Marko Košnik - Operabil Early Documents 2004-07 (18:26)
Production: Inštitut Egon March, 2007
Operabil Early Documents 2004-07 Video by Marko Košnik for Air base Nr.2 installation, MQ, Dunaj, 2007 The soundtrack reading of Operabil Vienna from live performance for the Serious Pop Lab 2 in Konzerthaus, Vienna, 2005.
Material used in this video was produced in the projects of Marko Košnik / Egon March Institute at the following events and locations:- North Albania, Tirana, Operabil Shqipetare, Tirana Biennal, 2005 - Performance of Operabil Kobe in Kubus Hall, Tesla - Berlin, with Su...
DIVA performance
120 results in works
Marko Košnik - Ditopia Fragments 2008-09 (16:29)
Production: Inštitut Egon March , 2011
Ditopia Fragments 2008-09 is a video document based on excerpts from walk animations for interactive installations and live performances by Marko Košnik. Libreto Operabil POW Mousy written and performed by Marko Košnik Music and voice from live performance of Operabil Memotopia, Barbara Thun, Klanggalerie Münich, 2008 Live generated video fragments from original performances: - DITOPIA MEMOTOPIA Chance generated video installation, Mediascape Novigrad, Croatia, 2008 - DITOPIA SCREEN Int...
Production: Inštitut Egon March , 2011
Ditopia Fragments 2008-09 is a video document based on excerpts from walk animations for interactive installations and live performances by Marko Košnik. Libreto Operabil POW Mousy written and performed by Marko Košnik Music and voice from live performance of Operabil Memotopia, Barbara Thun, Klanggalerie Münich, 2008 Live generated video fragments from original performances: - DITOPIA MEMOTOPIA Chance generated video installation, Mediascape Novigrad, Croatia, 2008 - DITOPIA SCREEN Int...
Marko Košnik - Membrane Bauhaus Ostranenie (12:34)
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Subtitle: Phase 2
Production: Inštitut Egon March , 1993
Documentary camera, cuts of visual parts (the rest of the performance in darkness) of 30 minutes program – opening performance of the 1st Ostranenie festival, Bauhaus, Dessau, November 1993 Marko Košnik – directing, development of instrument, performance, production (co-produced with Ostranenie festival – Stephen Kovats)Silvo Zupančič – electronics, performanceAndrej Kregar – video graphicsBorut Savski – sound engineerŠpela Virant – organizational h...
Marko Košnik - Cavis Negra (09:46)
Production: Inštitut Egon March, 1991
Cavis Negra – performances in the caves and subterranes of Slovenian Karst region1991, U-matic, Egon March Institute & Andrej Kregar, VPK, Ljubljana 1991, duration 10', Camera: Leon Oblak, Photo / Slides: Smiljan Šiska, Dir., Script: Marko Košnik, Edit: Andrej Kregar As a conclusion of their three-year acoustic investigations in subterranes of the Slovene Karst region, Etbin Stefancic, Andrej Trobentar and Marko Kosnik performed a concert for video camera in the Rančečka water res...
Production: Inštitut Egon March, 1991
Cavis Negra – performances in the caves and subterranes of Slovenian Karst region1991, U-matic, Egon March Institute & Andrej Kregar, VPK, Ljubljana 1991, duration 10', Camera: Leon Oblak, Photo / Slides: Smiljan Šiska, Dir., Script: Marko Košnik, Edit: Andrej Kregar As a conclusion of their three-year acoustic investigations in subterranes of the Slovene Karst region, Etbin Stefancic, Andrej Trobentar and Marko Kosnik performed a concert for video camera in the Rančečka water res...
Marko Košnik - Cukrarna (08:50)
Production: Inštitut Egon March (2001), 1994-1995
Cukrarna (Zuckerhaus, Sugarhouse) A video document (8:25) realized in out of 34 minutes performance performed at: - Opening of Medienbiennale Leipzig, 1994 (premiere) - Cankarjev dom - Linhartova dvorana, Ljubljana, 1995 - Galerija Kapelica, Ljubljana, 1995 Choreography and dance: Mateja Bučar Screenplay, directing of the show and the video, original sound track: Marko Košnik Video projection part realized with Videoprodukcija Kregar Web video document produced by Egon March Institute in 2001 A c...
Production: Inštitut Egon March (2001), 1994-1995
Cukrarna (Zuckerhaus, Sugarhouse) A video document (8:25) realized in out of 34 minutes performance performed at: - Opening of Medienbiennale Leipzig, 1994 (premiere) - Cankarjev dom - Linhartova dvorana, Ljubljana, 1995 - Galerija Kapelica, Ljubljana, 1995 Choreography and dance: Mateja Bučar Screenplay, directing of the show and the video, original sound track: Marko Košnik Video projection part realized with Videoprodukcija Kregar Web video document produced by Egon March Institute in 2001 A c...
Marko Košnik - A.B.sence (16:14)
Subtitle: Dance performances in the interactive environment
Production: Inštitut Egon March, 1996
A.B.sence, a dance performance in an interactive environment (movement in relation to lights, video and algorithmic computer music) was premièred in Cankarjev dom in 1996. (Source: Egon March Institute at Culture.si)Dance and choreography: Mateja Bučar, Nebojša Ivanovič Concept, software and the programming of the system (light, sound, projections), interactive floor, algorithmic electronic music, directing: Marko Košnik Computer graphics, digital video, dramaturgy: Katarina Pejović Co...
Subtitle: Dance performances in the interactive environment
Production: Inštitut Egon March, 1996
A.B.sence, a dance performance in an interactive environment (movement in relation to lights, video and algorithmic computer music) was premièred in Cankarjev dom in 1996. (Source: Egon March Institute at Culture.si)Dance and choreography: Mateja Bučar, Nebojša Ivanovič Concept, software and the programming of the system (light, sound, projections), interactive floor, algorithmic electronic music, directing: Marko Košnik Computer graphics, digital video, dramaturgy: Katarina Pejović Co...
Huiqin Wang - Living Caligraphy/Melting (12:36)
Production: KID KIBLA, 2007
In conjunction with the Living Calligraphy/Melting exhibition in 2007 in Maribor’s KiBela, in collaboration with several artists, Huiqin Wang prepared a movement-art performance that combines traditional art forms with contemporary ones: dance, painting with light bodies and multimedia. The exhibition was based on the themes of change as a fundamental element of life and cooperation through art that knows no borders and reflects people’s desire for peace and the melting of old hatreds...
Production: KID KIBLA, 2007
In conjunction with the Living Calligraphy/Melting exhibition in 2007 in Maribor’s KiBela, in collaboration with several artists, Huiqin Wang prepared a movement-art performance that combines traditional art forms with contemporary ones: dance, painting with light bodies and multimedia. The exhibition was based on the themes of change as a fundamental element of life and cooperation through art that knows no borders and reflects people’s desire for peace and the melting of old hatreds...
Huiqin Wang - Emptiness/Living Calligraphy (13:01)
Production: KID KIBLA, Obalne galerije Piran, 2008
In collaboration with the dancer Maja Pučl, Huiqin Wang performed the multimedia performance Emptiness/Living Calligraphy in the Loža Gallery in Koper (co-production with KID Kibla, 2008). The project included dance, calligraphy and video screening. The performance was based on exploring the relationships between East and West, traditional and modern, physical and spiritual, presence and absence, birth and disappearance, visible and invisible, and image and movement.
Production: KID KIBLA, Obalne galerije Piran, 2008
In collaboration with the dancer Maja Pučl, Huiqin Wang performed the multimedia performance Emptiness/Living Calligraphy in the Loža Gallery in Koper (co-production with KID Kibla, 2008). The project included dance, calligraphy and video screening. The performance was based on exploring the relationships between East and West, traditional and modern, physical and spiritual, presence and absence, birth and disappearance, visible and invisible, and image and movement.
Jatun Risba - Poetics of Colour nu. 1 (07:44)
Production: Jatun Risba, 2024
‘Poetics of Colour nu.1’ is an art intervention by Jatun Risba inspired by an ongoing research about the Atlantic Slave Trade History and Vodou & Winti rituals connected to the region of Zeeland, NL. The track in the video is a poetic interpretation of selected folksongs written in Surinamese Creole language with English translation taken from the (1975) book "Creole drum. An Anthology of Creole Literature in Surinam" by Jan Voorhoeve & Ursy M. Lichtveld. The use of the blood and costume...
Production: Jatun Risba, 2024
‘Poetics of Colour nu.1’ is an art intervention by Jatun Risba inspired by an ongoing research about the Atlantic Slave Trade History and Vodou & Winti rituals connected to the region of Zeeland, NL. The track in the video is a poetic interpretation of selected folksongs written in Surinamese Creole language with English translation taken from the (1975) book "Creole drum. An Anthology of Creole Literature in Surinam" by Jan Voorhoeve & Ursy M. Lichtveld. The use of the blood and costume...
Jatun Risba - Possibility of a Relation (06:00)
Production: Jatun Risba, 2023
In the work ‘Possibility of a Relation’, the artist Jatun Risba traces in the air and in the space an alchemic matrix for the webs of conviviality to come. A transparent one square meter film – symbolizing the burden of the rising cost of living, including real estate – is attached to the gallery floor with blue tape. This blue-edged square is both a sanctuary of hopes for the future and the threatening abyss of the ocean with its rising sea-levels and the memories of many who died t...
Production: Jatun Risba, 2023
In the work ‘Possibility of a Relation’, the artist Jatun Risba traces in the air and in the space an alchemic matrix for the webs of conviviality to come. A transparent one square meter film – symbolizing the burden of the rising cost of living, including real estate – is attached to the gallery floor with blue tape. This blue-edged square is both a sanctuary of hopes for the future and the threatening abyss of the ocean with its rising sea-levels and the memories of many who died t...
