Marko A. Kovačič - Requiem M (00:04:02)
Production: Studio Brut, 1990
Video documents a performance entitled Requiem, which happened as a part of an exhibition Izkušnja predmeta (Experience of the Object)in Modern gallery in Ljubljana in 1989. The artist conducted the performance on his 33rd birthday. Coated with white wax make-up he immovably lies in a sarcophague for an hour and a half, as long as Mozart's Coronation Mass lasts. With the performance the author partly relived Jesus's experience and predicted the death of human kind. Focused and clear shots of the perf...
DIVA Works
1168 results in works
Miha Vipotnik - The Power of Destiny (50:47)
Production: KUP, RTV Slovenija, 2001
The work was made in 2001 and 2002 marking the centennial of Giuseppe Verdi's death. The power of destiny is an experimental and polemic story about the making of a film intertwined with music by the Italian giant of classical music Verdi and his contemporary Wagner, who demolished the until then accepted norms with his musical procedures. The film itself also provocatively questions high and popular art, opera and film creating a relationship, which through the questions about film language refers to Slove...
Production: KUP, RTV Slovenija, 2001
The work was made in 2001 and 2002 marking the centennial of Giuseppe Verdi's death. The power of destiny is an experimental and polemic story about the making of a film intertwined with music by the Italian giant of classical music Verdi and his contemporary Wagner, who demolished the until then accepted norms with his musical procedures. The film itself also provocatively questions high and popular art, opera and film creating a relationship, which through the questions about film language refers to Slove...
Boštjan Kavčič - Ples / Dance (0:03:44)
Production: 2001
A close up of feet dancing peculiarly to electronic music from Jean Michel Jarre's album Zoolook. Two different dichromatic filters are used and are altering one another. Playing with the medium, artist creates a stylized and abstract video using completely intimate and unimportant motif.
Production: 2001
A close up of feet dancing peculiarly to electronic music from Jean Michel Jarre's album Zoolook. Two different dichromatic filters are used and are altering one another. Playing with the medium, artist creates a stylized and abstract video using completely intimate and unimportant motif.
Vladimir Ristić - My Way (0:02:30)
Subtitle: Hommage to Eadweard Muybridge
Production: Veber Veber Production, 2003
The work is a music video for a song My way by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. My way is a computer animation in constant movement. Figures of camels and athletes are rhythmically moving, emphasizing the music's steady rhythm. The whole minimalistic story of the video is set in front of stylized monotonous background, which reminds us of a dreary steppe. The video...
Subtitle: Hommage to Eadweard Muybridge
Production: Veber Veber Production, 2003
The work is a music video for a song My way by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. My way is a computer animation in constant movement. Figures of camels and athletes are rhythmically moving, emphasizing the music's steady rhythm. The whole minimalistic story of the video is set in front of stylized monotonous background, which reminds us of a dreary steppe. The video...
Vladimir Ristić - She has Lost his Love (0:01:40)
Production: Veber Veber Production, 2005
The work is a music video for a song She has Lost his Love by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video shows a close up of a girl walking on a sandy beach. Author manipulates her movement and without any special effects achieves rhythmical harmony of sound and image.
Production: Veber Veber Production, 2005
The work is a music video for a song She has Lost his Love by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video shows a close up of a girl walking on a sandy beach. Author manipulates her movement and without any special effects achieves rhythmical harmony of sound and image.
Vladimir Ristić - Red Roses for a Blue Lady (0:02:30)
Production: Veber Veber Production, 2005
The work is a music video for a song Red Roses for a Blue Lady by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Red Roses for a Blue Lady presents usage of different video and animation techniques for the manipulation of the image: image of the singer multiplies with an incrustation in the background. Minimalistic story shows a popular song singer in front of a red curtain on a stag...
Production: Veber Veber Production, 2005
The work is a music video for a song Red Roses for a Blue Lady by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Red Roses for a Blue Lady presents usage of different video and animation techniques for the manipulation of the image: image of the singer multiplies with an incrustation in the background. Minimalistic story shows a popular song singer in front of a red curtain on a stag...
Vladimir Ristić - I Want To Go With The One (0:01:35)
Production: Veber Veber Production, 2005
The work is a music video for a song I want to go with the one by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video without a real narrative shows a skewed self portrait of the author manipulated with different tools. Disproportions in the size of different body parts give an impression of an alien creature.
Production: Veber Veber Production, 2005
The work is a music video for a song I want to go with the one by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video without a real narrative shows a skewed self portrait of the author manipulated with different tools. Disproportions in the size of different body parts give an impression of an alien creature.
Vladimir Ristić - Green Green Grass of Home (0:02:45)
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.
Production: Veber Veber Production, 2006
The work is a music video for a song Green Green Grass of Home by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The story about secretive men and a girl wearing a sport gear doing aerobics without special effects searches for a visual rhythmic, reached with details set in the background. Green Green Grass of Home is a lonely story of a metropolis underground.
Vladimir Ristić - When We Were Young (0:01:08)
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Vladimir Ristić - Toni Jo (0:01:50)
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Vladimir Ristić - At The Lake Pavillion (0:02:15)
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Boštjan Kavčič - Oko / Eye (0:05:39)
Subtitle: Videodokument - akcija ob dnevu zemlje
Production: 1999
Video documents performative action that took place on international earth day. Two protagonists Boštjan Kavčič and Cristina Andersen take a walk in Ljubljana streets ending up at a tree, which is used by the author as a canvas as he paints an eye on it.
Subtitle: Videodokument - akcija ob dnevu zemlje
Production: 1999
Video documents performative action that took place on international earth day. Two protagonists Boštjan Kavčič and Cristina Andersen take a walk in Ljubljana streets ending up at a tree, which is used by the author as a canvas as he paints an eye on it.
Boštjan Kavčič - Uvid / Insight (0:09:44)
Production: 2001
Experimental video using close ups and strong color as a means to navigate from realistic image to complete abstract and back. An eye follows a process of insemination and conception. We witness different periods of baby's growth inside the womb. The usage of different editing effects results in an impression of looking at a painting with a subtle narrative.
Production: 2001
Experimental video using close ups and strong color as a means to navigate from realistic image to complete abstract and back. An eye follows a process of insemination and conception. We witness different periods of baby's growth inside the womb. The usage of different editing effects results in an impression of looking at a painting with a subtle narrative.
Boštjan Kavčič - Riba Faronika / Fish Faronika (0:07:02)
Subtitle: Videodokument razstave
Production: 2001
The video documents an exhibition presenting a schematized metallic sculpture of a fish by Brane Kavčič. Close ups focus on details of the texture and follow significant lines. This visual research of the sculpture is accompanied by a vocal folk song about a fish called Faronika.
Subtitle: Videodokument razstave
Production: 2001
The video documents an exhibition presenting a schematized metallic sculpture of a fish by Brane Kavčič. Close ups focus on details of the texture and follow significant lines. This visual research of the sculpture is accompanied by a vocal folk song about a fish called Faronika.
Boštjan Kavčič - Tri imena / Three Names (0:00:55)
Subtitle: Videodokument instalacije
Production: 2001
A videodocument of an exhibition project, an installation in public space accompanied by revolutionary partisan songs.
Subtitle: Videodokument instalacije
Production: 2001
A videodocument of an exhibition project, an installation in public space accompanied by revolutionary partisan songs.
Boštjan Kavčič - Kaj je ostalo od zadnje večerje / What's Left from the Last Supper (0:00:42)
Production: 2002
Documentation of an exhibition of a sound installation. We see a toilet seat with sounds of people eating coming out of it.
Production: 2002
Documentation of an exhibition of a sound installation. We see a toilet seat with sounds of people eating coming out of it.
Boštjan Kavčič - Obleka in stroj / Dress and Machine (0:02:08)
Production: 2002
Video performance unites two seemingly contradictory social environments. Inside a dirty, dark factory hall a huge machine swirls an evening gown to a tact of a Viennese waltz. Later a performer dances with the dress. With his performance the author brings poetics, the cultural and the fragile usually unattainable to the working class inside a factory, a symbol presenting the latter and in doing so, he is playing with the idea of fixed meanings.
Production: 2002
Video performance unites two seemingly contradictory social environments. Inside a dirty, dark factory hall a huge machine swirls an evening gown to a tact of a Viennese waltz. Later a performer dances with the dress. With his performance the author brings poetics, the cultural and the fragile usually unattainable to the working class inside a factory, a symbol presenting the latter and in doing so, he is playing with the idea of fixed meanings.
Boštjan Kavčič - Rombot 1.0 (0:00:55)
Production: 2002
Video is a documentation of an interactive deploy of the artist entitled Terror Zone. Thematically the author deals with a chaotic destruction of a descendant through a robotic installation. A spider inside a nest out of a distress caused by captivity kills its own offspring. The installation creates a feeling of anxiety and discomfort.
Production: 2002
Video is a documentation of an interactive deploy of the artist entitled Terror Zone. Thematically the author deals with a chaotic destruction of a descendant through a robotic installation. A spider inside a nest out of a distress caused by captivity kills its own offspring. The installation creates a feeling of anxiety and discomfort.
Miha Vipotnik - Baptism under Triglav (22:46)
Production: TDS Magenta, Cankarjev dom & RTV Ljubljana, 1987
Author's video document on the theatrical play of the same name by the Theatre Sestre Scipion Nasice, staged at Cankarjev Dom in Ljubljana in 1986. It was based on the Slovene mythological narrative of the Christianization period and at the same time in the language of performative, music and art attractions, typical also for the other two groups of the Neue Slowenische Kunst Collective who also participated in the performance: Laibach (music) and IRWIN (visual image). The aesthetics of this retro-gardist e...
Production: TDS Magenta, Cankarjev dom & RTV Ljubljana, 1987
Author's video document on the theatrical play of the same name by the Theatre Sestre Scipion Nasice, staged at Cankarjev Dom in Ljubljana in 1986. It was based on the Slovene mythological narrative of the Christianization period and at the same time in the language of performative, music and art attractions, typical also for the other two groups of the Neue Slowenische Kunst Collective who also participated in the performance: Laibach (music) and IRWIN (visual image). The aesthetics of this retro-gardist e...
Nataša Skušek - Feng Šuji (0:01:00)
Production: 2008
Video documents the cleaning o fan apartment with the help of Fen Shui method. The author presents a humours version of a cliché expression with a multiple meaning, which is firmly present in the western culture. The raw document of a performance is created without the usage of special effects and video techniques.
Production: 2008
Video documents the cleaning o fan apartment with the help of Fen Shui method. The author presents a humours version of a cliché expression with a multiple meaning, which is firmly present in the western culture. The raw document of a performance is created without the usage of special effects and video techniques.
