Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Fart Roulette (06:39)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Fart Roulette is actually a picnic on the grass, which can be reminiscent of Manet's famous painting, although this time, everyone present is dressed. The title refers to Russian roulette, and the authors shoot farts instead of bullets. The parody deals with a serious topic of environmental pollution and its far-reaching consequences. Artists in Celje have been warning about local polluters (Cinkarna Celje and other industries) for a long time, but those responsible do not take them seriousl...
DIVA performance
122 results in works
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Rights for Our Fights (11:12)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh, SIVA, IvAn - Archive (22:45)
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Translacija | Traslación, Tatiana Kocmur, Francisco Tomsich - Rdeče niti: TV Auction (28:29)
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
SCCA-Ljubljana, Duba Sambolec - Video evening with DIVA Station: Duba Sambolec (01:27:52)
Production: SCCA-Ljubljana, Galerija Photon, 2022
Video documentation of the Video evening with DIVA Station: Duba Sambolec event at the Photon Gallery on May 4, 2022. Vesna Bukovec, expert associate of DIVA Station, talked with the artist about her relationship to video and performance in the context of her wider artistic practice. The talk was in Slovene langauge. Duba Sambolec has created a series of video works in her extensive and diverse artistic oeuvre. In 2000, a cycle of 14 video performances entitled NoHomeVideos© was presented in seve...
Production: SCCA-Ljubljana, Galerija Photon, 2022
Video documentation of the Video evening with DIVA Station: Duba Sambolec event at the Photon Gallery on May 4, 2022. Vesna Bukovec, expert associate of DIVA Station, talked with the artist about her relationship to video and performance in the context of her wider artistic practice. The talk was in Slovene langauge. Duba Sambolec has created a series of video works in her extensive and diverse artistic oeuvre. In 2000, a cycle of 14 video performances entitled NoHomeVideos© was presented in seve...
Marko A. Kovačič - Hruporona 2020. The Last Tunnel (3:21)
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Marko A. Kovačič - The Four Horsemen (3:47)
Production: Marko A. Kovačič, 1993
The video was created on the basis of a group performance in the urban environment Bellum contra solem of the Fusnet Association, which was staged in a block settlement in Nova Gorica on the summer solstice in 1991. The arrival of the Four Horsemen of the Apocalypse in fantastic futuristic costumes - the Conquest, War, Hunger, and Death - in a Ljubljana sand pit illustrates the time around the declaration of Slovenian independence and the break away from the Yugoslav state. (Source: DIVA Station)
Production: Marko A. Kovačič, 1993
The video was created on the basis of a group performance in the urban environment Bellum contra solem of the Fusnet Association, which was staged in a block settlement in Nova Gorica on the summer solstice in 1991. The arrival of the Four Horsemen of the Apocalypse in fantastic futuristic costumes - the Conquest, War, Hunger, and Death - in a Ljubljana sand pit illustrates the time around the declaration of Slovenian independence and the break away from the Yugoslav state. (Source: DIVA Station)
Marko A. Kovačič - Hey Joe (06:26)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
Production: Marko A. Kovačič, 1984
A genre counterpoint of personal and public, of provocation and seduction, which is read precisely between these cracks. (Source: DIVA Station)
Marko Košnik - Bellum Contra Solem (14:37)
Production: Andrej Kregar (VPK) & Inštitut Egon March, 1991
Video je nastal na osnovi večmedijskega projekta Bellum contra solem Asociacije Fusnet. Prikazuje večmesečne priprave številnih sodelavcev in sam potek projekta v novogoriškem blokovskem naselju na dan enakonočja leta 1991. Asociacija Fusnet je bila združba dvajsetih neodvisnih ustvarjalcev, ki so se zbrali za realizacijo "urbanega" performansa Bellum contra solem, izvedenega na poletni solsticij, tik pred razglasitvijo slovenske neodvisnosti, na prostem, v naselju "Kitajski zid" v Novi G...
Production: Andrej Kregar (VPK) & Inštitut Egon March, 1991
Video je nastal na osnovi večmedijskega projekta Bellum contra solem Asociacije Fusnet. Prikazuje večmesečne priprave številnih sodelavcev in sam potek projekta v novogoriškem blokovskem naselju na dan enakonočja leta 1991. Asociacija Fusnet je bila združba dvajsetih neodvisnih ustvarjalcev, ki so se zbrali za realizacijo "urbanega" performansa Bellum contra solem, izvedenega na poletni solsticij, tik pred razglasitvijo slovenske neodvisnosti, na prostem, v naselju "Kitajski zid" v Novi G...
Marko A. Kovačič - Part II (19:51)
Production: ŠKUC, 1984
In the manner of crime movies, hide and seek, the film moves between the genres of detective and horror and around the mysterious microfilm. It is also characterized by a touch of burlesque. It represents the atmosphere and image of its time on the Ljubljana alternative scene of the 1980s. Part II was shown as a prequel to the Ana Monro Theatre's performance of The Red Beam. (Source: DIVA Station)
Production: ŠKUC, 1984
In the manner of crime movies, hide and seek, the film moves between the genres of detective and horror and around the mysterious microfilm. It is also characterized by a touch of burlesque. It represents the atmosphere and image of its time on the Ljubljana alternative scene of the 1980s. Part II was shown as a prequel to the Ana Monro Theatre's performance of The Red Beam. (Source: DIVA Station)
