Jasna Hribernik, Zmago Lenardič - Elsa und Lohengrin (0:03:15)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
DIVA Dance
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25 results in works
Nataša Prosenc Stearns - Ne poznaješ me / You Don't Know Me (00:04:56)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Apolonija Šušteršič - Entrance de Singel (0:05:50)
Production: 1997
Javni plesni performans, izveden na lokaciji Vlaams cultureel centrum de Singel v Antwerpnu, Belgiji. Posnetki vstopanja v zgradbo in dogajanja pri notranjih vhodnih vratih kulturnega centra. Kamera je statična, posnetki so režirani in zmontirani - gre za plesni performans med vrati. Site specific zvočna intervencija.
Production: 1997
Javni plesni performans, izveden na lokaciji Vlaams cultureel centrum de Singel v Antwerpnu, Belgiji. Posnetki vstopanja v zgradbo in dogajanja pri notranjih vhodnih vratih kulturnega centra. Kamera je statična, posnetki so režirani in zmontirani - gre za plesni performans med vrati. Site specific zvočna intervencija.
Apolonija Šušteršič - Memories of the Future (0:08:03)
Production: 1997
Prostor v mestu Bennevoie, kjer v zapuščenem industrijskem objektu sodobni plesalec izvaja javno vajo sodobnega izraznega plesa.
Production: 1997
Prostor v mestu Bennevoie, kjer v zapuščenem industrijskem objektu sodobni plesalec izvaja javno vajo sodobnega izraznega plesa.
Ema Kugler - Taiga (00:08:22)
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Sašo Podgoršek - Pot / Path (00:11:01)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Miha Vipotnik - Baptism under Triglav (22:46)
Production: TDS Magenta, Cankarjev dom & RTV Ljubljana, 1987
Author's video document on the theatrical play of the same name by the Theatre Sestre Scipion Nasice, staged at Cankarjev Dom in Ljubljana in 1986. It was based on the Slovene mythological narrative of the Christianization period and at the same time in the language of performative, music and art attractions, typical also for the other two groups of the Neue Slowenische Kunst Collective who also participated in the performance: Laibach (music) and IRWIN (visual image). The aesthetics of this retro-gardist e...
Production: TDS Magenta, Cankarjev dom & RTV Ljubljana, 1987
Author's video document on the theatrical play of the same name by the Theatre Sestre Scipion Nasice, staged at Cankarjev Dom in Ljubljana in 1986. It was based on the Slovene mythological narrative of the Christianization period and at the same time in the language of performative, music and art attractions, typical also for the other two groups of the Neue Slowenische Kunst Collective who also participated in the performance: Laibach (music) and IRWIN (visual image). The aesthetics of this retro-gardist e...
Evelin Stermitz - Inside the Outside (0:05:33)
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Evelin Stermitz - Concentration Camp of Ljubelj (0:14:33)
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Ana Čigon - Brezčasje / Timelessness (0:04:03)
Subtitle: (poklon gozdu) / (compliment to the forest)
Production: Plesni studio Intakt, 2008
Dance video presents a dance show in a completely authorial way adding segments to the mere documentation. Author uses detailed shots from the woods and nature in general. We see a combination of long static shots and hand held camera manipulated with different editing effects. Costume design: Mateja Benedetti; Lights: Jaka Šimec; Visual design: Ana Čigon, Nataša Tovirac; Choreography: Nataša Tovirac; Dancers: Maša Kagao Knez, Teja Reba, Nataša Tovirac.
Subtitle: (poklon gozdu) / (compliment to the forest)
Production: Plesni studio Intakt, 2008
Dance video presents a dance show in a completely authorial way adding segments to the mere documentation. Author uses detailed shots from the woods and nature in general. We see a combination of long static shots and hand held camera manipulated with different editing effects. Costume design: Mateja Benedetti; Lights: Jaka Šimec; Visual design: Ana Čigon, Nataša Tovirac; Choreography: Nataša Tovirac; Dancers: Maša Kagao Knez, Teja Reba, Nataša Tovirac.
Maja Slavec - Revaluation (00:42:19)
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.
Zoran Srdić Janežič - The Ballet Teacher (00:07:56)
Production: Zavod za sodobne umetnisti in kulture Gulag, 2010
The Balet Teacher prikazuje seanso baletnega pouka v lutkarski izvedbi. Atmosfera je zelo dramatična, mogoče nekoliko nenavadna za takšno klišejsko temo. A ravno to povzroča napetost skozi cel video. Slika je skoraj popolnoma črno-bela in estetika videa mogoče nekolio spominja na nemške filme iz dvajsetih let. Ura baleta se konča neuspešno. Brez besed, samo s telesnim dialogom, je avtorju uspelo ustvariti močan karakter pri profesorju baleta. Moška dominacija je v filmu zelo izražena in že v...
Production: Zavod za sodobne umetnisti in kulture Gulag, 2010
The Balet Teacher prikazuje seanso baletnega pouka v lutkarski izvedbi. Atmosfera je zelo dramatična, mogoče nekoliko nenavadna za takšno klišejsko temo. A ravno to povzroča napetost skozi cel video. Slika je skoraj popolnoma črno-bela in estetika videa mogoče nekolio spominja na nemške filme iz dvajsetih let. Ura baleta se konča neuspešno. Brez besed, samo s telesnim dialogom, je avtorju uspelo ustvariti močan karakter pri profesorju baleta. Moška dominacija je v filmu zelo izražena in že v...
Ksenija Čerče - fall... (00:08:09)
Production: Ksenija Čerče, 2005-2008
The video was created on the basis of three short videos, partly recorded during the artist's audio- visual studies in New York City. By naming it 'audio video', she emphasizes the key role that sound plays in her works. In individual sequences we follow the movement of persons, objects and animals, while the rhythm is based primarily on the presence and absence of sound and image, emphasized silence and darkness.
Production: Ksenija Čerče, 2005-2008
The video was created on the basis of three short videos, partly recorded during the artist's audio- visual studies in New York City. By naming it 'audio video', she emphasizes the key role that sound plays in her works. In individual sequences we follow the movement of persons, objects and animals, while the rhythm is based primarily on the presence and absence of sound and image, emphasized silence and darkness.
Polonca Lovšin - Dynamo Door Dance (00:04:54)
Production: Wysing Arts Centre, Visiting Arts, RSA Arts and Ecology, Kud Obrat Ljubljana, 2009
Projekt Dinamo ples z vrati in Dinamo ulična svetilka sta kinetični instalaciji v javnem prostoru na prostem, ki proizvajata elektriko. Naključni mimoidoči jih lahko uporabljajo in dobesedno na lastni koži izkusijo, kaj pomeni proizvajanje električne energije. Konstrukcija je bila neposredno povezana z ulično svetilko, ki ni mogla svetiti, če publika oziroma prostovoljci niso poskakovali po konstrukciji. Ob tem je Henrietta Hale zasnovala tudi posebno koreografijo, da bi ta prizadevanja razši...
Production: Wysing Arts Centre, Visiting Arts, RSA Arts and Ecology, Kud Obrat Ljubljana, 2009
Projekt Dinamo ples z vrati in Dinamo ulična svetilka sta kinetični instalaciji v javnem prostoru na prostem, ki proizvajata elektriko. Naključni mimoidoči jih lahko uporabljajo in dobesedno na lastni koži izkusijo, kaj pomeni proizvajanje električne energije. Konstrukcija je bila neposredno povezana z ulično svetilko, ki ni mogla svetiti, če publika oziroma prostovoljci niso poskakovali po konstrukciji. Ob tem je Henrietta Hale zasnovala tudi posebno koreografijo, da bi ta prizadevanja razši...
Polonca Lovšin - Dynamo Street Lamp (00:02:31)
Production: Zavod P.A.R.A.S.I.T.E., 2010
Projekt Dinamo ples z vrati in Dinamo ulična svetilka sta kinetični instalaciji v javnem prostoru na prostem, ki proizvajata elektriko. Naključni mimoidoči jih lahko uporabljajo in dobesedno na lastni koži izkusijo, kaj pomeni proizvajanje električne energije. Konstrukcija je bila neposredno povezana z ulično svetilko, ki ni mogla svetiti, če publika oziroma prostovoljci niso poskakovali po konstrukciji. Ob tem je Henrietta Hale zasnovala tudi posebno koreografijo, da bi ta prizadevanja razši...
Production: Zavod P.A.R.A.S.I.T.E., 2010
Projekt Dinamo ples z vrati in Dinamo ulična svetilka sta kinetični instalaciji v javnem prostoru na prostem, ki proizvajata elektriko. Naključni mimoidoči jih lahko uporabljajo in dobesedno na lastni koži izkusijo, kaj pomeni proizvajanje električne energije. Konstrukcija je bila neposredno povezana z ulično svetilko, ki ni mogla svetiti, če publika oziroma prostovoljci niso poskakovali po konstrukciji. Ob tem je Henrietta Hale zasnovala tudi posebno koreografijo, da bi ta prizadevanja razši...
Noemi Veberič Levovnik - Intermezzo (00:03:12)
Production:
Production:
Katjuša Kovačič - Njavke: Crossed-Eyed Gazes (00:14:53)
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Production: 2015
Njavka je v slovanski mitologiji gozdno bitje ženskega spola. Predstavlja dušo deklice, ki je umrla nenaravne smrti. Njavke navadno živijo v skupinah globoko v gozdu ali v jamah, visoko v gorah. Dve njavki (performerki v animaličnem kostumu, ki posnema živalsko kožo, in v gibanju, ki je mešanica živalskega in človeškega) spremljamo v njunem naravnem, domačem okolju. Sledimo njunemu raziskovanju gozda: dotikamo se mahu na skalah, splazimo se v votlo drevesno deblo, ki je njun dom, oglašamo se...
Katjuša Kovačič - Dynamic Balance (trailer) (00:54:30)
Production: 2015
A show of physical theatre exploring the ideas of Nikola Tesla from early 20th century, by skipping over differences the performers represent a live motor. The performers explore the co-dependence of mass and energy. They seek balance and apply various means of expression to their movement, ranging from contemporary dance, acrobatics, capoeira, Chinese dance, physical and street theatre. The interaction between opposites creates the force of the collective engine. The sound also comes from two sources: t...
Production: 2015
A show of physical theatre exploring the ideas of Nikola Tesla from early 20th century, by skipping over differences the performers represent a live motor. The performers explore the co-dependence of mass and energy. They seek balance and apply various means of expression to their movement, ranging from contemporary dance, acrobatics, capoeira, Chinese dance, physical and street theatre. The interaction between opposites creates the force of the collective engine. The sound also comes from two sources: t...
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