Marjan Gumilar - Pogled (00:06:38)
Production: Marjan Gumilar, 2002
Avtor posname svoj vsakdan na statičen način. Video je posnet v enem samem kadru in prikazuje par v stanovanju, prepravljenem z dnevno svetlobo. Na radiu slišimo jazz glasbo, ki je obenem najbolj dramatičen element videa in omogača tako moški kot ženski osebi, da naselita video brez da bi komunicirala. Moški gleda skozi okno in občuduje razgled, ženska pa bere na postelji. Z odsotnostjo komunikacije - osebe so dejansko ujete v melanholičnost dolgočasnega vsakdana -, postane njuno stanovanje udob...
DIVA self-portrait
50 results in works
Nataša Skušek - Ekstaza (00:11:28)
Production: 2005
Video obsega deset bližnjih (close-up) posnetkov obraza med avtoričinim dojenjem hčerke. Avtorica je dobila vnetje tkiva v dojki oz. mastitis in prikazuje neprijetni, boleči del materinstva, ki ga sicer ponavadi prikazujejo z idealiziranimi prizori nežnosti. Bližnji posnetki se mešajo z efekti razpadanja video slike (dissolve).
Production: 2005
Video obsega deset bližnjih (close-up) posnetkov obraza med avtoričinim dojenjem hčerke. Avtorica je dobila vnetje tkiva v dojki oz. mastitis in prikazuje neprijetni, boleči del materinstva, ki ga sicer ponavadi prikazujejo z idealiziranimi prizori nežnosti. Bližnji posnetki se mešajo z efekti razpadanja video slike (dissolve).
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Toaleta 1 / 36 (00:03:31)
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Nataša Skušek - You Will See... (00:04:23)
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Production: 2003
Video is set on a windy beach. The author and her sister appear in two roles, which foretell dim prospects to each other with clichee expresions in a sinister way. Simple editing and the usage of shot reverse shot is used.
Marko A. Kovačič - Dosje 83:03 - video rekonstrukcija / Dossier 83:03. Video Reconstruction (00:45:40)
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Milena Kosec - Marička B. Pomagaj ante portas (00:09:10)
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Production: Državica Ptičjestrašilna, 2009
Marička B. Pomagaj ante portas je umetniška akcija v okviru Državice Ptičjestrašilne. Njena državljanka Marička B. Pomagaj si je v petek, 5. januarja 2001, ob 17. uri s pomočjo asistenta Tomaža Trčka ogledala razstavo Vulgata, U3 – tretji trienale sodobne slovenske umetnosti, ki jo je kuriral Gregor Podnar. Državna inštitucija se v primeru U3 ni korektno obnašala do ustvarjalcev Državice Ptičjestrašilne, kar je izzvalo prepoved uporabe gradiva o Državici....
Nika Autor, Robertina Šebjanič - Niro (0:02:15)
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Production: 2006
Images intertwine with fade-in and fade-out effects. Authors paint intimate spaces and their bond as friends by intertwining and overlapping the images one onto the other. They are searching for their common identity NiRo, which is characterized by a state of complete trust and the disappearance and upgrade of their individual features. Stop motion technique enables rough fluidity of the video with an emphasis on certain moments as memories which are crucial in a relationship of two people. Images on the sc...
Martina Bastarda - TV dražba / TV Auction (0:59:44)
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Nika Oblak & Primož Novak - Explosion (0:00:16)
Production: 2003
The video shows Primož Novak being blown up. It plays with idea that artists have to exert a tremendous amount of effort in order to be successful, and at the same time, it mocks the strategy of shocking the audience as a formula for quick success-a strategy that is very familiar to our commercially oriented contemporary society. (Source: oblak-novak.org)
Production: 2003
The video shows Primož Novak being blown up. It plays with idea that artists have to exert a tremendous amount of effort in order to be successful, and at the same time, it mocks the strategy of shocking the audience as a formula for quick success-a strategy that is very familiar to our commercially oriented contemporary society. (Source: oblak-novak.org)
Nika Oblak & Primož Novak - Dejeuner sur l'Herbe (0:19:22)
Production: 2003
The video shows Nika Oblak & Primož Novak having picnic in a snowy landscape next to a highway. The postcard-like landscape is beautiful to look at, but it also isolates Oblak & Novak from the rest of the world. (Source: oblak-novak.org)
Production: 2003
The video shows Nika Oblak & Primož Novak having picnic in a snowy landscape next to a highway. The postcard-like landscape is beautiful to look at, but it also isolates Oblak & Novak from the rest of the world. (Source: oblak-novak.org)
Evelin Stermitz - A Gift for the Moon (0:03:37)
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Evelin Stermitz - Structural Model (0:03:00)
Production: 2006
A female person is reflecting the structures and dynamics of Freud's model of the psyche in terms of an unresolved pattern. Researched parts of connections between the three layers of Freud"s model and women appear in the textline to represent some main thoughts about the complexity of (t)his system. A video installation of the intermediation of the ego between the id, the superego and the external world from a female perspective. This performance video work has been realized at International S...
Production: 2006
A female person is reflecting the structures and dynamics of Freud's model of the psyche in terms of an unresolved pattern. Researched parts of connections between the three layers of Freud"s model and women appear in the textline to represent some main thoughts about the complexity of (t)his system. A video installation of the intermediation of the ego between the id, the superego and the external world from a female perspective. This performance video work has been realized at International S...
Ana Grobler - Migraine (00:05:23)
Production: 2007
Video work is a migraine self portrait of the artist. The whole process of making the video was made in a period of a migraine seizure. Camera is static and tries to present the state of a patient suffering from a migraine seizure. The work focuses on a question whether a bigger number of women hurting from migraine then man is caused by social or biological predispositions. In the age between 30 and 40 a ratio is three women on one man, although in childhood it is the same for both sexes.
Production: 2007
Video work is a migraine self portrait of the artist. The whole process of making the video was made in a period of a migraine seizure. Camera is static and tries to present the state of a patient suffering from a migraine seizure. The work focuses on a question whether a bigger number of women hurting from migraine then man is caused by social or biological predispositions. In the age between 30 and 40 a ratio is three women on one man, although in childhood it is the same for both sexes.
Ana Grobler - Soči (00:02:38)
Production: 2006
Video work devoted to the Soča River is composed of close up photographs of the author's face and recordings of the river. The intertwinement of both creates an impression of unusual worlds. As images of the face interlace into an image of the river, the limits between human and nature are lost. The face fades into the river flow and the limits between solid and liquid, concrete and abstract, known and unknown vanish. When there is nothing you can grasp on, new key points must be created. Video is mea...
Production: 2006
Video work devoted to the Soča River is composed of close up photographs of the author's face and recordings of the river. The intertwinement of both creates an impression of unusual worlds. As images of the face interlace into an image of the river, the limits between human and nature are lost. The face fades into the river flow and the limits between solid and liquid, concrete and abstract, known and unknown vanish. When there is nothing you can grasp on, new key points must be created. Video is mea...
Nika Oblak & Primož Novak - We Did This and That (0:01:06)
Subtitle: We Threw Gumboots 63.98 m for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
Subtitle: We Threw Gumboots 63.98 m for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
Nika Oblak & Primož Novak - We Did This and That (0:01:27)
Subtitle: We Balanced 14 Spoons on our Faces and Ears for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
Subtitle: We Balanced 14 Spoons on our Faces and Ears for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
Nika Oblak & Primož Novak - We Did This and That (0:00:39)
Subtitle: We Drank a Large Beer in 3 sec While Standing on Our Heads for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
Subtitle: We Drank a Large Beer in 3 sec While Standing on Our Heads for This Video
Production: 2007
We Did This and That is a series of 43 photographs and 13 videos, which show Nika Oblak & Primož Novak in reconstructing Guinness World Records. They chose absurd records, which are based on uncommon ideas. It is a strategy of gaining attention with spectacular and entertaining stunts, which can serve as an analogue to obsession with success and fame in contemporary society influenced by the mass media. We Did This and That is a reflection on global capitalism and society, which produces and possesses an e...
