Neven Korda - 1 Sekunda mojega življenja (00:01:52)
Subtitle: slovenska verzija, Part of New New Films series
Production: 2001
Report from real every day. Inspiration and a tribute to the film Blue by Derek Jarman. (Neven Korda) NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this reality into question. Now they care just about of artificial worlds. Uniqueness of the moment. Uniqueness of the experience. Uniqueness of our lives. Time is a nomad. YES....
DIVA 2000-2009
409 results in works
Neven Korda - Poletje 1, 2 / Summer 1, 2 (00:26:00)
Subtitle: Part of New New Films series
Production: 2001
The Story of a cardboard box. Text, conception, sound, editing and directed by: Neven Korda Narrator: Srečko Meh Recordings of events between 17 and 23 July 1988 in the execution of FV video and Brut film. Digitized and edited in the Kapelica Gallery, Zavod K6/4, 2001 NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this r...
Subtitle: Part of New New Films series
Production: 2001
The Story of a cardboard box. Text, conception, sound, editing and directed by: Neven Korda Narrator: Srečko Meh Recordings of events between 17 and 23 July 1988 in the execution of FV video and Brut film. Digitized and edited in the Kapelica Gallery, Zavod K6/4, 2001 NNF (New New Films) were made between 2001 and 2007 and consist of twelve videos. They are in-between reports by Neven Korda from his renewed reading of the 1960s. At the beginning, they did not like the image of reality. Then they put this r...
Milena Kosec - Exhibition Flags at Kapelica Gallery (42:12)
Production: Galerija Kapelica, 2001
Raw footage of Milena Kosec's solo exhibition at the Kapelica Gallery entitled Flags. The exhibition is dedicated to menstruation and libidinality. (Source: DIVA Station)
Production: Galerija Kapelica, 2001
Raw footage of Milena Kosec's solo exhibition at the Kapelica Gallery entitled Flags. The exhibition is dedicated to menstruation and libidinality. (Source: DIVA Station)
Duba Sambolec - Collectors #2 (15:15)
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Production: Duba Sambolec, 2001/2002
Video work is a research in the field of personal memories, their collected fragments, of the articulation of holes in the memory and missing evidence. The whispering of the author follows the whole line of recordings in a nondramatic, mystical and calming manner and works as a narration. Shots transition from focused to blurry in a slow rhythm. The video is limited with a round frame. In a series of works Collectors the author deals with an individual trapped in a subordinate position and with personal mem...
Duba Sambolec - NATO Women Waiting (09:33)
Production: Duba Sambolec, 2001/2013
Umetnica je idejo za video dobila v 90-tih, ko je na letališču na Norveškem opazila povečano število vojaškega osebja, ki je bilo namenjeno na vojna območja na Balkanu. Pozornost so ji vzbudile vojakinje in sprožile razmišljanja o njihovi pripravljenosti na preživetje, na potencialno spolno nasilje in spolne vloge v vojski in vojni. Pozneje se je seznanila tudi s problematičnimi ravnanji enot ZN na Balkanu (nezakonita preprodaja orožja in drog, spolne zlorabe, korup...
Production: Duba Sambolec, 2001/2013
Umetnica je idejo za video dobila v 90-tih, ko je na letališču na Norveškem opazila povečano število vojaškega osebja, ki je bilo namenjeno na vojna območja na Balkanu. Pozornost so ji vzbudile vojakinje in sprožile razmišljanja o njihovi pripravljenosti na preživetje, na potencialno spolno nasilje in spolne vloge v vojski in vojni. Pozneje se je seznanila tudi s problematičnimi ravnanji enot ZN na Balkanu (nezakonita preprodaja orožja in drog, spolne zlorabe, korup...
Polonca Lovšin - Always Better (00:01:27)
Subtitle: Street
Production: 2002
The video thematises footage from the artist's childhood: together with her sister, she demonstrated gymnastic exercises for the camera in the back garden of their family home. The sisters repeated the same routine, in the same place, in the present.
Subtitle: Street
Production: 2002
The video thematises footage from the artist's childhood: together with her sister, she demonstrated gymnastic exercises for the camera in the back garden of their family home. The sisters repeated the same routine, in the same place, in the present.
Marjan Gumilar - Pogled (00:06:38)
Production: Marjan Gumilar, 2002
Avtor posname svoj vsakdan na statičen način. Video je posnet v enem samem kadru in prikazuje par v stanovanju, prepravljenem z dnevno svetlobo. Na radiu slišimo jazz glasbo, ki je obenem najbolj dramatičen element videa in omogača tako moški kot ženski osebi, da naselita video brez da bi komunicirala. Moški gleda skozi okno in občuduje razgled, ženska pa bere na postelji. Z odsotnostjo komunikacije - osebe so dejansko ujete v melanholičnost dolgočasnega vsakdana -, postane njuno stanovanje udob...
Production: Marjan Gumilar, 2002
Avtor posname svoj vsakdan na statičen način. Video je posnet v enem samem kadru in prikazuje par v stanovanju, prepravljenem z dnevno svetlobo. Na radiu slišimo jazz glasbo, ki je obenem najbolj dramatičen element videa in omogača tako moški kot ženski osebi, da naselita video brez da bi komunicirala. Moški gleda skozi okno in občuduje razgled, ženska pa bere na postelji. Z odsotnostjo komunikacije - osebe so dejansko ujete v melanholičnost dolgočasnega vsakdana -, postane njuno stanovanje udob...
Polonca Lovšin - Opazovalec (00:03:13)
Subtitle: Ulica
Production: 2002
The author is filming child play at a school playground. Her voyeuristic position allows her to observe a group of children having fun. She is filming them playing, but the filmed characters fail to notice their hidden observer.
Subtitle: Ulica
Production: 2002
The author is filming child play at a school playground. Her voyeuristic position allows her to observe a group of children having fun. She is filming them playing, but the filmed characters fail to notice their hidden observer.
Polonca Lovšin - Water Collector (00:00:23)
Subtitle: Ulica
Production: 2002
A video document of the project Water Collector in which the author is walking through town on a rainy day, collecting water into her umbrella which is turned inside out and held above her.
Subtitle: Ulica
Production: 2002
A video document of the project Water Collector in which the author is walking through town on a rainy day, collecting water into her umbrella which is turned inside out and held above her.
Nataša Prosenc Stearns - Construct (00:12:00)
Production: Kanalya Pictures, 2002
Video documents construction of an enormous facility. Recordings are accompanied with the sounds of construction, occasional music soundtrack and narration dealing with the meaning and consequence of human action, also touching the subject of human existence. Camera ranges from totals to close-up of construction workers, machines and details of the building. Video ends with shots of finished object filmed from the air and with subtitles returning to the subjects from the narration by Gertrude Stein. Facil...
Production: Kanalya Pictures, 2002
Video documents construction of an enormous facility. Recordings are accompanied with the sounds of construction, occasional music soundtrack and narration dealing with the meaning and consequence of human action, also touching the subject of human existence. Camera ranges from totals to close-up of construction workers, machines and details of the building. Video ends with shots of finished object filmed from the air and with subtitles returning to the subjects from the narration by Gertrude Stein. Facil...