urban silhouette with skyscrapers, triumphal arches and monuments of one of both cities. Scenes are followed by a lively music and a narration by a voice speaking English with a Russian accent reading highly ironical quotations from Little golden America, a work by humorists Il...
Production: White Balance, 2004
The video is a humoristic comparison of two metropolises – New York and Moscow, where the life in the age of globalization is close to identical. Authors juxtapose similar scenes on two different channels. Each channel shows an urban silhouette with skyscrapers, triumphal arches and monuments of one of both cities. Scenes are followed by a lively music and a narration by a voice speaking English with a Russian accent reading highly ironical quotations from Little golden America, a work by humorists Il...
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Vesna Čadež - Narava / Nature (00:11:07 (skupno))
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
Subtitle: Sinhronija (narava- Ljubljana) / Sinchrony (Nature- Ljubljana)
Production: 2005
The video captures two different video projections being played simultaneously presenting the contrast between urban and natural environment. They are viewed at separately, but grasped as a whole mimicking the viewer's division between perceiving and moving in the city as well as in the nature. Author takes the two opposing positions of man's living habitats, which complement one another, as her basis. Continuing with the concept of synchrony, she uses concurrence of action, simultaneousness of...
Tanja Lažetić - The Wrong Place (00:00:52)
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Tanja Lažetić, Dejan Habicht - No Remembrance, No Comradship (00:05:10)
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
Production: Tanja Lažetić, 2006
No Remembrance No Comradeship je avtorska dokumentacija kontinuirane javne akcije, ki je trajala približno leto dni (2005 / 2006). Avtorja projekta sta organizirala nedeljske kolesarske izlete po ljubljanski sprehajalni Poti spominov in tovarištva, ki sta jih skrbno dokumentirala. Video posnetki sestojijo iz grobo montiranega materiala, kjer se skoraj identičen prizor prihajanja in odhajanja repetitivno ponavlja na različnih odsekih sprehajališča.
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - First Impression (0:09:08)
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Evelin Stermitz - Land of OZ (0:24:39)
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.
Subtitle: Years of Crying
Production: 2008
LAND OF OZ is a video collage of urbanity, artificial nature and movement, all in all as a personal performative tableau embedded in an American context.