Miha Vipotnik (1954) graduated in painting in 1976 and in 1979 completed his postgraduate studies in video and television at the Academy of Fine Arts in Ljubljana. In the 70's and 80's, he created numerous artistic videos, intros and animations, directed art-related programs and has pioneered the experimental usage of video technology for the public television RTV Slovenia.

From 1987 to 1991, he studied MFA, Film and Live Action at the California Institute of the Arts in Los Angeles. Together with Marie Claude Vogrič, he was a co-founder and the Director of an international biennial video festival VIDEO CD in Ljubljana (1983-1987), during which a significant number of Slovene and international video art works were created with the state-of-the-art technical equipment in impromptu studios. From 1987 till 1991, he received a Fulbright stipend for his master's studies of Film and Live Action at the California Institute of the Arts in L.A. During this period he established the XYZX Production, through which he collaborated with TV stations and film studios across the globe.
In 1994, he began managing the Long Beach Museum of Art Video Annex and with Elayne Zalis, he co-created the concept for digitization of their significant video collection in order to make it available online. This collaboration also resulted in numerous art installations and video art projects produced for international artists. LBMA Video Annex priceless collection of video art is now part of The Getty Museum and the Getty Research Institute's Art Video Archives.
Since 2002, Vipotnik lectured through video art workshops in Mongolia, Kyrgyzstan, Lebanon, Croatia and Slovenia. In 2014, he started working as a visiting professor of film and video at the Department of Digital Media, Cinema and Television at the Faculty of Fine and Applied Arts of USEK University in Lebanon and at the Académie Libanaise des Beaux-Arts ALBA in Beirut, where he teaches creative expression and art-related interdisciplinary studies.

Vipotnik is primarily a painter, whose images and stories materialize in a form of movies and video art. From very early on, he used video as his main medium of expression - either through a single-channel video or as a constitutive part of his multimedia and interdisciplinary projects and art installations. Electronic media experimenting and the actual performative process are among key features of his artistic praxis, through which he explores the impact of such image transformations within his narratives. His artistic language includes elements of performance with an emphasis on the significance of timing and the gradual unfolding of enigmatic personal stories into a palimpsest of images, inscriptions and speech.