Martinis, Dalibor - Eternal Flame of Rage (00:06:11)
Subtitle: Ljubljana
Production: ZAVOD P.A.R.A.S.I.T.E/Galerija P74, 2007
The video is an irregular temporary monument project entitled Data Recovery (see in additional text). Adorno/Horkheimer: "Automobiles, bombs and movies keep the whole thing together ...?" The project commemorates the act of rebellion which takes place, irregularly but frequently, on the margins of the big cities, and as by the rule expresses itself by a burning car. It seems that this fragmented, pre-political and unconnected rage needs a burning car as a common shape-symbol. By performing the artistic acti...
DIVA Art video
11 results in mediateque
Martinis, Dalibor - Artist at work (00:03:35)
Production: 2010
The video presents 30-year project of reconstruction, reanimation and resemantization of the commercial neon object which used to stand on the roof of the building at the Republic Square in Zagreb - now in a new context, new location (on the roof of Museum of Contemporary Art, Zagreb) and independent of the function for which it was created. The object in question was at that time (the beginning of the 1960) placed as a neon sign for the Chromos paint factory and represented the first, or one of the first k...
Production: 2010
The video presents 30-year project of reconstruction, reanimation and resemantization of the commercial neon object which used to stand on the roof of the building at the Republic Square in Zagreb - now in a new context, new location (on the roof of Museum of Contemporary Art, Zagreb) and independent of the function for which it was created. The object in question was at that time (the beginning of the 1960) placed as a neon sign for the Chromos paint factory and represented the first, or one of the first k...
Martinis, Dalibor - Eternal Fame of Rage (00:05:30)
Subtitle: Subotica
Production: Omnimedia Zagreb, 2009
The video is an irregular temporary monument project entitled Data Recovery (see in additional text). Adorno/Horkheimer: "Automobiles, bombs and movies keep the whole thing together ...?" The project commemorates the act of rebellion which takes place, irregularly but frequently, on the margins of the big cities, and as by the rule expresses itself by a burning car. It seems that this fragmented, pre-political and unconnected rage needs a burning car as a common shape-symbol. By performing the art...
Subtitle: Subotica
Production: Omnimedia Zagreb, 2009
The video is an irregular temporary monument project entitled Data Recovery (see in additional text). Adorno/Horkheimer: "Automobiles, bombs and movies keep the whole thing together ...?" The project commemorates the act of rebellion which takes place, irregularly but frequently, on the margins of the big cities, and as by the rule expresses itself by a burning car. It seems that this fragmented, pre-political and unconnected rage needs a burning car as a common shape-symbol. By performing the art...
Martinis, Dalibor - Eternal Fame of Rage (00:05:19)
Subtitle: Zagreb
Production: 2008
The video is an irregular temporary monument project entitled Data Recovery (see in additional text). Adorno/Horkheimer: "Automobiles, bombs and movies keep the whole thing together ...?" The project commemorates the act of rebellion which takes place, irregularly but frequently, on the margins of the big cities, and as by the rule expresses itself by a burning car. It seems that this fragmented, pre-political and unconnected rage needs a burning car as a common shape-symbol. By performing the art...
Subtitle: Zagreb
Production: 2008
The video is an irregular temporary monument project entitled Data Recovery (see in additional text). Adorno/Horkheimer: "Automobiles, bombs and movies keep the whole thing together ...?" The project commemorates the act of rebellion which takes place, irregularly but frequently, on the margins of the big cities, and as by the rule expresses itself by a burning car. It seems that this fragmented, pre-political and unconnected rage needs a burning car as a common shape-symbol. By performing the art...
Kantürk, Borga - Malevich Origami (00:00:37)
Production: 2015
The video Malevich Origami is showing the process in which the artist produces the figure of a sloth from paper using the origami technique.
Production: 2015
The video Malevich Origami is showing the process in which the artist produces the figure of a sloth from paper using the origami technique.
Grigoryan, Arman - I am a pinter (00:18:24)
Production: 2000
Production: 2000
Grigoryan, Arman - Superstition (00:10:00)
Production: 1998
Production: 1998
- Beyond the Mirror
Subtitle: Second annual exhibition of SOROS Sarajevo
Production: 1998
Second annual exhibition of The Soros Center for Contemporary Arts - Sarajevo held between 22 August and 20 September 1998. Participating artists: MUHIDIN TVICO - VM 14.50, 1998 [00:07:00] - first prize ALMA SULJEVIC - Elektra, 1998 [00:09:30]- special mention DUNJA LARISE - Archetype, 1998 [00:04:30] LEJLA POROBIC - Through, 1998 [00:05:00] ALMA FAZLIC - Place for Waiting, Part II, 1998 [00:08:00] ZOJA BAJBUTOVIC & DEJAN CORIC - Interaction, 1998 [00:01:30] ZLATAN FILIPOVIC - A Short Review of Co...
Subtitle: Second annual exhibition of SOROS Sarajevo
Production: 1998
Second annual exhibition of The Soros Center for Contemporary Arts - Sarajevo held between 22 August and 20 September 1998. Participating artists: MUHIDIN TVICO - VM 14.50, 1998 [00:07:00] - first prize ALMA SULJEVIC - Elektra, 1998 [00:09:30]- special mention DUNJA LARISE - Archetype, 1998 [00:04:30] LEJLA POROBIC - Through, 1998 [00:05:00] ALMA FAZLIC - Place for Waiting, Part II, 1998 [00:08:00] ZOJA BAJBUTOVIC & DEJAN CORIC - Interaction, 1998 [00:01:30] ZLATAN FILIPOVIC - A Short Review of Co...
Stilinović, Mladen - Početnica 1, 2, 3 / Primer 1, 2, 3
Subtitle: Esperimentalni filmovi i videoradovi / Experimental films and videos, 1971 - 2006
Production: Hrvatski filmski savez / Croatian Film Association
A trilogy of short silent films accompanied with a text, during which the audience had to read out loud words and images. This conceptual work revealed the artist’s interest in the street design which later became visible in his photographic books. This is also the most lucrative cinematic year for Stilionvić: he makes Bježi (Run Away) and Piši ne samoće (Write about Un-loneliness), a film shot in negative, as well as the only long feature, the 70-minute film Tresla se brda rodio se miš (Much Ado abo...
Subtitle: Esperimentalni filmovi i videoradovi / Experimental films and videos, 1971 - 2006
Production: Hrvatski filmski savez / Croatian Film Association
A trilogy of short silent films accompanied with a text, during which the audience had to read out loud words and images. This conceptual work revealed the artist’s interest in the street design which later became visible in his photographic books. This is also the most lucrative cinematic year for Stilionvić: he makes Bježi (Run Away) and Piši ne samoće (Write about Un-loneliness), a film shot in negative, as well as the only long feature, the 70-minute film Tresla se brda rodio se miš (Much Ado abo...
Seno, Shireen - The Kalampag Tracking Agency (00:67:28)
Production: The Kalampag Tracking Agency, 1985
On 12 May 2015 we hosted Shireen Seno, curator from the Philippines within the frame of World of Art School and the international project Curating-In-Depth. In the Project Room SCCA she presented a selection of 13 art video works and short films from the Philippines, which were created from 1985 to the present. The selection depicts various aesthetics and uses of video and film language, and discovers topics that characterize the Philippine modern society. The projection, totaling 67 minutes, was accompanie...
Production: The Kalampag Tracking Agency, 1985
On 12 May 2015 we hosted Shireen Seno, curator from the Philippines within the frame of World of Art School and the international project Curating-In-Depth. In the Project Room SCCA she presented a selection of 13 art video works and short films from the Philippines, which were created from 1985 to the present. The selection depicts various aesthetics and uses of video and film language, and discovers topics that characterize the Philippine modern society. The projection, totaling 67 minutes, was accompanie...
