Small but dangers - I see 1 (00:00:25)
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her right. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
DIVA self-portrait
50 results in works
Small but dangers - I see 2 (00:01:01)
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her left and right as if shaking it in disagreement. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
Production: SBD, 2015
Video performance is filmed with a mobile phone. Performer (Mateja Rojc) is looking straight into the phone camera. She starts slowly turning her head towards her left and right as if shaking it in disagreement. Her gaze does not move along with her head, but remains focused on the camera and thus indirectly to the viewer or viewer. As in some kind of stare contest. With the video performance Small but dangers continue to explore and play with the gaze/view, and the reception and perception of moving images.
Đejmi Hadrović - Crossing Borders (00:04:47)
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
SCCA-Ljubljana, Nataša Skušek - Video evening with DIVA Station: Nataša Skušek (45:57)
Production: SCCA–Ljubljana, Galerija Photon, Nataša Skušek, 2020
Video Evenings are events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the coronavirus pandemic we prepared a digital event with a screening and conversation in the form of a pre-recorded video presentation, which was published on the SCCA-Ljubljana and Photon Gallery websites on April 8, 2020. Artist Nataša Skušek presented a selection of ten projects which she created in collaboration with artists Ma...
Production: SCCA–Ljubljana, Galerija Photon, Nataša Skušek, 2020
Video Evenings are events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the coronavirus pandemic we prepared a digital event with a screening and conversation in the form of a pre-recorded video presentation, which was published on the SCCA-Ljubljana and Photon Gallery websites on April 8, 2020. Artist Nataša Skušek presented a selection of ten projects which she created in collaboration with artists Ma...
Lealudvik - Fish Love (13:15)
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Production: Lealudvik, 2019
The video is a single-channel version of a three-channel spatial installation at the Lealudvik: As it is, so be it exhibition at the Škuc Gallery in 2020. It consists of three scenes of a video performance in which the artists eats a cast of his/her partner's body. The side scenes, placed in a perspective, were placed on opposite walls in the gallery space. Each aimed at one protagonist. The frontal scene shows a top-down view of the castings of half of the two bodies, which together make up the...
Uršula Berlot - Vanitas – Self-Portrait (01:54)
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
Production: Uršula Berlot, 2012
Video Vanitas – Self-portrait presents a hypnotic image of the continuous dissolution of the author’s face, skull, and brain. The repetitive liquefying interplay between the exterior and the technologically-visualized exterior posits the question of visible and invisible, physical and mental. However, the image of the skull is not only a metaphor for the transience of life and the inevitability of death; in relation to the sound of rhythmic respiration it evokes death as a faithful companion of...
SCCA-Ljubljana, Andreja Džakušič, Simon Macuh, Iva Tratnik, Keiko Miyazaki - Video evening with DIVA Station: Andreja Džakušič, SIVA and IvAnKe (57:47)
Production: SCCA–Ljubljana, Galerija Photon, 2021
Video Evening with DIVA Station are live events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the second wave of the coronavirus pandemic we prepared an adapted digital presentation. Artists Andreja Džakušič, Simon Macuh, Iva Tratnik and Keiko Miyazaki recorded their online covnersation about their artistic practice and mutual cooperation. The presentation, accompanied by photographs and inserts of video work...
Production: SCCA–Ljubljana, Galerija Photon, 2021
Video Evening with DIVA Station are live events organized by SCCA-Ljubljana and Photon Gallery with screenings and talks by artists included in the DIVA Station archive. In the time of the second wave of the coronavirus pandemic we prepared an adapted digital presentation. Artists Andreja Džakušič, Simon Macuh, Iva Tratnik and Keiko Miyazaki recorded their online covnersation about their artistic practice and mutual cooperation. The presentation, accompanied by photographs and inserts of video work...
Luksuz produkcija - Curriculum Vitae (08:26)
Production: Luksuz produkcija, 2019
A resume (C.V.) is usually a document that presents personal skills and competencies, but does not reveal weaknesses. Author Ece Ezer used the form of a C.V. to honestly reflect on her own difficulties and fears. At the same time, the work exposes linguistic obstacles to understanding a foreign language and highlights errors and alternative meanings that are established by literal machine translation and by disregarding sentence structures and the linguistic rules of another language. Fragmentarity and inab...
Production: Luksuz produkcija, 2019
A resume (C.V.) is usually a document that presents personal skills and competencies, but does not reveal weaknesses. Author Ece Ezer used the form of a C.V. to honestly reflect on her own difficulties and fears. At the same time, the work exposes linguistic obstacles to understanding a foreign language and highlights errors and alternative meanings that are established by literal machine translation and by disregarding sentence structures and the linguistic rules of another language. Fragmentarity and inab...
Luksuz produkcija - Un/re/veal/ed (00:41)
Production: Luksuz produkcija, 2018
The figure as virus, the image as a self-breeding form. Rinse, repeat: a passage to nowhere. (Source: Luksuz produkcija) Author: Ece Ezer
Production: Luksuz produkcija, 2018
The figure as virus, the image as a self-breeding form. Rinse, repeat: a passage to nowhere. (Source: Luksuz produkcija) Author: Ece Ezer
Nataša Berk - Törpe (01:30)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)