Polonca Lovšin - Water Collector (00:00:23)
Subtitle: Ulica
Production: 2002
A video document of the project Water Collector in which the author is walking through town on a rainy day, collecting water into her umbrella which is turned inside out and held above her.
DIVA do-it-yourself
18 results in works
Polonca Lovšin - Nomadi / Vroče poletno vozilo (00:02:40)
Production: 2000-2002
The author is building an improvised vehicle with a group of her friends and then uses it to sail on the lake. The static camera first shows accelerated shots of construction which slow down to real speed at the end of the video, when she finally sails away.
Production: 2000-2002
The author is building an improvised vehicle with a group of her friends and then uses it to sail on the lake. The static camera first shows accelerated shots of construction which slow down to real speed at the end of the video, when she finally sails away.
Amir Muratović - Napeto v kabinetu (00:01:00)
Production: 2007
Video rekonstruira proces nastajanja umetniškega dela Irene Romih za razstavo v Kabinetu, ki je med letoma 2005 in 2008 gostoval v degradiranem dvoriščnem prostoru Galerije Škuc na Starem trgu 21 v Ljubljani. Kabinet je razvilo Društvo za domače raziskave za potrebe svojega delovanja kot premični razstavni prostor, ki je občasno gostil tudi druge umetnike. Umetnica Irena Romih je portretirana v različnih zankah, njeno telo pa je tako "vpeto" v prostor, ki ga določajo skulpture.
Production: 2007
Video rekonstruira proces nastajanja umetniškega dela Irene Romih za razstavo v Kabinetu, ki je med letoma 2005 in 2008 gostoval v degradiranem dvoriščnem prostoru Galerije Škuc na Starem trgu 21 v Ljubljani. Kabinet je razvilo Društvo za domače raziskave za potrebe svojega delovanja kot premični razstavni prostor, ki je občasno gostil tudi druge umetnike. Umetnica Irena Romih je portretirana v različnih zankah, njeno telo pa je tako "vpeto" v prostor, ki ga določajo skulpture.
Duba Sambolec - Listening to the Globe-Beat (36:26)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 2000
Video performance documents the procedure of planting. Static camera records a scene in the middle of the space, where there is a pile of dirt with eight flower pots and postcards laying around. The author starts to fill in the pots with dirt, then she takes the postcards, places them in plastic bags and plants them inside the pots. She's adds more dirt, waters the planted postcards and then plugs earphones into dirt and seemingly begins listening. Occasionally she walks around the space and adds the dirt. Sh...
Nataša Berk - PolyPlay (04:18)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Polonca Lovšin - Vseuporabnidežnik 2 (00:00:34)
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...
Subtitle: Multipurpose umbrella 2
Production: Lovšin, Polonca, 2002
Akcija z naslovom 'Vseuporabni dežnik' predstavlja alternativne možnosti uporabe dežnika kot enega najbolj vsakdanjih in uporabnih predmetov v življenju posameznika. Avtorica s preprosto intervencijo spremeni običajno funkcijo dežnika, ki namesto zaščite pred dežjem postane zbiralnik vode, pri tem pa uporablja svoje telo kot nosilec celotne instalacije. V predstavitvenem videu – v funkciji dokumenta akcije – izpostavi praktične aplikacije tega večnamenskega dežnika: uporabi ga...
Polonca Lovšin - Solarna kolekcija / The Solar Collection (0:00:51)
Production: Lovšin, Polonca, 2002
Projekt z naslovom 'Solarna kolekcija' predstavlja naprave, ki izkoriščajo sončno energijo za svoje delovanje na način preproste proto-znanosti ter tako nakazujejo možnosti varčevanja z energijo na mikroravni. Avtorica se postavlja v igrane situacije v javnem prostoru, kjer praktično prikazuje delovanje naprav za polnjenje mobilnega telefona, napajanje prenosnega radijskega sprejemnika in ventilatorja za poletno hlajenje. Video, ki je v funkciji dokumentiranja praktične rabe naprav v resnične...
Production: Lovšin, Polonca, 2002
Projekt z naslovom 'Solarna kolekcija' predstavlja naprave, ki izkoriščajo sončno energijo za svoje delovanje na način preproste proto-znanosti ter tako nakazujejo možnosti varčevanja z energijo na mikroravni. Avtorica se postavlja v igrane situacije v javnem prostoru, kjer praktično prikazuje delovanje naprav za polnjenje mobilnega telefona, napajanje prenosnega radijskega sprejemnika in ventilatorja za poletno hlajenje. Video, ki je v funkciji dokumentiranja praktične rabe naprav v resnične...
(Mrevlje - Pollak) Jaša - Bla Bla Me (00:12:37)
Production: 2006
Production: 2006
Amir Muratović - Domači pajek (00.27:47)
Production: RTV Slovenija, 2009/2010
Dokumentarec o raziskavi Društva za domače raziskave, ki se ukvarja z etnološkim fenomenom fasadnih pajkov. Zakaj, na dokaj endemskem področju, tako nenavaden element? Raziskava je podrobno obdelala različne sociološke faktorje, ki so skupaj pripeljali do pomembne produkcije enostavnih kovinskih pajkov. Raziskava se je zaključila z razstavo v Knjižnici Kolodvor v Ljubljani leta 2009.
Production: RTV Slovenija, 2009/2010
Dokumentarec o raziskavi Društva za domače raziskave, ki se ukvarja z etnološkim fenomenom fasadnih pajkov. Zakaj, na dokaj endemskem področju, tako nenavaden element? Raziskava je podrobno obdelala različne sociološke faktorje, ki so skupaj pripeljali do pomembne produkcije enostavnih kovinskih pajkov. Raziskava se je zaključila z razstavo v Knjižnici Kolodvor v Ljubljani leta 2009.
Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Sašo Sedlaček - Qi Gai (00:16:16)
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Marko A. Kovačič - Hrupofon (03:20)
Subtitle: A sound_hybrid object
Production: 2015
The artist has constructed a sculptural music machine called hrupofon (Bruitphone – hrup=bruit in french) that he is playing by adding to the digital sound scene the real-time manualy produced sounds. 'It's a real music, a real composition', say the public.
Subtitle: A sound_hybrid object
Production: 2015
The artist has constructed a sculptural music machine called hrupofon (Bruitphone – hrup=bruit in french) that he is playing by adding to the digital sound scene the real-time manualy produced sounds. 'It's a real music, a real composition', say the public.
Danilo Milovanović - Street Fountain Installation (00:03:36)
Production: D.M., 2016
Water pump is installed in a puddle and hidden under trash. The unusual sight in public space provokes reactions of passers, which destroy monotony of daily routine. Something is happening at unexpected site. Unspectacular look of the intervention allows spontaneous reactions of passers who are not aware of being related to artwork. That adds important dimenzion to the intervention, which blurs the boundaries between art and life. The instalation was repeted couple of times in Ljubljana (Slovenia) in 2016. (S...
Production: D.M., 2016
Water pump is installed in a puddle and hidden under trash. The unusual sight in public space provokes reactions of passers, which destroy monotony of daily routine. Something is happening at unexpected site. Unspectacular look of the intervention allows spontaneous reactions of passers who are not aware of being related to artwork. That adds important dimenzion to the intervention, which blurs the boundaries between art and life. The instalation was repeted couple of times in Ljubljana (Slovenia) in 2016. (S...
Nika Ham - Video Spot (00:03:17)
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Production: N.H., 2019
The Video Spot was created in collaboration with violinist Alicia Enstrom. The video recordings were made from 2016 to 2019 using the surveillance cameras in the Moderna galerija (MG +) in Ljubljana. The song entitled Monster Cries is the work of the American violinist Alicia Enstrom.
Luksuz produkcija - Hope (11:41)
Production: Luksuz produkcija, 2013
Martin Voorbij is a traveling storyteller. He travels the world in his yellow wan, which can turn into an open-air gallery. The name of the exhibition is Show your hope. Man with a yellow truck trying to catch hope.
Production: Luksuz produkcija, 2013
Martin Voorbij is a traveling storyteller. He travels the world in his yellow wan, which can turn into an open-air gallery. The name of the exhibition is Show your hope. Man with a yellow truck trying to catch hope.
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh, SIVA, IvAn - Archive (22:45)
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Production: Siva, Ivanke, Ivan, Anko, 2021
The video is an archival overview of recordings and photographs of joint public actions and performances by artists Andreja Džakušič, Keiko Miyazaki, Iva Tratnik and artist Simon Macuh in the period from 2010 to 2021 in the framework of their various mutual collaborations. The naming of groups with the names SIVA, IvAn, IvAnKe and AnKo derives from combining the initial syllables of the participants' names. The topics of works vary according to participants, but what they all have in common is the...
Marko A. Kovačič - Hruporona 2020. The Last Tunnel (3:21)
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Neža Knez - Proposals and experiments (14:13)
Production: Škola dokumentarnog filma – Restart, 2022
The video documents the process of shooting of experimental feature film about the future as imagined by children. (Source: DIVA Station)
Production: Škola dokumentarnog filma – Restart, 2022
The video documents the process of shooting of experimental feature film about the future as imagined by children. (Source: DIVA Station)