Damijan Kracina - Žeblji / Nails (00:06:34)
Production: Akademija za likovno umetnost, Ljubljana, 1995
The black-and-white footage of a performance shot from a static camera dates to the time when the artist was studying at the Academy of Fine Arts in Ljubljana. The performer looks at sculpted busts, and hammers nails into them, seeking a way to examine the traditional sculptural format without employing a process of construction or deconstruction. The work is also humorous, as if the artist were trying to say that the sculpture is ‘hammered’ in the head.
DIVA Art video
656 results in works
Srečo Dragan, Ana Nuša Dragan - Grand Finale (00:12:05)
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of new art in an apparently documentary way, while its fragments play on fictitious stereotypes, thus imparting an ironic aspect: the woman is dressed as a gangster, she stabs the man, and a red and blue stain appears on his shirt. (source: Videodokument)
Production: RTV Beograd in Studentski kulturni centar Beograd, 1983
Here the discussion of video art is figured visually as well. A woman brings a videocassette to a man, and he inserts it into a video machine. The cassette features critics discussing in a variety of languages. The work aims to represent the subject of new art in an apparently documentary way, while its fragments play on fictitious stereotypes, thus imparting an ironic aspect: the woman is dressed as a gangster, she stabs the man, and a red and blue stain appears on his shirt. (source: Videodokument)
Saša Spačal - Liminoid (00:08:08)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on Liminoid, an artwork by Saša Spačal and Matic Potočnik.
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on Liminoid, an artwork by Saša Spačal and Matic Potočnik.
Saša Spačal - Mycophone_unison (00:14:27)
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Production: Saša Spačal, Muzej sodobne umetnosti Metelkova - MSUM+, 2016
The video conceptually reflects on the work Mycophone_unison by Saša Spačal, Mirjan Švagelj and Anil Podgornik.
Marko A. Kovačič - Song of Flesh and Image Was Made Body (00:15:56)
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typical cinematic suspense is matched with the music full of suspense (Bernard Herrmann). (Source: DIVA)
Production: ŠKUC - Forum / koprodukcija Marijan Osole - Max, 1985
The story of the narrative is based on the genre of crime fiction. The images are filled with citations from the history of art and cinema (Man Ray, Sergei Eisenstein) and are further stratified and multiplied. The dynamics of the image fraught with typical cinematic suspense is matched with the music full of suspense (Bernard Herrmann). (Source: DIVA)
Miha Vipotnik - Space 2 (01:53)
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
Polonca Lovšin - Always Better (00:01:27)
Subtitle: Street
Production: 2002
The video thematises footage from the artist's childhood: together with her sister, she demonstrated gymnastic exercises for the camera in the back garden of their family home. The sisters repeated the same routine, in the same place, in the present.
Subtitle: Street
Production: 2002
The video thematises footage from the artist's childhood: together with her sister, she demonstrated gymnastic exercises for the camera in the back garden of their family home. The sisters repeated the same routine, in the same place, in the present.
Janez Janša - Nuclear Body (00:08:51)
Production: VPK, ŠOU Galerija Kapelica, Cankarjev dom, 1999
Grassijev eksperiment z medicinsko tehnologijo, s katerim se klonira iz digitalnih podob. Nato s pridobljenimi podobami manipulira, da bi razvil življenjski ciklus za svoj klon z vsemi življenjskimi funkcijami. Nuclear Body nima le estetske vrednosti, temveč je pomemben tudi za medicino. človeško telo je že dolgo predmet umetniškega čaščenja - od klasičnega grškega kipa do Rodina, notranji ustroj človeškega telesa, ki ga proučuje renesansa ... Anatomske risbe Da Vincija pa so poleg njihove es...
Production: VPK, ŠOU Galerija Kapelica, Cankarjev dom, 1999
Grassijev eksperiment z medicinsko tehnologijo, s katerim se klonira iz digitalnih podob. Nato s pridobljenimi podobami manipulira, da bi razvil življenjski ciklus za svoj klon z vsemi življenjskimi funkcijami. Nuclear Body nima le estetske vrednosti, temveč je pomemben tudi za medicino. človeško telo je že dolgo predmet umetniškega čaščenja - od klasičnega grškega kipa do Rodina, notranji ustroj človeškega telesa, ki ga proučuje renesansa ... Anatomske risbe Da Vincija pa so poleg njihove es...
Marjan Gumilar - Pogled (00:06:38)
Production: Marjan Gumilar, 2002
Avtor posname svoj vsakdan na statičen način. Video je posnet v enem samem kadru in prikazuje par v stanovanju, prepravljenem z dnevno svetlobo. Na radiu slišimo jazz glasbo, ki je obenem najbolj dramatičen element videa in omogača tako moški kot ženski osebi, da naselita video brez da bi komunicirala. Moški gleda skozi okno in občuduje razgled, ženska pa bere na postelji. Z odsotnostjo komunikacije - osebe so dejansko ujete v melanholičnost dolgočasnega vsakdana -, postane njuno stanovanje udob...
Production: Marjan Gumilar, 2002
Avtor posname svoj vsakdan na statičen način. Video je posnet v enem samem kadru in prikazuje par v stanovanju, prepravljenem z dnevno svetlobo. Na radiu slišimo jazz glasbo, ki je obenem najbolj dramatičen element videa in omogača tako moški kot ženski osebi, da naselita video brez da bi komunicirala. Moški gleda skozi okno in občuduje razgled, ženska pa bere na postelji. Z odsotnostjo komunikacije - osebe so dejansko ujete v melanholičnost dolgočasnega vsakdana -, postane njuno stanovanje udob...
Jasna Hribernik - Ballabende (00:21:46)
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Jasna Hribernik, Zmago Lenardič - Elsa und Lohengrin (0:03:15)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Jasna Hribernik - Carte Postale (06:32)
Production: TV Slovenija, 1997
By layering of pictures the artist succeded in simultaneously presenting the past and the present. Destruction of a house represents the present, and fragments from letters written by people who used to live in the house represent the past. An off-screen voice reads the letters, but the sounds soon become unintelligible - for who gives us the right to rummage through the intimacies of these anonymous people? Anonymous they shall remain. For a moment we even see their faces in photographs, but these photogra...
Production: TV Slovenija, 1997
By layering of pictures the artist succeded in simultaneously presenting the past and the present. Destruction of a house represents the present, and fragments from letters written by people who used to live in the house represent the past. An off-screen voice reads the letters, but the sounds soon become unintelligible - for who gives us the right to rummage through the intimacies of these anonymous people? Anonymous they shall remain. For a moment we even see their faces in photographs, but these photogra...
Jasna Hribernik - Lok Telesa / The Body Bow (00:18:21)
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Marko A. Kovačič - No More Heroes Any More (0:18:15)
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exaggera...
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exaggera...
Marko A. Kovačič - Naprej v preteklost / Forth Into the Past (0:09:30)
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
Marko A. Kovačič - I've Seen That... Like It Is (06:20)
Production: V.S. Video & Strip Core / Forum Ljubljana, 1993
A music video for a song - collage I've seen that … Like it is by a music group 2227 from Ljubljana blends shots of the group's performance with projections of graffiti by Strip Core group. Usage of lights and postproduction create chaotic and expressive atmosphere, which follows the dramaturgy of music. Scenes of one part of the video are shot in a smaller space with walls covered in graffiti. Lights and projections make the space flat and almost two-dimensional. Projections of graffiti draw an outl...
Production: V.S. Video & Strip Core / Forum Ljubljana, 1993
A music video for a song - collage I've seen that … Like it is by a music group 2227 from Ljubljana blends shots of the group's performance with projections of graffiti by Strip Core group. Usage of lights and postproduction create chaotic and expressive atmosphere, which follows the dramaturgy of music. Scenes of one part of the video are shot in a smaller space with walls covered in graffiti. Lights and projections make the space flat and almost two-dimensional. Projections of graffiti draw an outl...
Ema Kugler - Hydra (00:15:45)
Production: V.S. Video, Forum Ljubljana, VPK, 1993
Mythology in the video works by Ema Kugler is inscribed in rituals of everyday life; this time it is the theme of Hydra with many facets. The theme is represented by the separate scenes featuring human figures in leather costumes (created by the artist herself) that constrain their movements, thus emphasizing their separation from nature. The last trace of their respective connection is shown in a ritual relationship between a man and a bull, although even this relationship involves man's deeply ingrained c...
Production: V.S. Video, Forum Ljubljana, VPK, 1993
Mythology in the video works by Ema Kugler is inscribed in rituals of everyday life; this time it is the theme of Hydra with many facets. The theme is represented by the separate scenes featuring human figures in leather costumes (created by the artist herself) that constrain their movements, thus emphasizing their separation from nature. The last trace of their respective connection is shown in a ritual relationship between a man and a bull, although even this relationship involves man's deeply ingrained c...
Damijan Kracina - Zoospective (00:11:53)
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Subtitle: (Zoological Retrospective)
Production: 2000
The video summarises the basic motifs of the artist’s work: endangered species and fantasy animals of the future. It comprises an omnibus of five individual video pieces and additional raw video footage. First, we see ‘proteus’, a computer-generated olm in motion; which is followed by ‘An Interview with an Endangered Species’, featuring frontal shots of the Soča Trout opening its mouth as if it were speaking; these are combined with an Aquarium video showing the flight of the Soč...
Jurij Korenc - Svetloba sence (0:27:20)
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Klon:Art:Resistance - Video Klon Art (00:02:49)
Subtitle: Glasbeno dokumentarni video o skupini Klon Art
Production:
Predstavitveni video spot urbane umetniške, grafitarske skupine KlonArt, ki se kaže skozi ekstremno dinamično kamero in hitro menjavo kadrov, ulično ikonografijo ini izraznostjo, možnimi barvami ter plesno elektronsko glasbo. Video je narejen kot glasbeni video, brez dodanega teksta.
Subtitle: Glasbeno dokumentarni video o skupini Klon Art
Production:
Predstavitveni video spot urbane umetniške, grafitarske skupine KlonArt, ki se kaže skozi ekstremno dinamično kamero in hitro menjavo kadrov, ulično ikonografijo ini izraznostjo, možnimi barvami ter plesno elektronsko glasbo. Video je narejen kot glasbeni video, brez dodanega teksta.
