Evelin Stermitz - A Gift for the Moon (0:03:37)
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz)
Music: Iva Bittová, kapitulni sin, 1994.
DIVA melancholy
19 results in works
Miha Vipotnik - Lumino auro (23:39)
Production: Uho;Oko Institute for Art and Technology & M. V., 2011
The video constantly changes its format, which makes it rather complex. Variations of the surface are subtle, often barely noticeable and therefore make the viewer feel uncomfortable. Lumino Auro is a video which causes spatial anxiety on different levels. The first level of discomfort is an empty badly lit room. The happening on TV screen is the only movement in a static shot of claustrophobic space. The second level of discomfort is caused by a collage of exceptional shots, rhythmically overflowing the st...
Production: Uho;Oko Institute for Art and Technology & M. V., 2011
The video constantly changes its format, which makes it rather complex. Variations of the surface are subtle, often barely noticeable and therefore make the viewer feel uncomfortable. Lumino Auro is a video which causes spatial anxiety on different levels. The first level of discomfort is an empty badly lit room. The happening on TV screen is the only movement in a static shot of claustrophobic space. The second level of discomfort is caused by a collage of exceptional shots, rhythmically overflowing the st...
Vesna Bukovec - When I wake up, I am going to create something beautiful (00:04:00)
Production: Vesna Bukovec, 2011
The video poetically explores creative self-censorship and the issues encountered when searching for new ideas. Flickering night shots of blossoming plants in the forest symbolise flashing and passing of thoughts, concepts and images that arise the moment before we fall asleep. (Source: Vesna Bukovec)
Production: Vesna Bukovec, 2011
The video poetically explores creative self-censorship and the issues encountered when searching for new ideas. Flickering night shots of blossoming plants in the forest symbolise flashing and passing of thoughts, concepts and images that arise the moment before we fall asleep. (Source: Vesna Bukovec)
Zvonka T Simčič - Spomin / Memory (00:09:00)
Subtitle: (English version)
Production: Zavod CCC, 2016
An autobiographical work that in the circling of time is returning to the childhood. Back to the origins. So many times following the same traces it comes around to the same place, where, again, it finds the source of light. Is that what marks us? And from what depths does it come? Is it really just a childhood memory? Or is it something even much deeper? (Source: Zvonka T Simčič)
Subtitle: (English version)
Production: Zavod CCC, 2016
An autobiographical work that in the circling of time is returning to the childhood. Back to the origins. So many times following the same traces it comes around to the same place, where, again, it finds the source of light. Is that what marks us? And from what depths does it come? Is it really just a childhood memory? Or is it something even much deeper? (Source: Zvonka T Simčič)
Zvonka T Simčič - Spomin (00:09:00)
Subtitle: (Slovenska verzija)
Production: Zavod CCC, 2016
An autobiographical work that in the circling of time is returning to the childhood. Back to the origins. So many times following the same traces it comes around to the same place, where, again, it finds the source of light. Is that what marks us? And from what depths does it come? Is it really just a childhood memory? Or is it something even much deeper? (Zvonka T Simčič)
Subtitle: (Slovenska verzija)
Production: Zavod CCC, 2016
An autobiographical work that in the circling of time is returning to the childhood. Back to the origins. So many times following the same traces it comes around to the same place, where, again, it finds the source of light. Is that what marks us? And from what depths does it come? Is it really just a childhood memory? Or is it something even much deeper? (Zvonka T Simčič)
Katarina Rešek - Among the Lull (Your Gay Thoughts) (00:03:49)
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
Production: 2015
Music video for the song Among the Lull by Your Gay Thoughts. Recorded in the urban environment of large apartment buildings. Bored young people hang out on the playground and at the club. Stereotypic sexual roles are mixed, empowered girls behave typically masculine, they take on the podium on the playground and on the dance floor. Most of the shots are in slow motion, editing style fits the melancholic feeling of the song. The video ends with an underwater shot of a kiss.
Vesna Bukovec - Ko se zbudim, bom naredila nekaj lepega (00:04:00)
Production: Vesna Bukovec, 2011
The video is a poetic statement of self-censorship and difficulties encountered in the search for new ideas.
Production: Vesna Bukovec, 2011
The video is a poetic statement of self-censorship and difficulties encountered in the search for new ideas.
Peter Cerovšek - Trails (07:00)
Production: 2015
Eksperimentalni kratki film je sestavljen iz niza kratkih sekvenc, posnetih s telefonom in kamero. Posnetki pogledov skozi okno ob potovanju z vlakom, avtobusom in gondolo se izmenjujejo z izpisovanjem besedila na temni podlagi – vsebino kratkih telefonskih sporočil. Tresoča in nemirna slika posnetkov narave se prepleta z abstraktnimi vzorci, ki jih tvori svetloba. Menjajo se letni časi in pokrajina. Glasba v podlagi prispeva k ustvarjanju nostalgičnega vzdušja. Film govori krhkosti ljubeze...
Production: 2015
Eksperimentalni kratki film je sestavljen iz niza kratkih sekvenc, posnetih s telefonom in kamero. Posnetki pogledov skozi okno ob potovanju z vlakom, avtobusom in gondolo se izmenjujejo z izpisovanjem besedila na temni podlagi – vsebino kratkih telefonskih sporočil. Tresoča in nemirna slika posnetkov narave se prepleta z abstraktnimi vzorci, ki jih tvori svetloba. Menjajo se letni časi in pokrajina. Glasba v podlagi prispeva k ustvarjanju nostalgičnega vzdušja. Film govori krhkosti ljubeze...
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Kaja & Sava Kosmač - Please Don't Follow Me Into the Sun (00:04:48)
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Subtitle: Hide, Baby!
Production: Kaja Kosmač in Sava Kosmač, 2006
With the music of the Intimn Frizurn band, a video is being built on one side, on ecological topic and urban subculture, and on the other, the aesthetics with emphasized colour accents. The installation follows the musical composition and forms the composite matrix; it also uses computer video effects, most notably the mirror. Dynamic colour imagery of industrial landscape, a passing train and dance steps are by interrupted the black and white images of the face, the silhouette figure and the blue of the TV...
Kaja & Sava Kosmač - To Paul & Friends (00:02:36)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2009
With the background music by The Beatles, unclear slow-motion images are gradually identified as fragments of body and colourful clothing. When the yellow road line enters the game, the speed is accelerating and the image is approaching. The spotlight that accompanies the human figure isolates the image and places it in counterpoint with the richness of colour fragments, which creates a melancholic atmosphere. (Diva)
Matevž Jerman - Remains - Confessions to the Ghosts (40:08)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
Production: Gustav film, 2019
Niko Novak’s songs inhabit and carve out the physical and interpersonal landscapes and distances discarded by another film – with sound, melody, expressiveness and voice weaved into dark, balladic rock. Something highly amorphous, intangible, restless and presently absent is embodied; we hunt ghosts, memories and feelings that inhabit the spaces between pictures and songs. “If you have ghosts, you have everything.” (Source: Luka Zagoričnik)
Matevž Jerman - Ona mežika, cvetje drhti (08:17)
Production: Tramal Films, 2017
Pet sekund, pet sekund je dovolj, da se odločiš, ali boš problem, ali boš rešitev! (Rob Tyner-MC5)
Production: Tramal Films, 2017
Pet sekund, pet sekund je dovolj, da se odločiš, ali boš problem, ali boš rešitev! (Rob Tyner-MC5)
Matevž Jerman - She Blinks and Flowers Tremble (08:17)
Production: Tramal Films, 2017
It takes five seconds, five seconds of decision, five seconds to realize your purpose here on the planet. (Rob Tyner - MC5)
Production: Tramal Films, 2017
It takes five seconds, five seconds of decision, five seconds to realize your purpose here on the planet. (Rob Tyner - MC5)
Luksuz produkcija - Birds Don’t Cry (02:34)
Production: Luksuz produkcija, 2019
One day you realize you can’t. You ask the others when did they learn. Nobody seems to remember. When you explain it to other people they laugh, it’s not so important. They don’t understand and it bothers you, a lot. This is the story of Yuliya, and how one day she realized something inside her was missing. A short documentary by EVS and ESC volunteers Yuliya Kogol and Lúa López Ribes. (Source: Luksuz produkcija)
Production: Luksuz produkcija, 2019
One day you realize you can’t. You ask the others when did they learn. Nobody seems to remember. When you explain it to other people they laugh, it’s not so important. They don’t understand and it bothers you, a lot. This is the story of Yuliya, and how one day she realized something inside her was missing. A short documentary by EVS and ESC volunteers Yuliya Kogol and Lúa López Ribes. (Source: Luksuz produkcija)
SCCA-Ljubljana, Luksuz produkcija - My Juliet Beckons (Niko Novak) (04:17)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song My Juliet Beckons by Niko Novak was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Lea Badovinac
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song My Juliet Beckons by Niko Novak was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Lea Badovinac
SCCA-Ljubljana, Luksuz produkcija - Shadows (YREX) (03:16)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Sence (Shadows) by YREX was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Maria Sorokina
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Sence (Shadows) by YREX was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Maria Sorokina
Ester Ivakič - Sometimes I wish I were an angel sometimes (06:32)
Production: Ester Ivakič, 2022
There must be a way of existing without existing. (Source: Ester Ivakič)
Production: Ester Ivakič, 2022
There must be a way of existing without existing. (Source: Ester Ivakič)