Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
DIVA Bled
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20 results in works
Grabar, Nika; Colner, Miha - Same Place - Different Time
Production: SCCA-Ljubljana, 2011
Through our conversations with the protagonists of the art scene in Ljubljana, who belong to different generations and expressive currents, we wanted to confront views and memories while considering the tectonic shifts in the fine art field in the last thirty years that accompanied the social transformation in this region.[From: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2...
Production: SCCA-Ljubljana, 2011
Through our conversations with the protagonists of the art scene in Ljubljana, who belong to different generations and expressive currents, we wanted to confront views and memories while considering the tectonic shifts in the fine art field in the last thirty years that accompanied the social transformation in this region.[From: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2...
Nika Grabar - Interview: Marko Peljhan/Projekt Atol on video The Park kulture
Production: SCCA-Ljubljana, 2011
Interview with Marko Peljhan on TV situation Parc of Culture realised in frame of Media in Media exhibition project (SCCA-Ljubljana) in 1997.[Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis;...
Production: SCCA-Ljubljana, 2011
Interview with Marko Peljhan on TV situation Parc of Culture realised in frame of Media in Media exhibition project (SCCA-Ljubljana) in 1997.[Iz: From Consideration to Commitment: Art in Critical Confrontation to Society, on-line publication https://talkingcriticarts.wordpress.com/, Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010; Publishers: SEEcult.org in cooperation with ForumSkopje; Kurziv - Platform for Matters of Culture, Media and Society; SCCA, Center for Contemporary Arts - Ljubljana / Artservis;...
Longyka, Jure - Digitizing An Audiovisual Archive (CD-ROM) (107 strani/pages)
Subtitle: Thesis
Production: Univerza v Ljubljani, Fakulteta za računalništvo in informatiko, 2002
This work presents reasons for digitizing audiovisual archives as well as waysof doing so. It defines terms such as audiovisual work, digital audiovisual archive and layers in audiovisual archives. The process of digitizing an audiovisual work is analyzed. Five case studies are included. The sixth is the main case of documenting theatre plays on video. Technical solutions for digitizing the archive are presented, costs evaluated, storage and filing suggested. The archive maysomedaybecomea vital part of a mu...
Subtitle: Thesis
Production: Univerza v Ljubljani, Fakulteta za računalništvo in informatiko, 2002
This work presents reasons for digitizing audiovisual archives as well as waysof doing so. It defines terms such as audiovisual work, digital audiovisual archive and layers in audiovisual archives. The process of digitizing an audiovisual work is analyzed. Five case studies are included. The sixth is the main case of documenting theatre plays on video. Technical solutions for digitizing the archive are presented, costs evaluated, storage and filing suggested. The archive maysomedaybecomea vital part of a mu...
Luka Prinčič - My Body Hurts Over (00:03:57)
Subtitle: Transmittance #1.5
Production: Emanat, 2011
My Body Hurts Over is a music video for one of the songs created as a product of an improvised audio-visual telematic performance Transmittance #1.5. The video takes video footage from the telematic performance Transmittance #1 which took place at KC Karlo Rojc, Polis Jadran Europa Festival, Pula, Croatia. The project explores inside the concepts of spectatorship and spectacle and by that tries to overcome the physical space of new media art and performative practices. The video presents an edited sonic d...
Subtitle: Transmittance #1.5
Production: Emanat, 2011
My Body Hurts Over is a music video for one of the songs created as a product of an improvised audio-visual telematic performance Transmittance #1.5. The video takes video footage from the telematic performance Transmittance #1 which took place at KC Karlo Rojc, Polis Jadran Europa Festival, Pula, Croatia. The project explores inside the concepts of spectatorship and spectacle and by that tries to overcome the physical space of new media art and performative practices. The video presents an edited sonic d...
Neža Knez - Deus ex Machina (20:17)
Subtitle: Imag(in)e Ka-mi-ze
Production: N.K., 2018
Video je del projekta v nastajanju 'Deus ex Machina', ki ga Neža Knez dela v sodelovanju z vrtčevskimi otroki. Prosila jih je, naj opišejo in narišejo zanje najpomembnejše stvari in kako bo to izgledalo v prihodnosti. Iz posameznih opisov so skupaj sestavili eno podobo, ki so jo poimenovali "mašina, ki bo naredila boljši svet, mašina, ki nam bo pomagala." Na podlagi elementov, ki so jih izbrali otroci, je avtorica sestavila maketo robota. Video je dokumentacija us...
Subtitle: Imag(in)e Ka-mi-ze
Production: N.K., 2018
Video je del projekta v nastajanju 'Deus ex Machina', ki ga Neža Knez dela v sodelovanju z vrtčevskimi otroki. Prosila jih je, naj opišejo in narišejo zanje najpomembnejše stvari in kako bo to izgledalo v prihodnosti. Iz posameznih opisov so skupaj sestavili eno podobo, ki so jo poimenovali "mašina, ki bo naredila boljši svet, mašina, ki nam bo pomagala." Na podlagi elementov, ki so jih izbrali otroci, je avtorica sestavila maketo robota. Video je dokumentacija us...
Marko A. Kovačič - The Lost Horizon (4:47)
Production: 1997
Documentary footage of The Lost Horizon, the artist's video installation at Kapelica Gallery in Ljubljana in 1997.
Production: 1997
Documentary footage of The Lost Horizon, the artist's video installation at Kapelica Gallery in Ljubljana in 1997.
P L A T E AU R E S I D U E - Sub Persona (trailer) (03:29)
Production: P L A T E AU R E S I D U E, 2019
Sub Persona is a research project that focuses on the importance of forests its ecosystemic, economic, recreational and cultural functions, which are too often taken for granted by humans. From human habitation to the present, resource exploitation and deforestation have led to a decrease in the extent, quality, and condition of the self-regulatory mechanisms of the forest ecosystem. In the past complex inter-species relationships and energy flows have enabled the forest to successfully adapt to the effects...
Production: P L A T E AU R E S I D U E, 2019
Sub Persona is a research project that focuses on the importance of forests its ecosystemic, economic, recreational and cultural functions, which are too often taken for granted by humans. From human habitation to the present, resource exploitation and deforestation have led to a decrease in the extent, quality, and condition of the self-regulatory mechanisms of the forest ecosystem. In the past complex inter-species relationships and energy flows have enabled the forest to successfully adapt to the effects...
Uršula Berlot - Bodyscope (02:52)
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Production: Uršula Berlot, 2012
The repeated kaleidoscopic video was created on the basis of X-ray image of a spine and projected back over the original radiological image printed on aluminum support. Such projection creates layering, a kind of spatial superposition into a repetitive hypnotic pattern. The image in motion is periodically decomposed and reassembled into a coherent original image. (Source: Uršula Berlot)video projection (2,50′), print on aluminumdim: 150 x 200 cmsound: Scanner – Robin Rimbaud
Uršula Berlot - Hyperoptics (04:22)
Production: Uršula Berlot, 2021
The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. (Source: the author)
Production: Uršula Berlot, 2021
The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. (Source: the author)
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