Marko A. Kovačič - Naprej v preteklost / Forth Into the Past (0:09:30)
Production: Forum Ljubljana, VPK, 1995
The video deals with our understanding of the distant future, presented through a concrete example of the 23rd-century archaeology. A narration of a professor archaeologist leads us through the story as he guides his student through one of the main archaeological sites in the City of Catastropolis, where so-called Plastoses, who (will) survived the atomic catastrophe in 2223 live. These half-organic half-mechanical creatures form a comprehensive civilisation of Plastos, which is the author's subject in a se...
DIVA consumerism
54 results in works
Media Teror, Rok Sieberer Kuri - Media Teror Croma Quart Mix (mix III.) (00:06:44)
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Production: Media Teror, 1998
Hitro menjujoče podobe mesta, televizijskih posnetkov, narave in objektov v naravi, ki jih z različnimi montažnimi tehnikami dopolnjujejo likovne forme. Gre za prekrivanje in croma key, posnetki kamere so večinoma iz roke in so dinamični, izgleda da gre za naključno lovljenje materiala. Vsebina je skrita v vrzelih: simbolnih formah in asociacijskih preskokih izbire posnetkov, ambientov in okolja. Gmote posnetkov prehajajo in se kopičijo - prekrivanje v izbranih kompozicijah, ki so zelo likovne. Na vi...
Rok Sieberer Kuri - Chroma Quart Mix I (00:34:15)
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Production: V.S. Video / Forum Ljubljana, 1997
The video collage has a firm structure defined in the scenario. Several videos with different basic messages, accompanied by wild and loud music, are combined into a peculiar, but unique story (A Bomb at Noon, Welcome, Chroma Qart Mix, Vivisection).
Rok Sieberer Kuri - Media Teror Chroma Quart Mix II (00:04:18)
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.
Production: V.S. Video / Forum Ljubljana, 1998
Kratek video kolaž. Avtor se poigrava z lastno produkcijo in jo kombinira v novo celoto.
Rok Sieberer Kuri, Media Teror - Kriza (00:02:54)
Production: V.S. Video / Škuc - Forum, Ljubljana, 1989
Kuri, the actor in the video, faces the aggression of the TV medium. He compares the images of himself to media information, he yields to their influence; the multiplication of information brings him to a crisis. (VD)
Production: V.S. Video / Škuc - Forum, Ljubljana, 1989
Kuri, the actor in the video, faces the aggression of the TV medium. He compares the images of himself to media information, he yields to their influence; the multiplication of information brings him to a crisis. (VD)
Oliver Marčeta - Kaffehaus (00:05:24)
Production:
Liki se izrisujejo kot bela kreda na rjavi grobi podlagi, ki se razrezuje in sestavlja v neko urbano zgodbo z gostilnami in vinom, kjer nimajo kave... Naposled jo najde v Kavarni. Avtor animacijo ustvarja s nenehenim nalaganjem slojev, ki nadgrajujejo in spreminjajo prvotno risbo. Zanimivost vsebine je v stalni variaciji risarske površine - prestopi belega ozadja in črne risbe v črno ozadje in belo risbo.Material, ki omogoča risbo, je pravzaprav prav mleta kava.
Production:
Liki se izrisujejo kot bela kreda na rjavi grobi podlagi, ki se razrezuje in sestavlja v neko urbano zgodbo z gostilnami in vinom, kjer nimajo kave... Naposled jo najde v Kavarni. Avtor animacijo ustvarja s nenehenim nalaganjem slojev, ki nadgrajujejo in spreminjajo prvotno risbo. Zanimivost vsebine je v stalni variaciji risarske površine - prestopi belega ozadja in črne risbe v črno ozadje in belo risbo.Material, ki omogoča risbo, je pravzaprav prav mleta kava.
Oliver Marčeta - Jazz bre (00:02:58)
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Mirko Simić - Out of Memory (00:04:47)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
Apolonija Šušteršič - How To Make Orange Juice I (0:02:08)
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Apolonija Šušteršič - Production of Desire (0:04:19)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
The video clip relates handbags and shoes produced by world famous fashion companies (Armani, Gucci, etc.) to a brick of wax produced by Apolonija d.o.o. The material of the brick reveals the recycling procedure that characterises the entire artist's production. The video clip advertisement forms part of an installation placed in a prestigious shop. (VD)
Apolonija Šušteršič - Do It Yourself (0:05:36)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Production: Rijksakademie van beeldende kunsten Amsterdam, 1997
This video clip demonstration presents the use of a new commercial product, a recycled wax brick. Various professionals (referred to as architects at the end of the clip) demonstrate its usage through the process of building a wall. The video clip forms part of an installation of the same title. (VD)
Zmago Lenardič, Jasna Hribernik - Three Wishes (00:01:05)
Subtitle: Fulfill My Wish
Production: 2000
Unedited recording of a performative action is following one of the authors holding a golden fish in his hand, hitting it on a white surface as he repeats a chant: “Grant me wish”. A light bulb is shining above the artist. Video perfomance “Grant me a wish” was a part of an exhibition “Tre desideri (Three wishes)”, which contains two other video elements: an edited video recording of a tropical fish and documentary recordings of winter fishing. Each of all three video wor...
Subtitle: Fulfill My Wish
Production: 2000
Unedited recording of a performative action is following one of the authors holding a golden fish in his hand, hitting it on a white surface as he repeats a chant: “Grant me wish”. A light bulb is shining above the artist. Video perfomance “Grant me a wish” was a part of an exhibition “Tre desideri (Three wishes)”, which contains two other video elements: an edited video recording of a tropical fish and documentary recordings of winter fishing. Each of all three video wor...
Rok Sieberer Kuri - Preveč slepi, da bi videli / Too Blind To See (00:06:42)
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. A...
Rok Sieberer Kuri - Tišina prosim, gledamo (00:09:58)
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Production: 2001
Pripravljanje razstave Roka Siebererja Kurija v galeriji Kapelica (2001), kjer na dokumentaren način beleži delovani proces. Postavljanje instalacij, umeščanje video del v prostor, pogovor o učinskih predstavljenega.
Rok Sieberer Kuri - Chroma Qart Mix Light + Ideology (Last part) (00:10:55)
Subtitle: Media Teror predstavlja Short Video Films
Production: Media Teror, 2002
Video v levem spodnjem kotu prikazuje proizvodni obrat za predelavo lignjev, posnetke pa spremlja poljudno-znanstveni komentar, ki podaja statistiko letne porabe lignjev. Sledi insert z vroče linije nedefiniranega nemškega TV programa in kompilacija podob/glasbe iz ostalih del.
Subtitle: Media Teror predstavlja Short Video Films
Production: Media Teror, 2002
Video v levem spodnjem kotu prikazuje proizvodni obrat za predelavo lignjev, posnetke pa spremlja poljudno-znanstveni komentar, ki podaja statistiko letne porabe lignjev. Sledi insert z vroče linije nedefiniranega nemškega TV programa in kompilacija podob/glasbe iz ostalih del.
Andreja Džakušič, Simon Macuh, Iva Tratnik, SIVA - Motnje oblačenja – Prevelika obleka (00:04:04)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Andreja Džakušič, Simon Macuh, SIVA, Iva Tratnik - Motnja – Krzno (00:07:10)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializirani...
Martina Bastarda - TV dražba / TV Auction (0:59:44)
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Subtitle: Umetniška dražba, v živo na TV Pika, Ljubljana / Auction of Art Works, live on TV Pika, Ljubljana
Production: TV Pika, 2003
Performance in which the artist uses television as her medium, was broadcasted live on the April 8th on a commercial TV station. The author appears in a role of a TV host and an auctioneer offering auto portraits with bestselling motifs: bottom, breasts and face. With her work she deals with the question of how to stay an artist and make a living with it.
Sašo Sedlaček - Just Do It! (0:06:20)
Production: Galerija Kapelica, 2003
Video documents action conducted by the author in 2003 in one of the shopping malls in Ljubljana. The action problematizes direct marketing carried out by salesmen through printed propaganda material. The visitors recycled collected material and made brick out of it, using them to build a wall to symbolically and actually close the entrance into a shopping mall.
Production: Galerija Kapelica, 2003
Video documents action conducted by the author in 2003 in one of the shopping malls in Ljubljana. The action problematizes direct marketing carried out by salesmen through printed propaganda material. The visitors recycled collected material and made brick out of it, using them to build a wall to symbolically and actually close the entrance into a shopping mall.
Sašo Sedlaček - Kinder Surprise (0:00:53)
Production: 2004
Video documents an action in public space. In front of a shopping mall an exaggerated version of a chocolate egg produced by Kinder, a company with an aggressive marketing strategy. As a sign of protest the egg is blown up and the destruction is documented in close-up shot.
Production: 2004
Video documents an action in public space. In front of a shopping mall an exaggerated version of a chocolate egg produced by Kinder, a company with an aggressive marketing strategy. As a sign of protest the egg is blown up and the destruction is documented in close-up shot.
