Neven Korda, Zemira Alajbegović - The Sand Collectors (00:12:34)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video work tells a story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Thru this narrative the authors deal with the spirit of avant-garde art in the first half of the 20th century. By layering black and white and colour images and sounds the work creates a deep and lively emotional space. (Source: Videodokument)
DIVA gender
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25 results in works
Zemira Alajbegović, Neven Korda - Zbiralci peska (00:13:06)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video delo pripoveduje zgodbo o zbirateljici umetniških del. K narativi delo pristopa prek protagonistkinih spominov ter pripovedi njenega znanca psihoanalitika. Skozi zgodbo se avtorja v tem in še dveh videih dotikata teoretskih razmišljanj o avantgardni umetnosti v prvi polovici 20. stoletja. S plastenjem črno-belih in barvnih podob ter zvokov delo ustvarja poglobljen in živahen emocionalni prostor. --- ZANK je akronim za umetnika Zemiro Alajbegović in Nevena Kordo, ki sta v obdo...
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video delo pripoveduje zgodbo o zbirateljici umetniških del. K narativi delo pristopa prek protagonistkinih spominov ter pripovedi njenega znanca psihoanalitika. Skozi zgodbo se avtorja v tem in še dveh videih dotikata teoretskih razmišljanj o avantgardni umetnosti v prvi polovici 20. stoletja. S plastenjem črno-belih in barvnih podob ter zvokov delo ustvarja poglobljen in živahen emocionalni prostor. --- ZANK je akronim za umetnika Zemiro Alajbegović in Nevena Kordo, ki sta v obdo...
Zemira Alajbegović, Neven Korda - Med štirimi stenami (00:33:17)
Production: ZANK, VPK & TV Slovenija (izobraževalni program), 1999
V dokumentarcu Med štirimi stenami svoje zgodbe pripovedujejo ženske, ki so pobegnile pred nasiljem v lastnih družinah in poiskale pomoč v zatočišču. Spregovorijo o letih zlorabe, nasilja, posilstev in osamljenosti. Zgodovinarji in antropologi pa spregovorijo o širših razsežnostih nasilja. Film vsebuje tudi posnetke iz zatočišča za ženske in otroke - žrtve nasilja iz centrov za socialno delo in skupine za nenasilno komunikacijo, v kateri moški spreminjajo...
Production: ZANK, VPK & TV Slovenija (izobraževalni program), 1999
V dokumentarcu Med štirimi stenami svoje zgodbe pripovedujejo ženske, ki so pobegnile pred nasiljem v lastnih družinah in poiskale pomoč v zatočišču. Spregovorijo o letih zlorabe, nasilja, posilstev in osamljenosti. Zgodovinarji in antropologi pa spregovorijo o širših razsežnostih nasilja. Film vsebuje tudi posnetke iz zatočišča za ženske in otroke - žrtve nasilja iz centrov za socialno delo in skupine za nenasilno komunikacijo, v kateri moški spreminjajo...
Evelin Stermitz - Gender Transmission (0:03:03)
Subtitle: WO:MAN # 1 WO:MAN # 2
Production: 2005
The two videos question the relation and boundaries between man and woman in a philosophic and psychological manner. Like in the psychological theory of Jacques Lacan woman and man mirror themselves in terms of "the Other", so this is the issue of these videos. By establishing two mirrors through video, the situation resembles a real mirror, where man and woman are confronted to each other. There is always a surface, a shape for interacting constructed here through a digital code. But what will remain is al...
Subtitle: WO:MAN # 1 WO:MAN # 2
Production: 2005
The two videos question the relation and boundaries between man and woman in a philosophic and psychological manner. Like in the psychological theory of Jacques Lacan woman and man mirror themselves in terms of "the Other", so this is the issue of these videos. By establishing two mirrors through video, the situation resembles a real mirror, where man and woman are confronted to each other. There is always a surface, a shape for interacting constructed here through a digital code. But what will remain is al...
Evelin Stermitz - Hitchcock Dishing (0:01:17)
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Production: 2008
A short video about the danger of daily dishing as a sublime metaphor for the unpaid daily work of women with its loss of time and energy for other more meaningful, useful and creative activities. Hitchcock Dishing is also articulating concealed domestic violence.
Evelin Stermitz - Inside the Outside (0:05:33)
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Production: 2006
Moving beyond a surface, an outside, a window into a different world - what are the reasons for moving within a certain space of femininity? The questions of the moving shape circulate around the other, the captured difference, the identity and the self. By acting as a body with its language, this remains from the self and questioning shape. The body as a shape for self-reflective questions within a female room seemingly protected against the outside but exposed to the gaze.
Evelin Stermitz - Concentration Camp of Ljubelj (0:14:33)
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Evelin Stermitz - Rose is a Rose (0:03:53)
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Production: 2008
This performative video work shows a woman engaged in covering her face with rose leaves. As a metaphor for the above and beyond term "beauty", the fragility of beauty and the canons of beauty, the video reveals an obscure image of woman, which is also shaped by transiency and impermanence. Excerpts from the poem "Sacred Emily" by Gertrude Stein, in which she created the sentence "Rose is a rose is a rose is a rose.", form the sound collage to the video work.
Evelin Stermitz - Table Talk (0:02:35)
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.
Evelin Stermitz - Structural Model (0:03:00)
Production: 2006
A female person is reflecting the structures and dynamics of Freud's model of the psyche in terms of an unresolved pattern. Researched parts of connections between the three layers of Freud"s model and women appear in the textline to represent some main thoughts about the complexity of (t)his system. A video installation of the intermediation of the ego between the id, the superego and the external world from a female perspective. This performance video work has been realized at International S...
Production: 2006
A female person is reflecting the structures and dynamics of Freud's model of the psyche in terms of an unresolved pattern. Researched parts of connections between the three layers of Freud"s model and women appear in the textline to represent some main thoughts about the complexity of (t)his system. A video installation of the intermediation of the ego between the id, the superego and the external world from a female perspective. This performance video work has been realized at International S...
Evelin Stermitz - White Band Cut (0:09:25)
Production: 2007
The ritualised cutting of a white band wrapped around the body symbolizes the metaphoric disposal of inner and outer bonds as restrictions in an internal monologue. The woman can be seen as a gift as well as a captive. The white band describes muted halcyon segues flowing in a void space.
Production: 2007
The ritualised cutting of a white band wrapped around the body symbolizes the metaphoric disposal of inner and outer bonds as restrictions in an internal monologue. The woman can be seen as a gift as well as a captive. The white band describes muted halcyon segues flowing in a void space.
Ana Čigon - Nezlomljiva / Unbreakable (0:01:08)
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Production: Ana Čigon, 2008
Video documents braking of the branches on trees; it gets harder and harder to break the branches and in the end the author gets to a branch that doesn't give in. Video consists of nine short scenes ending with freeze frames, eight of them forming a frame with the last - ninth shot placed in the middle. Video is shot with a hand held camera making only close-up shots.
Neven Korda, Dario Seraval, Zemira Alajbegović - He (00:04:40)
Subtitle: Iz kompilacije glasbenih video spotov skupine Borghesia z naslovom
Production: FV Video, ŠKUC Forum, 1985
The work is a music video for a song On by Borghesia group. Underground, SM motifs, image with strong contrast and aggressive changes in the dynamics of the image are the main characteristics of the group's videos. In the video On makes an inversion of the patriarch system - the video is reigned by a woman. Man is only a banal object of desire. (DIVA) Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in...
Subtitle: Iz kompilacije glasbenih video spotov skupine Borghesia z naslovom
Production: FV Video, ŠKUC Forum, 1985
The work is a music video for a song On by Borghesia group. Underground, SM motifs, image with strong contrast and aggressive changes in the dynamics of the image are the main characteristics of the group's videos. In the video On makes an inversion of the patriarch system - the video is reigned by a woman. Man is only a banal object of desire. (DIVA) Video is a part of "So Young", a compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in...
Nataša Skušek - Heri (04:02)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Nataša Skušek - Huzar (01:05)
Production: N.S., 2011
Video prikazuje moškega v spodnjicah, ki trdno spi na postelji. Ženska roka ga obmetava z obešalniki, vendar ga to ne zbudi. Čez nekaj časa se telo v spanju začne tresti, kot bi skušalo odvreči nakopičene obešalnike. Video v avtoričinem humornem stilu obarvanava napetosti v partnerskem odnosu in se poigrava s sterotipnimi vlogami družbenih spolov.
Production: N.S., 2011
Video prikazuje moškega v spodnjicah, ki trdno spi na postelji. Ženska roka ga obmetava z obešalniki, vendar ga to ne zbudi. Čez nekaj časa se telo v spanju začne tresti, kot bi skušalo odvreči nakopičene obešalnike. Video v avtoričinem humornem stilu obarvanava napetosti v partnerskem odnosu in se poigrava s sterotipnimi vlogami družbenih spolov.
Nataša Skušek - khm_khm (6:34)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Nataša Skušek - Golica (03:54)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Katarina Rešek - Napoleon (Napravi mi dete) (00:03:45)
Production: Napravi mi dete & UL AGRFT, 2016
Music video Napoleon tells the story of a young woman in search of love, lost in a violent relationship with another person, which results in a violent relationship with herself and further relationships of the same kind. The film opens up the issue of sexual identity and ends with a conclusion that this is and will continue to be a man’s world if women look at it through men’s eyes. (Source: Katarina Rešek)
Production: Napravi mi dete & UL AGRFT, 2016
Music video Napoleon tells the story of a young woman in search of love, lost in a violent relationship with another person, which results in a violent relationship with herself and further relationships of the same kind. The film opens up the issue of sexual identity and ends with a conclusion that this is and will continue to be a man’s world if women look at it through men’s eyes. (Source: Katarina Rešek)
Đejmi Hadrović - Silent Observer (00:09:12)
Production: KulturKontakt Austria, 2017
Video performance acts as a monologue confession of a woman in her early thirties and the obstacles she is dealing with. Content deals with issues such as gender, identity, migration, and ethnicity. Autobiographical thoughts are exposed to the audience through the audio recording only, while the performer in the video is only partially visible. It gives a notion of a classical portrayal, with the mind being the main source of happening. The artist is addressing the audience the with world’s...
Production: KulturKontakt Austria, 2017
Video performance acts as a monologue confession of a woman in her early thirties and the obstacles she is dealing with. Content deals with issues such as gender, identity, migration, and ethnicity. Autobiographical thoughts are exposed to the audience through the audio recording only, while the performer in the video is only partially visible. It gives a notion of a classical portrayal, with the mind being the main source of happening. The artist is addressing the audience the with world’s...
Lea Culetto - (Without) (00:02:48)
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
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