7 results in works
Nika Grabar - DIVA at Škuc Gallery (00:15:57)
Subtitle: Video essay, World of Art, School for curators and critics, year 2008/09
Production: SCCA-Ljubljana, 2009
DIVA v Galeriji Škuc je video esej, ki je nastal v času študijske razstave fizičnega in spletnega arhiva video umetnosti DIVA v Galeriji Škuc leta 2009. Trenutno ste na straneh DIVE, ki se vsakodnevno spreminja. Avtorica Nika Grabar v eseju pravi, da je "arhiviranje pravzaprav ohranjanje nekega spomina. DIVA išče spomin podobam, da bi lahko mislili prostor umetnosti, kajti brez tega smo ujeti v podobo sveta, ki nas mehanično poustvarja." Video esej je nastal v okviru delavnice >video...Add to playlist
Nika Grabar - Format Oblivion (00:14:43)
Subtitle: How to Connect Contents of AV Archives
Production: SCCA-Ljubljana, 2012
Documentation and archiving of media art materials has become necessary for the reflection of contemporary art practice and media art. The essey serves as a presentation of seminar How to connect the contents of AV archives? taking place at Vžigalica Gallery, Ljubljana in October 2010. It consisted of exhibition with installation and video works by Dalibor Martinis Data Recovery and video archive jukebox Transitland; lectures by Steven Kovats and Dalibor Martinis, screenings from archives Netherlands Media...Add to playlist
Barbara Borčić - Video Art from Conceptualism to Postmodernism
Production: MIT Press, Massachussetts, USA, 2003
The text >Video Art from Conceptualism to Postmodernism< was published in the book Impossible Histories: Historical Avant- Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia. 1918-1991, (eds. Dubravka Djurić, Miško Šuvaković), MIT Press, Massachussetts, 2003.
Barbara Borčić - From Alternative Scene to Art Video
Subtitle: Video Production in Slovenia 1992-1994
Production: SCCA-Ljubljana, 1994
The text is accompanying the video program entitled "From Alternative Scene to Art Video. Video Production in Slovenia 1992-1994", curated by Zemira Alajbegović, Barbara Borčić and Eva Rohrman in 1994. The program was produced by SCCA-Ljubljana and Škuc Gallery and screened on several occasions in Europe and USA.
Barbara Borčić - Reception of Video Production in Slovenia
"Reception of Video Production in Slovenia" is from: Videodokument.Video Art in Slovenia 1969-1998, ur. B. Borčić, OSI-Slovenia, SCCA-Ljubljana, 1999-2001.
Longyka, Jure - Digitizing An Audiovisual Archive (CD-ROM) (107 strani/pages)
Production: Univerza v Ljubljani, Fakulteta za računalništvo in informatiko, 2002
This work presents reasons for digitizing audiovisual archives as well as waysof doing so. It defines terms such as audiovisual work, digital audiovisual archive and layers in audiovisual archives. The process of digitizing an audiovisual work is analyzed. Five case studies are included. The sixth is the main case of documenting theatre plays on video. Technical solutions for digitizing the archive are presented, costs evaluated, storage and filing suggested. The archive maysomedaybecomea vital part of a mu...Add to playlist
Christopher Krause - Faces and Structures
Production: SCCA-Ljubljana, 2018
The essay was the basis for the performative lecture by Christopher Krause accompanied by the screening of selected video works (April 25, 2018, SCCA Project Room, Ljubljana). C. K. was then completing his postgraduate studies in theatrology at the Institute for Applied Theatrological Studies in Gießen, Germany. At SCCA-Ljubljana, he conducted a one-month study practice in April - he focused on researching the video and the new media archive of DIVA Station. As an object of his research, he chose the image...