Marko A. Kovačič - No More Heroes Any More (0:18:15)
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exaggera...
DIVA 1992
12
12 results in works
Sašo Podgoršek - Koza je preživela (00:09:03)
Production: 1992
Posnetki prikazujejo posameznike, ki se zbirajo pred zapornico: oseba v avtomobilu, ki čaka na svoje dekle, oseba na vozu, oseba na motorju in nekdo s kozo v naročju. Kolona pred zapornico čaka na vlak, vname se pretep, koza pa se v zmedi znajde privezana na zapornico, ki se, ko vlak odide, dvigne s kozo vred. Video predstavlja zrežirane komične prizore, ki prikazujejo resničnost sodobne družbe.
Production: 1992
Posnetki prikazujejo posameznike, ki se zbirajo pred zapornico: oseba v avtomobilu, ki čaka na svoje dekle, oseba na vozu, oseba na motorju in nekdo s kozo v naročju. Kolona pred zapornico čaka na vlak, vname se pretep, koza pa se v zmedi znajde privezana na zapornico, ki se, ko vlak odide, dvigne s kozo vred. Video predstavlja zrežirane komične prizore, ki prikazujejo resničnost sodobne družbe.
Mirko Simić - Do you hear the sound of silence (00:03:02)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Mirko Simić - Back to the Bible (00:03:41)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)
Mirko Simić - Anti Nazy (00:09:06)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Mirko Simić - Mala terasa (00:03:11)
Production: Bris, 1992
Video for the song called Mala terasa of Slovenian group U redu.
Production: Bris, 1992
Video for the song called Mala terasa of Slovenian group U redu.
Miha Vipotnik - Eight (24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's interactive exhibit...
Nataša Prosenc Stearns - Tango za ribe / Tango for Fish (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Zemira Alajbegović, Neven Korda - Podoba 2: Marijan Osole - Max (00:15:21)
Production: Kanal A, 1992
The second from the series Podoba features video artist, editor, and producer Marijan Osole - Max. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television (1992–1993). The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič.
Production: Kanal A, 1992
The second from the series Podoba features video artist, editor, and producer Marijan Osole - Max. Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television (1992–1993). The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič.
12
