DNLM - Cultivated Plants I (03:43)
Production: DNLM, 2017
The intervention in public space is the first action in a series entitled Cultivated Plants. The work responds to culturally established, aesthetically conditioned patterns of treating plants in landscaped, urban spaces. The action was carried out in Ljubljana. (Source: DNLM)
DIVA performance
122 results in works
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DNLM - Cultivated Plants II (03:17)
Production: Vstop Prost, 2018
Documentation of an intervention in public space is the second action in the series titled Cultivated Plants. The work responds to culturally established, aesthetically conditioned patterns of treating plants in landscaped, urban spaces. The intervention was carried out in Celje. (Source: DNLM)
Production: Vstop Prost, 2018
Documentation of an intervention in public space is the second action in the series titled Cultivated Plants. The work responds to culturally established, aesthetically conditioned patterns of treating plants in landscaped, urban spaces. The intervention was carried out in Celje. (Source: DNLM)
DNLM - Rescheduled Fall (03:43)
Production: DNLM, 2017/2018
The video documents a processual work, the idea of which was to preserve a piece of the atmosphere of one season in another. The artist selects locations where he collected dry leaves from two selected trees in the fall. He stored the dry leaves for half a year and returned them to their original location at thebeginning of summer. (Source: DNLM)
Production: DNLM, 2017/2018
The video documents a processual work, the idea of which was to preserve a piece of the atmosphere of one season in another. The artist selects locations where he collected dry leaves from two selected trees in the fall. He stored the dry leaves for half a year and returned them to their original location at thebeginning of summer. (Source: DNLM)
DNLM - Bitumenography (02:16)
Production: 2018
Video documentation of an intervention in a public space. The artist made a large-scale graphic print from a bitumen-coated street surface. He selected the surface from bitumen as an illustration of the presence of a heavy industry on which the city of Katowice developed.The print is entitled: KATOWICE 50° 15' 26.6112'' N 19° 1' 26.5008'' E, 140 x 160 cm, Acrylic on canvas / Bitumenography, 2018. (Source: DNLM)
Production: 2018
Video documentation of an intervention in a public space. The artist made a large-scale graphic print from a bitumen-coated street surface. He selected the surface from bitumen as an illustration of the presence of a heavy industry on which the city of Katowice developed.The print is entitled: KATOWICE 50° 15' 26.6112'' N 19° 1' 26.5008'' E, 140 x 160 cm, Acrylic on canvas / Bitumenography, 2018. (Source: DNLM)
Nika Ham - Video Spot (00:03:17)
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Marko A. Kovačič - Casus Belli (Video performance, VIDEO CD 83 - DOKUMENT) (19:20)
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Production: Video CD, 1983
Recording of a video performance at the 1st International Video Biennale Video CD in Ljubljana, in which the video was included as a constitutive part of the event: the artist's gestures were shown from behind on monitors arranged at the edges of the venue with the help of eight video cameras. The frontal "representational" silhouette image shown on the canvas was thus counterpointed by revealing the artist's flesh-and-blood body behind the canvas, who ultimately stepped in front of the audience and perform...
Marko A. Kovačič - Casus Belli (performance) (19:45)
Production: ŠKUC, 1983
Documentary footage of the artist's performance at Škuc Gallery in Ljubljana in 1983.
Production: ŠKUC, 1983
Documentary footage of the artist's performance at Škuc Gallery in Ljubljana in 1983.
Bojan Štokelj - The Uneasiness in front of a Mirror Image (48:28)
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Đejmi Hadrović - Crossing Borders (00:04:47)
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
Production: V.A.T., 2015
In the video performance the artists stands in an empty space in front of a wall. A projected text in English is being written over her body: "I am a Muslim I am a Muslim I am a Muslim ...". The statement is repeated until it fills the entire wall. The artist stands quietly, she has a loosely wrapped scarf around her head, and smokes a cigarette. After some time she removes the scarf and starts loudly declaring "I am a Muslim". She repeats the statement with various affirmative intonations. When the text co...
Đejmi Hadrović - Silent Observer (00:09:12)
Production: KulturKontakt Austria, 2017
Video performance acts as a monologue confession of a woman in her early thirties and the obstacles she is dealing with. Content deals with issues such as gender, identity, migration, and ethnicity. Autobiographical thoughts are exposed to the audience through the audio recording only, while the performer in the video is only partially visible. It gives a notion of a classical portrayal, with the mind being the main source of happening. The artist is addressing the audience the with world’s...
Production: KulturKontakt Austria, 2017
Video performance acts as a monologue confession of a woman in her early thirties and the obstacles she is dealing with. Content deals with issues such as gender, identity, migration, and ethnicity. Autobiographical thoughts are exposed to the audience through the audio recording only, while the performer in the video is only partially visible. It gives a notion of a classical portrayal, with the mind being the main source of happening. The artist is addressing the audience the with world’s...
