Damijan Kracina - Thylacinus Cynocephalus (00:01:09)
Production: 2000
The video reconstructs the movements of the Tasmanian tiger (Thylacinus cynocephalus), which became extinct in 1936. A year before the video was created, the Australian Museum in Sydney began developing methods for preserving the genetic material of the animal in order to clone it in the 21st century, when appropriate technological procedures become available. Kracina watched the final footage of the Tasmanian tiger on TV and filmed it. He coloured the black-and-white shots and simulated the animal’s...
DIVA Animation
64 results in works
Damijan Kracina - A collage of excepts by Kracina (00:03:09)
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Production: 1995
A collage of three video works. The first shows footage of an exhibition at Trdnjavi Kluže Gallery in Bovec, where the artist presented one of his first statues of animals – a remote-controlled skunk. The second video is a study of changes in colour tones on surfaces saturated with colour. The third video shows the computer generated movements of the olm – proteus.
Marko Peljhan - LADOMIR-ФАКТУРА: FIRST SURFACE-MICROLAB V1.0 (23:02)
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Production: Projekt Atol, A Team of Three Production, Aster, 1994
Računalniška video animacija v živo je bila zamišljena kot gledališka igra brez igralcev v kibernetičnem prostoru. S podobno idejo je Vasilij Kandinski leta 1928 na podlagi skladbe Modesta Mussorgskega Slike z rastave (Bilder einer Ausstellung) zasnoval programsko gledališko predstavo, ki je bila docela sestavljena iz mehaniziranih slik in objektov brez igralcev. Video animacija je bila pripravljena, modelirana in rendrirana s pomočjo programa, ki so ga posebej napisali z oro...
Marko A. Kovačič, Kolja Saksida - Lab Party (00:04:37)
Production: Forum Ljubljana / ZVVIKS production, 2003
Lab Party is a story about the cloning and genetic mechanical mutation of living beings after the year 2227. The setting is a laboratory where laboratory technician Plastos encounters problems and runs into a malfunction. He tries to solve the issue to no avail when a passer-by effectively solves the problem. All the animations that are connected to Marko A. Kovačič’s artistic practice are the result of authorial collaboration between animator Koljo Saksida and artist Marko A. Kovačič, author of...
Production: Forum Ljubljana / ZVVIKS production, 2003
Lab Party is a story about the cloning and genetic mechanical mutation of living beings after the year 2227. The setting is a laboratory where laboratory technician Plastos encounters problems and runs into a malfunction. He tries to solve the issue to no avail when a passer-by effectively solves the problem. All the animations that are connected to Marko A. Kovačič’s artistic practice are the result of authorial collaboration between animator Koljo Saksida and artist Marko A. Kovačič, author of...
Marko A. Kovačič, Kolja Saksida - Svetla prihodnost: Plastos Fedor pomaga / Bright Future: Plastos Fedor Assists (00:05:55)
Production: Forum Ljubljana / Zwiks production, 2003
In the year 2119 inside a base camp of Plastoses in the Saratov area a doctor is creating a fast Plastos Fesor to cope with the radioactive Kyrgyz steppe. The animations that are connected to Marko A. Kovačič’s artistic practice are the result of authorial collaboration between animator Koljo Saksida and artist Marko A. Kovačič, author of the fictional post-apocalyptic Civilization of Plastos. They are characterized by the combination of computer graphics or mechanical stop-motion animation and p...
Production: Forum Ljubljana / Zwiks production, 2003
In the year 2119 inside a base camp of Plastoses in the Saratov area a doctor is creating a fast Plastos Fesor to cope with the radioactive Kyrgyz steppe. The animations that are connected to Marko A. Kovačič’s artistic practice are the result of authorial collaboration between animator Koljo Saksida and artist Marko A. Kovačič, author of the fictional post-apocalyptic Civilization of Plastos. They are characterized by the combination of computer graphics or mechanical stop-motion animation and p...
Duba Sambolec - Airport Revisited (01:19)
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Production: Duba Sambolec, 2004
Video deals with conjugation of a sentence "I am the center" in a form of animated red text circling over the screen. The animation warns us that repeating paroles are a productive tool for political indoctrination, profit marketing and the seeming satisfaction of the needs and wants created by the market. The video has no sound.NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experience of being manipulated by the agents of power and control. Performances str...
Damijan Kracina, Vladimir Leben - Galapagos (00:05:39)
Production: 2005
The video was created for a joint exhibition by Leban and Kracina entitled Galapagos. We see close-ups of an artificial installation of Galapagos Island, with a volcano at its centre. When individual animal species or motifs appear, the shots of the Island gently shift to a shot of Vladimir Leben, with adorable but strange animals with huge eyes. The sound of mechanical humming is replaced by recordings of animal sounds. The video includes a fragment from the Ape Boys, which is followed by shots of fantasy...
Production: 2005
The video was created for a joint exhibition by Leban and Kracina entitled Galapagos. We see close-ups of an artificial installation of Galapagos Island, with a volcano at its centre. When individual animal species or motifs appear, the shots of the Island gently shift to a shot of Vladimir Leben, with adorable but strange animals with huge eyes. The sound of mechanical humming is replaced by recordings of animal sounds. The video includes a fragment from the Ape Boys, which is followed by shots of fantasy...
Alenka Pirman - Close Your Eyes and Watch (0:00:47 zanka / loop)
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...
Neven Korda - The Futurists (CD-ROM)
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Robertina Šebjanič - Cona D (0:11:59)
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Production: 2005
The project was made under the wing of the TEMP group and their exploration of the use of space of public and private properties in the city. Video begins with an animation of Ljubljana, where key points of degraded points - empty spaces available for new contents for example art practises, are marked. Focusing on each of the points is followed by documentary shot of noted locations.
Zoran Srdić Janežič - Počečkane besede (00:05:15)
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Production: Zavod za sodobne umetnosti in kulture GULAG, 2005
Video was made as a presentation of poems by Jana Putrle Srdić. Computer graphics, lines, drawings and monochrome colour surfaces are added to simple fast-forwarded shots of pages from a book of poems. Video is accompanied by a recitation of the poetry in subject and electronic music.
Zoran Srdić Janežič - Zgodba o tački (0:31:50)
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Video is an animation of a same-name story by Matej Lavrenčič. The video connects animations by four authors.
Production: Kulturno umetniško društvo Inštitut za likovne in multimedijske raziskave Modri krog Kranj, 2005
Video is an animation of a same-name story by Matej Lavrenčič. The video connects animations by four authors.
Vladimir Ristić - Red Roses for a Blue Lady (0:02:30)
Production: Veber Veber Production, 2005
The work is a music video for a song Red Roses for a Blue Lady by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Red Roses for a Blue Lady presents usage of different video and animation techniques for the manipulation of the image: image of the singer multiplies with an incrustation in the background. Minimalistic story shows a popular song singer in front of a red curtain on a stag...
Production: Veber Veber Production, 2005
The work is a music video for a song Red Roses for a Blue Lady by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Red Roses for a Blue Lady presents usage of different video and animation techniques for the manipulation of the image: image of the singer multiplies with an incrustation in the background. Minimalistic story shows a popular song singer in front of a red curtain on a stag...
Vladimir Ristić - I Want To Go With The One (0:01:35)
Production: Veber Veber Production, 2005
The work is a music video for a song I want to go with the one by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video without a real narrative shows a skewed self portrait of the author manipulated with different tools. Disproportions in the size of different body parts give an impression of an alien creature.
Production: Veber Veber Production, 2005
The work is a music video for a song I want to go with the one by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. Video without a real narrative shows a skewed self portrait of the author manipulated with different tools. Disproportions in the size of different body parts give an impression of an alien creature.
Vladimir Ristić - When We Were Young (0:01:08)
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Production: Veber Veber Production, 2006
The work is a music video for a song When We Were Young by The Residents. Short video, manipulating a video image and computer animation, in a surrealist manner presents a dream story about a boy on a cloud.
Vladimir Ristić - Toni Jo (0:01:50)
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Production: Veber Veber Production, 2006
The work is a music video for a song Toni Jo by The Residents. Author through a combination of video tools and computer animation builds a subltle story about the protagonist Toni Jo.
Vladimir Ristić - At The Lake Pavillion (0:02:15)
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Production: Veber Veber Production, 2006
The work is a music video for a song At the Lake Pavillion by Kodagain. Kodagain with the visual intervention of Vladimir Ristić creates a consistent video production, which is an integral part of the overall expression of the group. The author follows the orchestral course of the music and adapts the image to the sound. The video is set on an uneven undulated surface of a lake which creates the deformations of the singer.
Nataša Skušek - Vrt (00:00:20)
Subtitle: Počasna verzija
Production: 2008
The artist is placed in the place of a naked female model inside an impressionistic painting by Édouard Manet Luncheon on the Grass. Video collage is author's miniature emancipatory gesture fighting against the passive representation of women.
Subtitle: Počasna verzija
Production: 2008
The artist is placed in the place of a naked female model inside an impressionistic painting by Édouard Manet Luncheon on the Grass. Video collage is author's miniature emancipatory gesture fighting against the passive representation of women.
Boštjan Kavčič - Symbiomat globalheART (0:01:06)
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
Production: 2004
Video is documenting the presentation of the first Slovene interactive art system inside of shopping malls. The video is designed as a short presentation composed of documentary shots, usually fast forwarded with added computer animation presenting the Symbiomat machine.
