Damijan Kracina - The Ant (00:03:53)
Production: 1997
The video shows the last minute in the life of a dying ant which is stuck on an adhesive surface. At exhibitions, the static footage is presented on a miniature screen, with the ant practically life-size. The author discusses human irresponsibility and merciless treatment of animals, revealing that the death of even such a tiny creature is just as dramatic as any other.
DIVA Experimental video
333 results in works
Damijan Kracina - Intervju z ogroženo vrsto / /Interview with the Threatened Kind (00:02:25)
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Marko A. Kovačič - Dosje 83:03 - video rekonstrukcija / Dossier 83:03. Video Reconstruction (00:45:40)
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Neven Korda - The Futurists (CD-ROM)
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Andrej Lupinc - Kriki in vreščanja / Screams and Shouts (0:19:13)
Subtitle: Keller
Production: ŠKUC-Forum, 1985
Video work is a compilation of short parodies of horror movie scenes. With expressionist montage, comical approach, DIY solutions and specific electronic music each part of the collage becomes a peculiar experimental video.
Subtitle: Keller
Production: ŠKUC-Forum, 1985
Video work is a compilation of short parodies of horror movie scenes. With expressionist montage, comical approach, DIY solutions and specific electronic music each part of the collage becomes a peculiar experimental video.
Marijan Osole - Max - Avtop (0:04:52)
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Marijan Osole - Max - Morte ai sciavi (0:16:28)
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Marijan Osole - Max, Irma Mežnarič - Linije sile (0:04:18)
Production: Škuc - Forum, 1983
Video documents alternative fashion show by a group of artists (Mojca Pungerčar, Lidija Bernik, Tanja Lakovnik, Lela B. Njatin) carried out in 1983 in Škuc Gallery. Creations as well as music accompanying the video, are formalistic and futuristic. Simple montage combines wide shots, close ups of model's faces and details of the dresses.
Production: Škuc - Forum, 1983
Video documents alternative fashion show by a group of artists (Mojca Pungerčar, Lidija Bernik, Tanja Lakovnik, Lela B. Njatin) carried out in 1983 in Škuc Gallery. Creations as well as music accompanying the video, are formalistic and futuristic. Simple montage combines wide shots, close ups of model's faces and details of the dresses.
Andrej Lupinc - Mišice in kite / Muscles and Tendons (0:24:07)
Subtitle: Keller
Production: Å kuc - Forum, 1984
Video deals with sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.
Subtitle: Keller
Production: Å kuc - Forum, 1984
Video deals with sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.
