Nataša Skušek - Venezia 1 (00:12:05)
Production: 2004
Video captures an unidentified figure dressed in red walking backwards. The figure is following a white line to its end, where it meets a new white line, which crosses the first one and completes the space. The scene is accompanied by loud street sounds.

Nataša Skušek - Venezia 2 (00:12:05)
Production: 2004
A flipped shot of a walk in Venice with unidentified figure in red and city background. The work is a continuation of a video Venezia 1. A figure in a red costume walks forward along a white line until it reaches perpendicular to the line. The image and the street sounds are skewed.

Uršula Berlot - Transitoriness (02:13)
Production: Uršula Berlot, 2006
Patterns made by etching plastic surface reflect light onto the gallery walls. The diverse architecture of an ex sacral space is completely deconstructed with the movement of the light reflections. The two-dimensional surface is creating a three-dimensional animation with its many reflections, seizing the gallery's volume. This volume becomes the medium, which generates images and by that multiplies its space. (Source: DIVA)

Marko Kovačič - Symposium for Sculpture Zreče 85 (00:01:32)
Production: 1985
Video is a document of an exhibition of two of authors sculptures made as a part of symposium by Forma viva community in Zreče. Totals and details of the statues are framed with a coloured mask.

Marko Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).

Maja Slavec - Revaluation (00:42:19)
Production: Partizanka, 2008
Video polje je reducirano na krog. Reducirano zato ker je še vedno prisotna črna površina, ki tvori razliko do pravokotnika. Krožna oblika in snemanje s ptičje persepktive ustvarjajo klaustrofobično vzdušje in akterjem ukradejo volumen. Volumen tako beremo bolj preko senc, kot preko perspektive. Subjekti prihajajo in odhajajo iz krožnega polja, plesalcu pa je krog tudi celotno polje delovanja. Avtorica se sprašuje o stopnji avtonomije, ki jo ima posameznik v družbi.

Luka Dekleva, Elena Fajt - The Memory (00:02:01)
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...

Luka Dekleva - Singing Bridges EDIT (00:04:14)
Production: 2008
The author uses audio and video field material recorded by the artist Jodi Rose. Manipulation of video recordings of a hanging bridge construction is used as a visual background for an experimental electronic music created from sound recordings of the bridge and its surroundings.

Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...

Pila Rusjan - We are all Big Brother and Big Brother is just one of us (0:08:14)
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...

OFFTIR - B10Kalien (00:51:41)
Production: 2013
Videokument performansa je del projekta Liminale, ki je potekal od 20. 6. do 22. 7. 2013 v okviru programa Studio 6 (produkcija SCCA-Ljubljana). Simon Bergoč je v Projektni sobi SCCA, v lesenem kubusu usvarjal zvočni performans (LFO, sequencer, synth, lo-fi effects, lo-fi speaker). Obiskovalci odprtja Liminala so skozi kukalo lahko sledili akciji performerja.

Valérie Wolf Gang - Distant Memory (00:02:43)
Subtitle: English subtitles
Production: 2014
"Distant Memory" is a video poetry, which speaks about the times that once were. It all starts with a random event which evokes narrator’s memories about the times before the disintegration of Yugoslavia and encourages reflection about what the war actually brings and how quickly people forget everything. The poem can be interpreted as a letter or a personal confession of an unknown man written for the mighty Tito’s ship Galeb. The ship has a symbolic value in the poem and through the variety...

Valérie Wolf Gang - Artist Sleeping on The Street (trailer) (03:00:00 (00:01:06))
Production: Co-production: Famul VideoLab, 2013
"Artist Sleeping on The Street" is a one channel video installation. LCD screen was put on the street of Belgium city Arlon and left there for couple of hours: the real time of the video in which the artist is sleeping. The goal of the video installation was to test the public for two things: firstly if they can notice a small detail on the street and secondly if they would stop and look at the artist sleeping or if they would turn their back on it. The result of the first test was expected but al...

Nataša Prosenc Stearns - Run City (documentation) (00:01:24)
Production: 2017
Installation/Projection was a part of Vladimir's Underpants, exhibition in public stairwells of Old Pasadena, Newtown Arts, Pasadena, USA on October 28, 2017.

Barbara Borčić - From art in the urban context to fictional distopia (00:01:20)
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...

Neža Knez - For-nothing (00:25:27)
Production: N.K., 2016
Videodokumentacija tridnevne akcije, ki jo je umetnica izvajala na delavnici v Regensburgu v Nemčiji. Na sredi travnika v parku, je začela kopati luknjo. Kopala jo je toliko časa, dokler je iz nje še lahko odmetavala zemljo. Nato je luknjo zasula nazaj. Del projekta so tudi odzivi mimoidočih. Avtorica jih je povabila, naj napišejo svoje mnenje o njenem projektu. Zapise je vključila v knjigo umetnice. Statična kamera beleži različne faze kopanja, interakcijo s soudeleženci delavnice in...

KOLEKTIVA, Vesna Bukovec, Lada Cerar - Special place in the city – Nottingham (00:20:38)
Production: Kolektiva, 2004
The video is the first in a series of projects that have been produced since 2004 within the framework of the KOLEKTIVA's psycho-geographical platform 'Special Place in the City'. The video was recorded at the artist residency in Nottingham. Local artists and passers-by were asked about their special places, locations and feelings that they bring out in them. The artists follows with the camera individuals on the street to their locations and records their stories. The video contains eight di...

KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Special place in the city – Graz (00:38:21)
Production: Kolektiva, 2006
The video belongs to a series of projects that have been produced since 2004 in the context of the KOLEKTIVA's psycho-geographical Platform 'Special Place in the City'. The authors recorded the video at an artistic residence in Graz. Local artists and their friends were asked about their special spaces, locations and feelings that they bring out in them. The video contains nine different stories. Each story consists of two parallel frames, one showing the person in his/her special place, the other in the sp...

KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - Special place in the city – Ljubljana (00:40:29)
Production: Kolektiva, 2007
The video belongs to a series of projects that have been produced since 2004 in the context of the KOLEKTIVA's psycho-geographical Platform 'Special Place in the City'. The authors recorded the video at their home city Ljubljana. They asked their friends and family about their special spaces and feelings that triggered them. The video contains six different stories and spaces (a videoteque, a bench near Ljubljanica river, AKC Metelkova, Šumi building, used cars trade place, a private plot)....

Danilo Milovanović - (Dis)connection (00:04:48)
Production: D.M., 2017
This intervention is a humorous, but actual reaction to the laying concrete on the public, living space. The idea requires a specific location that contains a grassy section interrupted with a concrete section. The grassy part must contain everyday use of a formed organic path, a shortcut. The intervention occurs with the covering of a concrete area with grassland-shaped surfaces that connects two grassy entities. A continuous 'organic' path is drawn, which connects the grass surfaces on the one hand, and o...