Polonca Lovšin - Always Better (00:01:27)
Subtitle: Street
Production: 2002
The video thematises footage from the artist's childhood: together with her sister, she demonstrated gymnastic exercises for the camera in the back garden of their family home. The sisters repeated the same routine, in the same place, in the present.
DIVA game
19 results in works
Klon:Art:Resistance, Miha Dovžan - Klon Art (00:02:43)
Subtitle: Prispevek v oddaji Studio City
Production: TV Slovenija
Dokumentarni prispevek o skupini grafitarjev in uličnih umetnikov KlonArt. Dokumentarni prispevek TV Slovenija (oddaja Studio City), ki ga v slogu skupine KlonArt odlikuje dinamična kamera in hitra menjava kadrov. Predstavitvenemu tekstu so dodani posnetki grafitarskih akcij skupine v Ljubljani.
Subtitle: Prispevek v oddaji Studio City
Production: TV Slovenija
Dokumentarni prispevek o skupini grafitarjev in uličnih umetnikov KlonArt. Dokumentarni prispevek TV Slovenija (oddaja Studio City), ki ga v slogu skupine KlonArt odlikuje dinamična kamera in hitra menjava kadrov. Predstavitvenemu tekstu so dodani posnetki grafitarskih akcij skupine v Ljubljani.
Damijan Kracina, Katarina Toman Kracina - Marmelada / Marmalade (00:03:37)
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
Production: 2004
Are you familiar with that tingling feeling somewhere that emerges around the root of your tongue when you eat marmalade without bread and butter? The marmalade sticks to your palate and its taste lingers in your mouth for a long time. It's that special home-made marmalade, saturated with sugar. In the video Marmalade, we get to know yet another, truly practical usage of that sweet mélange. In some parts, they once used to spread it on the tiles, which were keeping the heat of the wooden stove apart f...
Polonca Lovšin - Opazovalec (00:03:13)
Subtitle: Ulica
Production: 2002
The author is filming child play at a school playground. Her voyeuristic position allows her to observe a group of children having fun. She is filming them playing, but the filmed characters fail to notice their hidden observer.
Subtitle: Ulica
Production: 2002
The author is filming child play at a school playground. Her voyeuristic position allows her to observe a group of children having fun. She is filming them playing, but the filmed characters fail to notice their hidden observer.
Rok Sieberer Kuri - Krimi krimič (00:01:21)
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Nataša Skušek, Mladen Stropnik - Free Time (00:06:42)
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Production: 2007
Video work discusses time management in a modern family life. The authors document their holiday with their children and through personal experience explore the overload and expectations imposed upon an individual about themselves by modern society.
Dejan Habicht - Uspavanka / Lullaby (00:02:31)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Lullaby is representation of repeating a pattern of behavior.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
Lullaby is representation of repeating a pattern of behavior.
Dejan Habicht - Pasjansa (00:05:51)
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
A card game played by one person is telling a story about ingenious ways of doing away with boredom.
Subtitle: 12 dolgočasnih pesmi
Production: Center in Galerija P74, 2007
A card game played by one person is telling a story about ingenious ways of doing away with boredom.
Miha Šubic - Brickloader (00:02:07)
Production: Famul Stuart, 2009
If you play Tetris game for too long, bricks can come alive and help you with your addiction. (Source: Miha Šubic)
Production: Famul Stuart, 2009
If you play Tetris game for too long, bricks can come alive and help you with your addiction. (Source: Miha Šubic)
Metka Zupanič - And Here We Are (00:01:33)
Production: M.Z., 2016
The video shows a pendulum used in hypnosis, whereas a closer look reveals that the pendulum is in fact a cartridge. A low male voice takes the viewer to a state of mind that would enable him to erase all thoughts referring to military and hatred from his memory. Video is part of the art project And Here We Are which tackle the issue of military defence/surveillance of an individual and the influences of military structures on people's everyday lives. (Source: Metka Zupanič)
Production: M.Z., 2016
The video shows a pendulum used in hypnosis, whereas a closer look reveals that the pendulum is in fact a cartridge. A low male voice takes the viewer to a state of mind that would enable him to erase all thoughts referring to military and hatred from his memory. Video is part of the art project And Here We Are which tackle the issue of military defence/surveillance of an individual and the influences of military structures on people's everyday lives. (Source: Metka Zupanič)
Urška Aplinc - Slide (01:52)
Production: U.A., 2014
Video je del projekta Drča, ki ga je avtorica ustvarila v času študija kiparstva na ALUO. V ateljeju je zgradila objekt, ki ima poleg specifične estetske vrednosti tudi igrivo 'uporabno' vrednost. Njeno uporabo avtorica demonstrira v videu, sestavljenem iz ponovitev kratkega spusta po drči. (Vir: Postaja DIVA)
Production: U.A., 2014
Video je del projekta Drča, ki ga je avtorica ustvarila v času študija kiparstva na ALUO. V ateljeju je zgradila objekt, ki ima poleg specifične estetske vrednosti tudi igrivo 'uporabno' vrednost. Njeno uporabo avtorica demonstrira v videu, sestavljenem iz ponovitev kratkega spusta po drči. (Vir: Postaja DIVA)
Urška Aplinc - sara-grieg-chocolate (00:16:55)
Production: U.A., 2015
Avtorica uporabi domači videoposnetek, ki ga je posnela njena mlajša sestra v avtu. Surov material iz kamere, ki je nastal kot otroška igra s kamero, je hkrati spontana zabeležka nekega trenutka v času in prostoru. Umetnica s podrobno analizo posnetka (glej dodatno besedilo) raziskuje dva aspekta, prvi je vezan na telo in njegovo manifestacijo skozi glas in snemanje, drugi pa na vmesnost videa, ki beleži preplet otroške igre, momentov nadzora in usmerjanja. Video je bil predstavljen...
Production: U.A., 2015
Avtorica uporabi domači videoposnetek, ki ga je posnela njena mlajša sestra v avtu. Surov material iz kamere, ki je nastal kot otroška igra s kamero, je hkrati spontana zabeležka nekega trenutka v času in prostoru. Umetnica s podrobno analizo posnetka (glej dodatno besedilo) raziskuje dva aspekta, prvi je vezan na telo in njegovo manifestacijo skozi glas in snemanje, drugi pa na vmesnost videa, ki beleži preplet otroške igre, momentov nadzora in usmerjanja. Video je bil predstavljen...
SCCA-Ljubljana, Luksuz produkcija - Skupivn (SBO) (03:34)
Subtitle: Delavnica videospota
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song Skupivn (Outtogether) by SBO was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Ela Hartman, Jakob Žorž, Kaja Horvat
Subtitle: Delavnica videospota
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song Skupivn (Outtogether) by SBO was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Ela Hartman, Jakob Žorž, Kaja Horvat
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - The House of Cards (06:45)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Man, Don't Get Angry (19:34)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Fart Roulette (06:39)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Fart Roulette is actually a picnic on the grass, which can be reminiscent of Manet's famous painting, although this time, everyone present is dressed. The title refers to Russian roulette, and the authors shoot farts instead of bullets. The parody deals with a serious topic of environmental pollution and its far-reaching consequences. Artists in Celje have been warning about local polluters (Cinkarna Celje and other industries) for a long time, but those responsible do not take them seriousl...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Fart Roulette is actually a picnic on the grass, which can be reminiscent of Manet's famous painting, although this time, everyone present is dressed. The title refers to Russian roulette, and the authors shoot farts instead of bullets. The parody deals with a serious topic of environmental pollution and its far-reaching consequences. Artists in Celje have been warning about local polluters (Cinkarna Celje and other industries) for a long time, but those responsible do not take them seriousl...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Rights for Our Fights (11:12)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The fifth in a series of performances - its title is also the title of the exhibition - is the only one where Dr Xenia performs live with audience participation. This performance is also defined by the space, the four corners of the Alakatraz Gallery form a boxing ring, which becomes the scene of fights. Despite the boxing equipment, there are no boxing matches in the ring, but various derivations of board games. All games (Mikado, Cards and Rock paper scissors) are usually played with the hands and playing...
