Video creates narration from various standing points and in the context of different identities of their producers. It may tell a story like a film, and may be produced in the context of long-established ways of production and collaboration by a long string of colleagues. Video artist then plays the role similar to a film director. However, video may also tell a story quite remote to the verified processes of film production. In such a case, the video producer finds oneself on the margin of production and/or often amid the alternative scene. Video artist becomes the sole creator (auteur) and holder of artistic practice. Nowadays, video art also occurs beyond the (pre-determined) production identities and beyond (conventional) use of technology. Modern graphical programming environments for audio, video and graphics manipulation (e.g. Isadora or Pure Data) and their control protocols offer a creative impulse to the video artists, by which they create a new narration. Some examples of such narrations may be noticed in the works (video ambiences and performances) by Neven Korda. DD
Tag Archives: Neven Korda
Interview with Neven Korda: Pleasure in Discipline
Interviewed by: Nika Grabar
The video Discipline was created as a part of Borghesia’s music video series. The series is entitled The Triumph of Desire, which clearly refers to Leni Riefenstahl’s Triumph of the Will. Why did you choose such a title and how did you refer to the film?
Indeed, The Triumph of Desire is my title and it does refer to Riefenstahl, but on the other hand, it refers especially to the situation in which these videos were made. I made some parts of it after I was no longer part of Borghesia. Approximately six months after the break-up of the band, I chewed on The Triumph of Desire music video collection. I wanted to create a whole, and suddenly everything went down the drain. Despite this, I wanted
to realise the project. The videos were made, which for me meant that a desire had triumphed. Hence, the title – The Triumph of Desire. The video series was then released in an edition of approximately 300 copies. The premiere took place at Kinodvor, then Kino Sloga, which still screened pornographic films. But it was the only cinema with a cinema video projector.
ENGLISH: Interview with Neven Korda Pleasure in Discipline (pdf)
SLOVENE: Intervju z Nevenom Kordo Užitek v disciplini (pdf)
The interview was first published in April 2012 in the book entitled From Consideration to Commitment: Art in Critical Confrontation to Society (Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010) co-edited by SCCA-Ljubljana.
Neven Korda: WHOx3. I am, The Other.
Video ambient and performance
Wednesday, June 27, 9 p. m.
SCCA Project Room, Metelkova 6, Ljubljana
Video Turn analyses main formal and conceptual characteristics of video language through various working methods (analysis, curating, critical writing, interviews, collecting audiovisual works and documents, workshops, lectures, panel discussions, presentations).
For the Video Turn project Neven Korda will prepare a video ambient and performance questioning his artistic position within the video art. Continue reading
Neven Korda: NO RETURN: CONTENT + MEDIUM = IMAGE?
Lecture with presentation
January 10, 2012, SCCA Project Room, Ljubljana
Neven Korda prepared a lecture as a performance and thus presented his artistic practice with the focus on conjunction of video art and live-performance. Neven Korda is a videast and a multimedia artist with a lasting artistic practice. He explores the issue of the essence of video as artistic expression and video as a medium. He speaks about the so-called pure video.
[Slovene long version] Continue reading
Neven Korda: NO RETURN
Autoperformance, installation
Thursday, 29th December 2011, Artist’s Studio, AKC Metelkova City, Ljubljana
Neven Korda is a videast and a multimedia artist with a lasting artistic practice. He explores the issue of the essence of video as an artistic expression and video as a medium. He speaks about the so-called pure video. His personal questions on the topic of so-called pure video were presented in a form of autoperformance and installation, taken place in artist’s studio in December 2012. Continue reading