Miha Vipotnik - Space 2 (00:01:53)
Production: Max-Max (Brut), 1986
In his video work the author gives an ironic statement about the state of home video production of that time and its integration in television programme (recorded for Petak u 22. TV Belgrade show in 1984). In the beginning the artist is sitting in a studio in a manner of TV broadcast presenters. His statement continues in an off over a montage of segments of one of his older video works Space shot in black and white. The montage is edited with added chroma key. Video was shown as part of Avtovizija (1986),...
DIVA body
129 results in works
Jasna Hribernik - Ballabende (00:21:46)
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Production: TV Slovenija, 1995
At first glance the video works as a research of the past. An expressive study set in a nostalgic landscape takes music and dance as its medium. The protagonist is a dancer and the set is an old house full of memories. Scenes of ballet dancing and piano playing are combined with shots of old photographs due to associative montage. Passing of time is emphasized by scenes of water overflowing a well and of running clouds. Spirit of the past is strengthen by editing with shadows and sepia filter. This idyllic...
Jasna Hribernik, Zmago Lenardič - Elsa und Lohengrin (0:03:15)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Production: VPK, 1997
A variation on Wagner and his opera Lohengrin. There is no Wagnerian hero, but a ballerina dancing to the opera, which later transforms into a modern song, and the ballerina also turns into a modern dancer. Both dancers, however, resemble a woman covered with roses and lying under transparent plastic - Snow White, or Laura Palmer? (source: Videodokument)
Jasna Hribernik - Lok Telesa / The Body Bow (00:18:21)
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Production: Sfinga, TV Slovenija, 1996
In the late seventies, the expressive dancer Jasna Knez travelled through the former Yugoslavia creating new dance elements inspired by the particularities of individual cultural surroundings. The video traces her steps during the nineties, but now they are often viewed as absurd documents of the post-war period. The layering of the images combines body movements and the geography of space, but their visual harmony is disturbed by a graphic sign undergoing several transformations, including an animated draw...
Jurij Korenc - Svetloba sence (0:27:20)
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Subtitle: predstava Svetloba giba, svetloba sence
Production: Cankarjev dom, Viba film, Studio 37, 1987
The video shows the process of making a sculpture; static shots accompanied by dramatic ambient music show frozen and moving images of sculpting material – clay. The sculptress’s hands begin to knead the material and shape it into a figurine. Hand movements are slow and quite elegant; the scenes change into an abstract, clouded image of dancing figurines which are becoming increasingly clearer. The end result of the process is a standing female nude.
Zmago Lenardič - Network (00:12:47)
Production: 2006
Video documentation of an installation presented in the exhibition Liquid Space in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the new established relationship between the two entities become more and more confused...
Production: 2006
Video documentation of an installation presented in the exhibition Liquid Space in 2006, where the three-dimensional shape of a human body realized with a thin wire interweave is moving and projecting its shadow on a white surface. The video shows the overlapping of these shapes, creating a new layer where the body seems contested between real dimension and shadow. The movements of the camera around the installation make the new established relationship between the two entities become more and more confused...
Nataša Prosenc Stearns - Meja (0:04:32)
Production: Center RTV Maribor, TV Slovenija, 1997
The video focuses on the concept of skin, which is the borderline between the body and its surroundings. The picture consciously rejects all sophisticated visual manipulation and instead uses basic visual effects: the play of light and shadow, and colour changes. The varying rhythm of the editing changes the vibration of skin - the image animates its life.
Production: Center RTV Maribor, TV Slovenija, 1997
The video focuses on the concept of skin, which is the borderline between the body and its surroundings. The picture consciously rejects all sophisticated visual manipulation and instead uses basic visual effects: the play of light and shadow, and colour changes. The varying rhythm of the editing changes the vibration of skin - the image animates its life.
Nataša Prosenc Stearns - Tam (Framski slap) / Over There (Fram Waterfall) (0:07:25)
Production: Eurospekter (koprodukcija) & Otroški in mladinski program TV Slovenija, 1991
This video can be viewed as a video fairy-tale: it contains all the elements of one. The happening takes place in a forest. We see a dwarf that never shows its face, but on its travels it often encounters other incredible beings. Graphic signs are component parts of the image, and they are accentuated by Saba Skaberne's and Tamara Sevčnikar's sculptures, which also form part of the installation of the same title.
Production: Eurospekter (koprodukcija) & Otroški in mladinski program TV Slovenija, 1991
This video can be viewed as a video fairy-tale: it contains all the elements of one. The happening takes place in a forest. We see a dwarf that never shows its face, but on its travels it often encounters other incredible beings. Graphic signs are component parts of the image, and they are accentuated by Saba Skaberne's and Tamara Sevčnikar's sculptures, which also form part of the installation of the same title.
Oliver Marčeta - Jazz bre (00:02:58)
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Production:
Zeleni znak za izhod gosti fotografije manekenk, ki v množici ena za drugo postajajo številne in razosebljene. Video površina je plitva in spominja na kolaž. Žensko telo je potrošniška roba, ki zaradi obilja izgubi vrednost. Avtorjeva kritična misel je zreducirana na znak za izhod.
Mirko Simić - Do you hear the sound of silence (00:03:02)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Nataša Prosenc Stearns - Ne poznaješ me (00:04:56)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Ana Nuša Dragan - Lyhnida (00:08:47)
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also depend on the body technique. The communicability can be understood, among other things, as one of the variations of the functioning of the body within the sequential regime of signs.(source: Ana Nuša Dragan)
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also depend on the body technique. The communicability can be understood, among other things, as one of the variations of the functioning of the body within the sequential regime of signs.(source: Ana Nuša Dragan)
Neven Korda - The Triumpf of Desire (compilation) (01:03:20)
Subtitle: A compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
This compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists, No Hope No Fear, Discipline, Mud, She, Venceremos) continues with the iconography introduced in the So Young video, but this time it is formally and technically much more elaborated. Issued by the FV Editions in 1989, it was successfully distributed via alternative channels. Videos are unique collages, which blend music, video and image with a hectic montage. Using images and symbols it is dedicated to alternative move...
Subtitle: A compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
This compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists, No Hope No Fear, Discipline, Mud, She, Venceremos) continues with the iconography introduced in the So Young video, but this time it is formally and technically much more elaborated. Issued by the FV Editions in 1989, it was successfully distributed via alternative channels. Videos are unique collages, which blend music, video and image with a hectic montage. Using images and symbols it is dedicated to alternative move...
Neven Korda, Dario Seraval, Zemira Alajbegović - So Young (compilation) (00:30:50)
Subtitle: A compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR)
Production: FV Video /ŠKD Forum, 1984; FV Založba / ŠKUC-Forum, Cankarjev dom, Ljubljana & Soft video, Rim, 1985, 1985
A compilation of the Borghesia video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavija by the FV Label. These are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of the clips presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedia group (concert performances, video works, music videos, videocassettes, music record...
Subtitle: A compilation of the Borghesia music video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR)
Production: FV Video /ŠKD Forum, 1984; FV Založba / ŠKUC-Forum, Cankarjev dom, Ljubljana & Soft video, Rim, 1985, 1985
A compilation of the Borghesia video clips (So Young, The Wild Bunch, He, Too Much Tension, Cindy, A.R., ZMR), issued in 1985 as the first video cassette in Yugoslavija by the FV Label. These are short, almost "film-like" stories focused primarily on the iconography of the body in urban surroundings. One of the clips presents a pioneer use of computer graphics. (Source: Videodokument) Borghesia (1983-1989) was a multimedia group (concert performances, video works, music videos, videocassettes, music record...
Neven Korda - No Hope No Fear (09:22)
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
This video is a part of "The Triumph of Desire", a compilation of Borghesia music video clips (Document, G.U.M., Poppers, Triptych Futurists, No Hope No Fear, Discipline, Mud, She, Venceremos). It continues with the iconography introduced in the "So Young" compilation of Borghesia music video clips, but this time it is formally and technically much more elaborated. Issued by the FV Editions in 1989, it was successfully distributed via alternative channels. Videos are unique collages, which blend music,...
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
This video is a part of "The Triumph of Desire", a compilation of Borghesia music video clips (Document, G.U.M., Poppers, Triptych Futurists, No Hope No Fear, Discipline, Mud, She, Venceremos). It continues with the iconography introduced in the "So Young" compilation of Borghesia music video clips, but this time it is formally and technically much more elaborated. Issued by the FV Editions in 1989, it was successfully distributed via alternative channels. Videos are unique collages, which blend music,...
Neven Korda - Poppers (0:04:57)
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video ; compilation, 1989
Video supports the song Peppers by multimedia group Borghesia with its technique and content. Experimental animation synchronized with the sound outlines an urban landscape and inserts symbols and stereotyping pop gay icons. Techno electronic score, song lyrics and visual support refer to commercialized representation of gays in pop culture and their sexuality as cold, instinctive and automatized. Video is characterized by vivid colour scheme, comic book characters, collage and psychedelic editing. (DIVA)&n...
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video ; compilation, 1989
Video supports the song Peppers by multimedia group Borghesia with its technique and content. Experimental animation synchronized with the sound outlines an urban landscape and inserts symbols and stereotyping pop gay icons. Techno electronic score, song lyrics and visual support refer to commercialized representation of gays in pop culture and their sexuality as cold, instinctive and automatized. Video is characterized by vivid colour scheme, comic book characters, collage and psychedelic editing. (DIVA)&n...
Neven Korda, Zemira Alajbegović - She (0:14:47)
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
A music video for a song by Borghesia group places human bodies seemingly captured inside video projections. The singer is set in a role of observer and is a direct creater of the story. A narration follows, accompanied by lively shots of a woman, entering different spaces with a film projection in a background. The woman transforms into a spy, who executes her misson in the name of a myth of the future. We witness moments of obsession with her mother, general tiredness, search of employment and alike. T...
Subtitle: Iz kompilacije glasbenih spotov skupine Borghesia
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
A music video for a song by Borghesia group places human bodies seemingly captured inside video projections. The singer is set in a role of observer and is a direct creater of the story. A narration follows, accompanied by lively shots of a woman, entering different spaces with a film projection in a background. The woman transforms into a spy, who executes her misson in the name of a myth of the future. We witness moments of obsession with her mother, general tiredness, search of employment and alike. T...
Neven Korda, Dario Seraval, Zemira Alajbegović - ZMR (00:03:49)
Subtitle: Iz kompilacije glasbenih video spotov skupine Borghesia z naslovom
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Subtitle: Iz kompilacije glasbenih video spotov skupine Borghesia z naslovom
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Andreja Džakušič, Simon Macuh, Iva Tratnik, SIVA - Motnja - Prevelika obleka (00:09:49)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializiranih oblek, za...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializiranih oblek, za...
Andreja Džakušič, Simon Macuh, SIVA, Iva Tratnik - Motnja - Krzno (00:07:10)
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializiranih oblek, za...
Production: Likovni salon Celje, 2011
S projektom obleka … človeka, ki je bil leta 2010 razstavljen v Likovnem salonu, je skupina dveh umetnic in umetnika raziskovala, v kolikšni meri obleka določa človekovo identiteto, koliko se s spremembo zunanje podobe spremeni odnos drugih. Za produkcijo razstave je neformalna skupina, ki so jo ustanovili ravno za razstavo obleka ... človeka, naredila serijo javnih intervencij, s katerimi so motili ustaljene oblačilne navade. Med drugim so se ukvarjali z nenavadnim pojavom specializiranih oblek, za...
