Zemira Alajbegović, Neven Korda - Within Four Walls (00:33:17)
Production: ZANK, VPK & TV Slovenija, 1999
A documentary Within Four Walls (orig. Med štirimi stenami) problematizes violence towards women through stories of those who ran away from it and found help in shelters. With covered faces they speak about years of abuse, violence, rape and loneliness. Film includes scenes from the shelter for women and children - victims of violence, shots filmed in social work centres and in groups for nonviolent communication which help men change their violent behaviour. Historians and anthropologists share thei...
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63 results in works
Nataša Prosenc Stearns - The Beach (00:05:51)
Production: Kanalya Pictures, 2004
Selected moments from Venice Beach. Shot with exerimental recording technique, which combines DV camera, film lenses, and an adaptor for converting the film image to digital signal.
Production: Kanalya Pictures, 2004
Selected moments from Venice Beach. Shot with exerimental recording technique, which combines DV camera, film lenses, and an adaptor for converting the film image to digital signal.
Nataša Prosenc Stearns - Alone Together – Evening (00:11:06)
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Emil Memon - Blue Movie/Schizophrenia (00:05:37)
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Production: Emil Memon, 1983/95
Video "Blue Movie/Schizophrenia" is a shorter edited version of Emil Memon's silent movie "1983/Blue movie" shot in NYC in 1983, reconceptualized as a music video (music by Emil Memon and Robert Aaron). (Music video for Emil Memon's Szhizophrenia track , featuring Robert Aaron, recorded at Dubway studio, NYC, 1994.) ]"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema'...
Nika Grabar - Pleasure in Discipline
Subtitle: Interview with Neven Korda on video Borghesia: Discipline
Production: SCCA-Ljubljana, 2011
Interview with Neven Korda concerning video Discipline. [Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis; The Association of NGOs Clubture]
Subtitle: Interview with Neven Korda on video Borghesia: Discipline
Production: SCCA-Ljubljana, 2011
Interview with Neven Korda concerning video Discipline. [Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis; The Association of NGOs Clubture]
Emil Memon - 1983/Blue Movie (00:51:00)
Production: Emil Memon, Pawel Wojtasik, 1983
"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema', with references to film makers, such as Stan Brakhage, Kenneth Anger, Andy Warhol, Maya Deren, Sergei Eisenstein and video makers as Vito Acconci and Dennis Oppenheim. He made it while working as a Fulbright scholar on his MFA at PRATT Institute, Brooklyn, NYC, where he could use their facilities and premiered it there as his thesis show was based on it. Video is an i...
Production: Emil Memon, Pawel Wojtasik, 1983
"1983/Blue movie" was made on the basis of Memon's Diploma Work at the Florence Academy entitled 'History of Art and Non-Narrative Cinema', with references to film makers, such as Stan Brakhage, Kenneth Anger, Andy Warhol, Maya Deren, Sergei Eisenstein and video makers as Vito Acconci and Dennis Oppenheim. He made it while working as a Fulbright scholar on his MFA at PRATT Institute, Brooklyn, NYC, where he could use their facilities and premiered it there as his thesis show was based on it. Video is an i...
Nataša Skušek - Heri (04:02)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek obrite moške glave. Iz ušesa mu 'raste' šop razmršenih dolgih rdečih las, ki jih ženske roke skrbno urej...
Nataša Skušek - Huzar (01:05)
Production: N.S., 2011
Video prikazuje moškega v spodnjicah, ki trdno spi na postelji. Ženska roka ga obmetava z obešalniki, vendar ga to ne zbudi. Čez nekaj časa se telo v spanju začne tresti, kot bi skušalo odvreči nakopičene obešalnike. Video v avtoričinem humornem stilu obarvanava napetosti v partnerskem odnosu in se poigrava s sterotipnimi vlogami družbenih spolov.
Production: N.S., 2011
Video prikazuje moškega v spodnjicah, ki trdno spi na postelji. Ženska roka ga obmetava z obešalniki, vendar ga to ne zbudi. Čez nekaj časa se telo v spanju začne tresti, kot bi skušalo odvreči nakopičene obešalnike. Video v avtoričinem humornem stilu obarvanava napetosti v partnerskem odnosu in se poigrava s sterotipnimi vlogami družbenih spolov.
Nataša Skušek - khm_khm (6:34)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Bližnji posnetek prikazuje hranjenje moškega, ki ga izza njegovega hrbta izvaja ženska. Humorna gesta, poznana iz komedij 'slapstick', se poigr...
Nataša Skušek - Golica (03:54)
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Production: N.S., 2013
Videoperfomans je bil vključen na samostojno razstavo z naslovom Pravi moški v Galeriji Alkatraz leta 2014. Nataša Skušek v svojih delih obravnava stereotipne družbene, seksualne in družinske vloge, ki jih družba pripisuje ženskam. Dela na razstavi so se na humoren način osredotočala na partnerske odnose in vlogo moškega. Video Golica spremlja zvok živižganja istoimenske ponarodele melodije narodnozabavnega ansambla. Žvižganje daje tempo potresavanju ženske zadn...
Nataša Prosenc Stearns - Our Twenty Minutes (00:07:39)
Production: 2013
Kratki film o paru, ki si skuša med službo vzeti 20 minut za zasebnost. V njuno zgodbo prileti nepovabljena trgovska potnica, ki ju z neomajnim prepričevanjem poskuša opehariti. Zgodba se odvija s frontalnimi statičnimi kadri v notranjščini hiše.
Production: 2013
Kratki film o paru, ki si skuša med službo vzeti 20 minut za zasebnost. V njuno zgodbo prileti nepovabljena trgovska potnica, ki ju z neomajnim prepričevanjem poskuša opehariti. Zgodba se odvija s frontalnimi statičnimi kadri v notranjščini hiše.
Nataša Prosenc Stearns - The Noise Factor (00:03:15)
Production: 2012
Video work poetically captures closing in and focusing inside a view through a hotel window. From the abstract light spots of the city landscape the camera slowly moves to the inside of the hotel room. First we witness the transition to a reflection in the window: a man sitting behind a computer and next to a turned on TV without a signal. The camera moves in towards the TV screen until the image finally fades into the "snow" or white noise of the TV. The video was shot from a building, from whi...
Production: 2012
Video work poetically captures closing in and focusing inside a view through a hotel window. From the abstract light spots of the city landscape the camera slowly moves to the inside of the hotel room. First we witness the transition to a reflection in the window: a man sitting behind a computer and next to a turned on TV without a signal. The camera moves in towards the TV screen until the image finally fades into the "snow" or white noise of the TV. The video was shot from a building, from whi...
Tanja Lažetić - Nude Descending a Staircase (00:01:14)
Production: 2012
Črno bel avtoportretni posnetek nog iz roke.
Production: 2012
Črno bel avtoportretni posnetek nog iz roke.
Nataša Prosenc Stearns - Untitled / Torso (00:03:15)
Subtitle: Black Waters and Other Stories (series)
Production: 2016
Video shows a back of a female torso, which moves against a black background. Isolated from the rest of the body, several layers of the torso travel over the screen and interact in a semi controlled manner. The fact that we are watching a human body is only revealed after a while, as the layering partially abstracts the moving images. The migration of layers creates a video collage, slowly shifting from figurative to abstract expressions and back. A strong organic and corporeal charge changes into an optica...
Subtitle: Black Waters and Other Stories (series)
Production: 2016
Video shows a back of a female torso, which moves against a black background. Isolated from the rest of the body, several layers of the torso travel over the screen and interact in a semi controlled manner. The fact that we are watching a human body is only revealed after a while, as the layering partially abstracts the moving images. The migration of layers creates a video collage, slowly shifting from figurative to abstract expressions and back. A strong organic and corporeal charge changes into an optica...
Nataša Prosenc Stearns - Glowing Palm (00:03:41)
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Subtitle: Black Waters and Other Stories (series)
Production: Nataša Prosenc Stearns, 2016
Video is a part of "Black Waters and Other Stories" series and of a "migrating frame" sequence that try to find new narrative structures. It was conceptualised by Nataša Prosenc Stearns and Jasna Hribernik on the occasion of their joint exhibition ("Jasna Hribernik: (Post)Production & Nataša Prosenc Stearns: Night Spring and Wishing Well", SCCA-Ljubljana production, curator: Barbara Borčić, Vžigalica Gallery, Ljubljana, 1. 12. 2015–10. 1. 2016).
Nataša Prosenc Stearns - Alone Together – Morning (00:01:13)
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Miha Vipotnik - Lumino auro (23:39)
Production: Uho;Oko Institute for Art and Technology & M. V., 2011
The video constantly changes its format, which makes it rather complex. Variations of the surface are subtle, often barely noticeable and therefore make the viewer feel uncomfortable. Lumino Auro is a video which causes spatial anxiety on different levels. The first level of discomfort is an empty badly lit room. The happening on TV screen is the only movement in a static shot of claustrophobic space. The second level of discomfort is caused by a collage of exceptional shots, rhythmically overflowing the st...
Production: Uho;Oko Institute for Art and Technology & M. V., 2011
The video constantly changes its format, which makes it rather complex. Variations of the surface are subtle, often barely noticeable and therefore make the viewer feel uncomfortable. Lumino Auro is a video which causes spatial anxiety on different levels. The first level of discomfort is an empty badly lit room. The happening on TV screen is the only movement in a static shot of claustrophobic space. The second level of discomfort is caused by a collage of exceptional shots, rhythmically overflowing the st...
Nataša Prosenc Stearns - Hotel Diary (Velenje Gallery) (00:01:55)
Production: 2016
Video installation of a series of videos entitled Hotel Diary was displayed together with a Golden Curtain video installation at the exhibition at Velenje Gallery in 2016. Videos were recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled.
Production: 2016
Video installation of a series of videos entitled Hotel Diary was displayed together with a Golden Curtain video installation at the exhibition at Velenje Gallery in 2016. Videos were recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled.
Nataša Prosenc Stearns - Hotel Diary: Dead End Corridor (00:02:11)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Nataša Prosenc Stearns - Hotel Diary: Bar (00:02:37)
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
Production: 2016
Video was recorded with static camera in an abandoned hotel in Los Angeles with the aim to catch its atmosphere of memories and stories. It is a part of a series of videos entitled Hotel Diary and was displayed as a part of an installation that was together with a Golden Curtain video installation presented at the exhibition at Velenje Gallery in 2016.
