Neven Korda: WHOx3. I am, The Other.

Video ambient and performance
Wednesday, June 27, 9 p. m.
SCCA Project Room, Metelkova 6, Ljubljana

Video Turn analyses main formal and conceptual characteristics of video language through various working methods (analysis, curating, critical writing, interviews, collecting audiovisual works and documents, workshops, lectures, panel discussions, presentations).

For the Video Turn project Neven Korda will prepare a video ambient and performance questioning his artistic position within the video art. Continue reading

Neven Korda: NO RETURN: CONTENT + MEDIUM = IMAGE?

Lecture with presentation
January 10, 2012, SCCA Project Room, Ljubljana

Neven Korda  prepared a lecture as a performance and thus presented his artistic practice with the focus on conjunction of video art and live-performance. Neven Korda is a videast and a multimedia artist with a lasting artistic practice. He explores the issue of the essence of video as artistic expression and video as a medium. He speaks about the so-called pure video.

[Slovene long version] Continue reading

Neven Korda: NO RETURN

Autoperformance, installation
Thursday, 29th December 2011, Artist’s Studio, AKC Metelkova City, Ljubljana

Neven Korda is a videast and a multimedia artist with a lasting artistic practice. He explores the issue of the essence of video as an artistic expression and video as a medium. He speaks about the so-called pure video. His personal questions on the topic of so-called pure video were presented in a form of autoperformance and installation, taken place in artist’s studio in December 2012. Continue reading

Neven Korda: KDOxx / Confessions of a Videast

Video ambient and performance
Thursday, 17th November 2011, at 8 pm, Aksioma, Project Space, Ljubljana

Performance Confessions of a Videast, with which Neven Korda is going to open his video ambience WHOxx, originates from a seemingly simple question What is video?, which the artist had posed to himself more than a decade ago. His answer is: Video is light, which – through the medium – is converted back into light. In this case, however, the medium is not just the camera or the carrier of video image with material that has been shot in advance; rather, the medium is the visitor’s body, and the archive of this medium is memory, for the image does not exist until it is stored. Korda is interested not only in the use of his own video material, but also in video as ritual and event. Continue reading

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