Damijan Kracina, Katarina Toman Kracina - Marmelada / Marmalade (00:03:37)
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
DIVA speech
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40 results in works
Andrea Knezović - Liminal (00:11:00)
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...
Duba Sambolec - Airport 1 (29:41)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - Airport 2 (31:46)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Airport 1 and Airport 2, which are screened side by side. Video performance captures a modestly furnished space inside which performers move. Shots are static and unedited. One after another or polyphonically performers repeat the conjugation of the sentence "I am the centre". They use different technical accessories as for example microphone or megaphone. The happening is drily and dull, it has no dramaturgy and it is based on repetition. Author uses th...
Duba Sambolec - I Don't Remember (02:00:31)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999/2000
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Duba Sambolec - Questioning, Answering (58:25)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances, first presented at the International Festival of Co...
Duba Sambolec - Shadowless A (21:06)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Duba Sambolec - Shadowless B (21:08)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Two-channel video perfomance consists of two videos, Shadowless A and Shadowless B, which are screened side by side. The left video (Shadowless A) shows the figure in the room, and the right (Shadowless B) focuses on the face. Both videos share the same sound. The performance is set in an empty space in which the blindfolded author tries to find her way around. A voice from the background is unintelligibly guiding her, at times a sound of repeating punches is heard. The author tries to use a binocular, whic...
Duba Sambolec - Code I (04:34)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
Duba Sambolec - Code II (01:32)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video captures the author in a medium close-up, while she repeats the sentence "repeat after me" in calm authoritative voice. The absurd coming from the repeating demand to repeat stresses the fact of how often and repeating this demand is in individual's everyday life. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video captures the author in a medium close-up, while she repeats the sentence "repeat after me" in calm authoritative voice. The absurd coming from the repeating demand to repeat stresses the fact of how often and repeating this demand is in individual's everyday life. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the...
Duba Sambolec - Code III (03:49)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is composed of one long static extreme close-up of the author, while she repeats a completely trivial, common and consequently devalued request. Static and unfocused shot stresses the dullness of the sentence. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the po...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is composed of one long static extreme close-up of the author, while she repeats a completely trivial, common and consequently devalued request. Static and unfocused shot stresses the dullness of the sentence. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the po...
Duba Sambolec - Code IV (18:31)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video is based on a cliché automatized everyday fraises, which are told to each other by the performers. Unfocused close-up stays unchanged and additionally stresses unclearness and dullness of the conversation. NoHomeVideos© are 14 video performances, first presented at the International Festival of Contemporary Arts – City of Women in Ljubljana (2000), in which the author is dealing with the experience of being manipulated by the agents of power and control. Performances stress the...
Nataša Berk - PolyPlay (04:18)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Ana Nuša Dragan - Survey (14:00)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
Production: TV Skopje, 1990
The creation of video poetry: a scale of sequences shaped by Rene Magritte’s painting as a lyrical excess of the real world and the Macedonian landscape and architecture with distinct ethnographic dimensions. (Source: Videodokument)
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Hiteti ali biti temeljit (00:03:25)
Production: Kolektiva, 2004
A Slovene sentence that translates into "To hurry or to be thorough" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Production: Kolektiva, 2004
A Slovene sentence that translates into "To hurry or to be thorough" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.
Lenka Djorojević, Neža Jurman, Matej Stupica - Boxing Match (00:07:04)
Production: Galerija Kresija, 2012
Videodokument otvoritvenega performansa razstave Boxing Match umetnic Lenke Đorojević, Neže Jurman in umetnika Mateja Stupice, ki je bila v Galeriji Kresija na ogled v avgustu leta 2012. Boxing Match je bil participatorni projekt, s katerim so avtorji razstave pozivali gledalce k aktivni udeležbi in opredelitvi do razstavljenih objektov in do samih avtorjev. Umetniki so razstavni prostor popolnoma transformirali, na stene izpisali manifeste številnih umetnikov ter umetniških skupin, osrednji del in...
Production: Galerija Kresija, 2012
Videodokument otvoritvenega performansa razstave Boxing Match umetnic Lenke Đorojević, Neže Jurman in umetnika Mateja Stupice, ki je bila v Galeriji Kresija na ogled v avgustu leta 2012. Boxing Match je bil participatorni projekt, s katerim so avtorji razstave pozivali gledalce k aktivni udeležbi in opredelitvi do razstavljenih objektov in do samih avtorjev. Umetniki so razstavni prostor popolnoma transformirali, na stene izpisali manifeste številnih umetnikov ter umetniških skupin, osrednji del in...
Ana Sluga - Somewhere Else (00:05:00)
Production: 2011
Video sestavljata dve vzporedni naraciji. Na levi strani mlada ženska, najverjetneje umetnica, sedi na strehi in zre v daljavo mesta Ljubljana. Vidimo jo v hrbet. Na desni strani se nizajo posnetki narave: ptič na drevesu, trave v vetru, jata ptičev, sled letala na nebu, drevesa ob potoku, žuboreča voda, cvetoče drevo, dim, oblaki, jesenski gozd ... V ozadju se melanholična klavirska glasba (Jože Baša) prepleta s posnetki živahnih dialogov v različnih jezikih (spominjajo na preklapljanje me...
Production: 2011
Video sestavljata dve vzporedni naraciji. Na levi strani mlada ženska, najverjetneje umetnica, sedi na strehi in zre v daljavo mesta Ljubljana. Vidimo jo v hrbet. Na desni strani se nizajo posnetki narave: ptič na drevesu, trave v vetru, jata ptičev, sled letala na nebu, drevesa ob potoku, žuboreča voda, cvetoče drevo, dim, oblaki, jesenski gozd ... V ozadju se melanholična klavirska glasba (Jože Baša) prepleta s posnetki živahnih dialogov v različnih jezikih (spominjajo na preklapljanje me...
Valérie Wolf Gang - La vue à travers la fênetre (A View through The Window) (00:19:49)
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Production: 2014
Video installation "La vue à travers la fenêtre" (A View through The Window) creates the imaginary space, a line of windows, through which the visitors of the gallery can look through and observe strangers, strange places and random everyday details. Every artificial window is constructed with stage tape on the wall and inside there is a projection of video separated in two layers: each is showing different details of everyday life. In the gallery there is one source of sound and we can hear...
Nataša Prosenc Stearns - Nightmares of the New World (00:07:31)
Subtitle: Humans Crossing, Deafening Whispers, Alternative Facts in Nucleus Brass
Production: 2017
Series of three single-channel videos - Humans Crossing, Deafening Whispers / Alternative Facts, Nucleus Brass. The work of the video artist and filmmaker Nataša Prosenc Stearns is never directly illustrative, but her new series Nightmares of the New World is clearly a reaction to the bleak socio-political climate. The first three videos of the series: Humans Crossing, Deafening Whispers / Alternative Facts and Nucleus Brass, address the uncertainty of our physicality from an embryo to a robot, the rising...
Subtitle: Humans Crossing, Deafening Whispers, Alternative Facts in Nucleus Brass
Production: 2017
Series of three single-channel videos - Humans Crossing, Deafening Whispers / Alternative Facts, Nucleus Brass. The work of the video artist and filmmaker Nataša Prosenc Stearns is never directly illustrative, but her new series Nightmares of the New World is clearly a reaction to the bleak socio-political climate. The first three videos of the series: Humans Crossing, Deafening Whispers / Alternative Facts and Nucleus Brass, address the uncertainty of our physicality from an embryo to a robot, the rising...
Ana Čigon - Ask for the Moon (00:01:15)
Subtitle: Iz serije videov in animacij Odkritje mačke v žaklju
Production: A.Č., 2015
The video is a short feminist comment on astronomical obstacles blocking the way towards gender equality. (Source: Ana Čigon)
Subtitle: Iz serije videov in animacij Odkritje mačke v žaklju
Production: A.Č., 2015
The video is a short feminist comment on astronomical obstacles blocking the way towards gender equality. (Source: Ana Čigon)
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