Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
DIVA 2000-2009
409 results in works
Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist sear...
Nika Špan - Fine Sciencies (00:00:49)
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Subtitle: Cikel Fine Sciencies
Production: 2006
Computer animation is based on a simulation presentation of a computer programme found online. Re-editing of the material enables the author to find new contents. The work is a part of the author's series Fine sciences in which she explores visualizations used by science and technique.
Vesna Bukovec - Endless Game (0:01:32)
Production: Vesna Bukovec, 2006
Video work is playing with the cliché motif of TV ads for women. Author is combining the key moments when models smile, touch their skin and fix their shiny hair. She problematizes the endless game of arousing consumers and lateral brain washing.
Production: Vesna Bukovec, 2006
Video work is playing with the cliché motif of TV ads for women. Author is combining the key moments when models smile, touch their skin and fix their shiny hair. She problematizes the endless game of arousing consumers and lateral brain washing.
Neven Korda - Angelic Wreath On Speed (00:04:42)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Source: Neven Korda)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES. NO. (Source: Neven Korda)
Neven Korda - Angelski venček na oceanu / Angelic Wreath On Ocean (00:07:00)
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda Music: Oceans, Bast image: all 5 NNF films, all the words from Reincarnation and Nomad, quotes from Un Chant d'Amour (Jean Genet), Olympia (Leni Reifenstahl), shots of everyday. NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of a...
Subtitle: Part of New New Films series
Production: 2006
Conception, image and sound: Neven Korda Music: Oceans, Bast image: all 5 NNF films, all the words from Reincarnation and Nomad, quotes from Un Chant d'Amour (Jean Genet), Olympia (Leni Reifenstahl), shots of everyday. NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of a...
Evelin Stermitz - Inside the Outside (0:05:33)
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.