DIVA language
12
29 results in works
How Do You Say Ćesma? / Kako se kaže fountain?How Do You Say Ćesma? / Kako se kaže fountain?How Do You Say Ćesma? / Kako se kaže fountain?
Katja Šoltes, Emir Jelkić - How Do You Say Ćesma? / Kako se kaže fountain? (00:07:30)
Production: Ljudmila, Ljubljana in SCCA/pro.ba, Sarajevo, 2000
The video shows thoughts of a traveller and runner David Jones, who is discovering a war-stricken Sarajevo and tells the story of his endless travels. First the video follows the runner and surroundings through a window of a moving car. The shots at the end of the video are static and feature close-ups of the runner.Add to playlist
Path of Crazy WisdomPath of Crazy WisdomPath of Crazy Wisdom
Miha Vipotnik - Path of Crazy Wisdom (00:09:58)
Production: CalArts, Los Angeles, 1993
Through a structure of an interview the video explores the life of an American sculptor Eric Orr. Questions about his work exchange with personal topics and in some moments reach the point of absurd and complete fiction. Due to a usage of the camera and editing the video gives an impression of a police interrogation. In the ending credits the artist is listed as "The accused". Shots of the interview are in parts interrupted by quotes and photographs from Eric Orr's literary work Zero Mass - The...Add to playlist
Videogram 4Videogram 4Videogram 4
Miha Vipotnik - Videogram 4 (00:28:59)
Production: RTV Ljubljana, 1976/79
Video is a final result of a same named project conducted in Jakopič gallery, which was recorded by the author with five cameras. The study of the limits of video, using painting and performative elements, achieves an effect of an innovative and unique visual and sonic experience by exploring image and sound.Add to playlist
LiminalLiminalLiminal
Andrea Knezović - Liminal (00:11:00)
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...Add to playlist
EightEightEight
Miha Vipotnik - Eight (00:24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's inte...Add to playlist
Questioning, AnsweringQuestioning, AnsweringQuestioning, Answering
Duba Sambolec - Questioning, Answering (00:58:16)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a women with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he takes on the role of an accomplice, as he accepts the game of the interrogator. NoHomeVideos© video performances, altogether created 14 by the author, are dealing with the experi...Add to playlist
Close Your Eyes and WatchClose Your Eyes and WatchClose Your Eyes and Watch
Alenka Pirman - Close Your Eyes and Watch (0:00:47 zanka / loop)
Subtitle: Silent Lecture
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Franci Zagoričnik - Črno-beli diapazon, 1966-2006Franci Zagoričnik - Črno-beli diapazon, 1966-2006Franci Zagoričnik - Črno-beli diapazon, 1966-2006
Alenka Pirman - Franci Zagoričnik - Črno-beli diapazon, 1966-2006 (00:02:35 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Ivan Volarič-Feo - Peščena ura, 1969-2006Ivan Volarič-Feo - Peščena ura, 1969-2006Ivan Volarič-Feo - Peščena ura, 1969-2006
Alenka Pirman - Ivan Volarič-Feo - Peščena ura, 1969-2006 (00:02:02 zanka / loop)
Subtitle: The Most beautiful Poems. Series of silent lectures
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Matjaž Hanžek - Nebotičnik, 1967-2006Matjaž Hanžek - Nebotičnik, 1967-2006Matjaž Hanžek - Nebotičnik, 1967-2006
Alenka Pirman - Matjaž Hanžek - Nebotičnik, 1967-2006 (00:02:46 zanka / loop)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006
Alenka Pirman - Aleš Kermavner - KAJ JE (V-SEBI-NA = V), ok. 1966-2006 (00:02:22)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Vojin Kovač-Chubby - I go Crazy, 1967-2006Vojin Kovač-Chubby - I go Crazy, 1967-2006Vojin Kovač-Chubby - I go Crazy, 1967-2006
Alenka Pirman - Vojin Kovač-Chubby - I go Crazy, 1967-2006 (00:15:03 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
MomridingMomridingMomriding
Mladen Stropnik - Momriding (0:04:23)
Subtitle: ...Not Knowing a Word in English
Production: 2002
The artist has filmed his mother who reads to him over the phone the rejection letter from the British embassy to which the artist has applied for scholarship: “I applied for the scholarship. The British embassy i.e. their Department of Culture has rejected my application. I received the mail to my old address in Velenje. Mom read the letter to me over the phone. Mom doesn’t speak i.e. has the knowledge of foreign languages (perhaps a little German). I made the subtitles after the sound of the read lett...Add to playlist
Table TalkTable TalkTable Talk
Evelin Stermitz - Table Talk (0:02:35)
Production: 2008
In an exaggerated gender specific communication role, a woman is constantly giving positive encouragement towards an unseen male discussion partner, without having an own opinion, or something else to say then to support the counterpart. In this performative video work, a gendered communication role model is directed to an imaginary male opponent and describes how the usage of language can be defined as a relation and structure of power between the two social sexes.Add to playlist
From the Life of BooksFrom the Life of BooksFrom the Life of Books
Amir Muratović - From the Life of Books (00:03:55)
Production: Muratović, Amir, 2010/2011
The video consists of various scenes of browsing through books. The author focuses primarily on the movements of the readers' hands and their interaction with the book. The abstract image of the book pages is due to the delay in the montage. Since the noise of browsing is not in line with the motion, the act of reading gets additional dramaturgical tension.Add to playlist
AnketaAnketaAnketa
Ana Nuša Dragan - Anketa (00:14:00)
Production: TV Skopje, 1990
Bretonski pesnik Eugene Guillevic, imenovan poèt contemporain je del moje inspiracije kot izhodišče ali opora v video dotiku z njegovo poezijo, ki se zame spremeni v samogovor, v spoznanje zvez med zavestjo in podzavestjo. Ritem slike je Guillevicova beseda, ki se ponavlja, ki je sprva spontana, nezadržna, potem pa postaja čedalje bolj določena in jasna. Resnici se skušam približati z uporabo velikega plana obraza ali objekta, pogosto vlada pogled in kot se zdi nič drugega. Spoznano resnico skuš...Add to playlist
ves svet je moder in zelen, ves svet je v modrino potopljen...ves svet je moder in zelen, ves svet je v modrino potopljen...ves svet je moder in zelen, ves svet je v modrino potopljen...
Ana Nuša Dragan - ves svet je moder in zelen, ves svet je v modrino potopljen... (00:15.30)
Subtitle: Video artistični portret o Srečku Kosovelu
Production: Video Produkcija Kregar, 2001
Življenski krog Srečka Kosovela je kot dežna kaplja, kjer domuje poezija. Z njo se sreča že zelo zgodaj, v okolju, ki je njegov temelj za prve otroške podobe in spoznanje resnice. Njegovo bivanje pozna dva domova, dve središči: svetlobo in temo, bolest in radost, dom in tujino. Video slika se sprehaja po krasu, ki je izvor njegovih pesniških podob. Zgodba slike je konceptualistična, osnova ji je kraško okolje: narava, nebo, oblaki, vinogradi, oljke, rožmarin, morje, arhitektura hiš, dimnikov, v...Add to playlist
Hiteti ali biti temeljitHiteti ali biti temeljitHiteti ali biti temeljit
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Hiteti ali biti temeljit (00:03:25)
Production: Kolektiva, 2004
A Slovene sentence that translates into "To hurry or to be thorough" is being pronounced by English speaking people of different age. We witness drastically different pronunciations, which remind us about how relative the language is and about its power to create illusory differences in the society.Add to playlist
Naško Križnar - Drekec pekec, ok. 1966-2006Naško Križnar - Drekec pekec, ok. 1966-2006Naško Križnar - Drekec pekec, ok. 1966-2006
Alenka Pirman - Naško Križnar - Drekec pekec, ok. 1966-2006 (00:00:23 zanka)
Subtitle: Najlepše pesmi, Serija šestih nemih predavanj
Production: Društvo za domače raziskave / Domestic Research Society, Kibla, SCCA-Ljubljana, 2006
The work isn't a video but an infinite repeating of a PowerPoint presentation, which became a way of presenting knowledge in the academic and commercial world. The author rethought or rather hacked this presentation format with a linear narrative structure and textual sequence which is a part of hegemony of institutional knowledge. She cancelled linearity with a demand repeat, which makes the lecture infinite. Ideological content was annulled with usage of basic matrix of the programme. The artist searched...Add to playlist
Dear Ladies, Thank You (Kapelica Gallery)Dear Ladies, Thank You (Kapelica Gallery)Dear Ladies, Thank You (Kapelica Gallery)
Ana Čigon - Dear Ladies, Thank You (Kapelica Gallery) (00:05:06)
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artist in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art instituti...Add to playlist
12
 
 
YEARS 4 decades present
Čigon, Ana - Brezčasje / Timelessness
Čigon, Ana - Brezčasje / Timelessness (0:04:03)
Plesni studio Intakt, 2008
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Čigon, Ana - Nezlomljiva / Unbreakable
Čigon, Ana - Nezlomljiva / Unbreakable (0:01:08)
Ana Čigon, 2008
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Miha Vipotnik (Kut Gas) - intro Trikk: Prostor za vašo domišljijo
Miha Vipotnik (Kut Gas) - intro Trikk: P... (00:00:27)
Aanima, 1997
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Vipotnik, Miha - Space 2
Vipotnik, Miha - Space 2 (00:01:53)
Max-Max (Brut), 1986
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Sambolec, Duba  - Collectors #2
Sambolec, Duba - Collectors #2 (00:15:15)
Duba Sambolec, 2001
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Bukovec, Vesna - I trust in the process of life
Bukovec, Vesna - I trust in the process... (00:03:15)
Bukovec, Vesna, 2010
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Stermitz, Evelin - A Gift for the Moon
Stermitz, Evelin - A Gift for the Moon (0:03:37)
E.S., 2004
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Dragan, Ana Nuša - Lyhnida
Dragan, Ana Nuša - Lyhnida (00:08:47)
TV Skopje, 1989
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Vipotnik, Miha - Video grafike
Vipotnik, Miha - Video grafike (00:17:20)
RTV Slovenija, 1975
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Stermitz, Evelin - Gender Transmission
Stermitz, Evelin - Gender Transmission (0:03:03)
2005
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Čigon, Ana - One More Kick
Čigon, Ana - One More Kick (0:04:35)
Ana Čigon, 2009
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Pirman, Alenka; Šubic, Maja - Ajiaco
Pirman, Alenka; Šubic, Maja - Ajiaco (0:05:15)
Ljudmila, 1998
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Sambolec, Duba  - Collectors #3
Sambolec, Duba - Collectors #3 (00:30:55)
Duba Sambolec, 2002
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Stermitz, Evelin - Concentration Camp of Ljubelj
Stermitz, Evelin - Concentration Camp of... (0:14:33)
2004
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Bukovec, Vesna - I love myself for who I am
Bukovec, Vesna - I love myself for who I... (00:03:10)
Bukovec, Vesna
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Vipotnik, Miha (Kut Gas) - Fantazija
Vipotnik, Miha (Kut Gas) - Fantazija (00:03:08)
Aanima, 1997
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Skušek, Nataša; Stropnik, Mladen - Prosti čas / Free Time
Skušek, Nataša; Stropnik, Mladen - Pro... (00:06:42)
2007
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Vipotnik, Miha - Don't Panic
Vipotnik, Miha - Don't Panic (00:06:31)
TV Koper Capodistria & Ob..., 1984
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Bukovec, Vesna - Sodobna umetnost za starše (predavanje) / Contemporary Art for Parents (Lecture)
Bukovec, Vesna - Sodobna umetnost za sta... (0:07:52)
2002
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Čigon, Ana - Anima (ani+ma)
Čigon, Ana - Anima (ani+ma) (0:04:22)
Ana Čigon, 2007
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