Miha Vipotnik - NLP: Faeton (04:57)
Subtitle: From TV show Jugo Rock
Production: RTV Ljubljana, 1981
Insert from a documentary recording of a concert by the group Na lepem prijazni in Ljubljana in January 1981. The piece Faeton, which a year earlier appeared as a single by RTV Ljubljana, shows the interventions in the image, made by simultaneous directing and editing in the camera.
DIVA 1980-1989
91 results in works
Neven Korda - Socializem (00:01:08)
Production: FV Video /Škuc - Forum, 1982/83
Video dissects a sentence taken from a propaganda statement by a party politician. With gradual deconstruction author leaves only traces of a word socialism.
Production: FV Video /Škuc - Forum, 1982/83
Video dissects a sentence taken from a propaganda statement by a party politician. With gradual deconstruction author leaves only traces of a word socialism.
Srečo Dragan, Ana Nuša Dragan - Grand Finale (00:12:05)
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of new art in an apparently documentary way, while its fragments play on fictitious stereotypes, thus imparting an ironic aspect: the woman is dressed as a gangster, she stabs the man, and a red and blue stain appears on his shirt. (source: Videodokument)
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of new art in an apparently documentary way, while its fragments play on fictitious stereotypes, thus imparting an ironic aspect: the woman is dressed as a gangster, she stabs the man, and a red and blue stain appears on his shirt. (source: Videodokument)
Miha Vipotnik - Lenora (04:50)
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...
Marijan Osole - Max - Avtop (0:04:52)
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Marijan Osole - Max - Morte ai sciavi (0:16:28)
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Marko A. Kovačič - Casus belli (video) (00:15:35)
Production: Škuc - Forum, 1983
The video was made on a basis of an eponymous performance from 1983 by Marko Kovačič. in which the author combines elements of sculpture, space, geometry, physicality, action, and music. With specific movement, contructivistically designed sets projected onto a screen, and the present video installation the artist creates unclear boundaries between reality and the construct of space, time and body. The artist applies his body to projections in the background and creates static and moving images. The video...
Production: Škuc - Forum, 1983
The video was made on a basis of an eponymous performance from 1983 by Marko Kovačič. in which the author combines elements of sculpture, space, geometry, physicality, action, and music. With specific movement, contructivistically designed sets projected onto a screen, and the present video installation the artist creates unclear boundaries between reality and the construct of space, time and body. The artist applies his body to projections in the background and creates static and moving images. The video...
Neven Korda - YU sen (00:03:26)
Production: FV Video / Škuc - Forum, 1983
The story of a youngster, diligent and committed to Tito: the shots of glorious Tito's appearances in front of masses are accompanied by his speech about the brave new world of socialism, read by an enraptured young voice, which is being interrupted by a nostalgic melody from the sixties, the golden era of socialism. Do these video images point to a parody, or do they merely wish to provoke the nostalgic sentiment of the romantic myths of childhood? (Source: Videodokument)
Production: FV Video / Škuc - Forum, 1983
The story of a youngster, diligent and committed to Tito: the shots of glorious Tito's appearances in front of masses are accompanied by his speech about the brave new world of socialism, read by an enraptured young voice, which is being interrupted by a nostalgic melody from the sixties, the golden era of socialism. Do these video images point to a parody, or do they merely wish to provoke the nostalgic sentiment of the romantic myths of childhood? (Source: Videodokument)
Zemira Alajbegović - Tereza (00:04:26)
Production: FV Video / ŠKUC - Forum, 1983
A collage of representations of socialistic victories and funerals, melodramatical films and family TV shows, accompanied with singing of a popular Yugoslav singer, Tereza Kesovija. The society which was ruled by senior men and socialistic populism; the public and the private intertwine, both joined in a boring and fusty rhythm of time which is dying out.
Production: FV Video / ŠKUC - Forum, 1983
A collage of representations of socialistic victories and funerals, melodramatical films and family TV shows, accompanied with singing of a popular Yugoslav singer, Tereza Kesovija. The society which was ruled by senior men and socialistic populism; the public and the private intertwine, both joined in a boring and fusty rhythm of time which is dying out.
Neven Korda - Renewal (00:05:28)
Production: FV Video /Škuc - Forum, 1983
Video with a music score by Borghesia group is a montage of explicit shots cut out of pornographic films. Taken out of context of the content, which is also otherwise of the secondary meaning in these films, the scenes of sexual act seem completely mechanical and emptied of any kind of emotions or connotations. Consequently alike and seemingly endless these scenes never reach ecstasy. Author by stressing the trivialization of sexuality by pornographic industry establishes a critique of hyperconsumerism, whi...
Production: FV Video /Škuc - Forum, 1983
Video with a music score by Borghesia group is a montage of explicit shots cut out of pornographic films. Taken out of context of the content, which is also otherwise of the secondary meaning in these films, the scenes of sexual act seem completely mechanical and emptied of any kind of emotions or connotations. Consequently alike and seemingly endless these scenes never reach ecstasy. Author by stressing the trivialization of sexuality by pornographic industry establishes a critique of hyperconsumerism, whi...