Damijan Kracina - The Ant (00:03:53)
Production: 1997
The video shows the last minute in the life of a dying ant which is stuck on an adhesive surface. At exhibitions, the static footage is presented on a miniature screen, with the ant practically life-size. The author discusses human irresponsibility and merciless treatment of animals, revealing that the death of even such a tiny creature is just as dramatic as any other.
DIVA Experimental video
312 results in works
Damijan Kracina - Intervju z ogroženo vrsto / /Interview with the Threatened Kind (00:02:25)
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Production: 1997
A clip from the compilation Zoospective shows underground footage of the Soča trout, which is endangered due to irresponsible human behaviour and farming of trout, which is an invasive species in the natural habitat of the local species. The trout looks directly at the camera, silently opening its mouth, indicating that humans neither listen to it, nor hear it.
Marko A. Kovačič - Dosje 83:03 - video rekonstrukcija / Dossier 83:03. Video Reconstruction (00:45:40)
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Production: Forum-Ljubljana / Zwiks, 2003
Narration d'auteur contextualises the artists own art practice within the social and political circumstances in Yugoslavia/Slovenia in the period of 20 years. The visual material originates from his personal archive and appertains to his art projects, home/family shots, or found footages/TV News. The video presents the historical/social events through biased/personal view. The methodology of individual authorial approach is relatively personal expressing the eclecticism of the 90s – the fragmentarines...
Neven Korda - The Futurists (CD-ROM)
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Subtitle: Video from the underground
Production: ZANK, 2001
Video collage recycles video memories from the 1980' as captured by the eye of FV Video camera and fragments of recordings of performances and projects by the group Borghesia and HC Collective from Ljubljana. The content of the CD-ROM doesn't contain any broader explanation and is based on image and sound. The CD-ROM takes us on a reliving of the alternative scene of the 80', which was one of the most vital and creative scenes in the history of Slovene culture and art.
Andrej Lupinc - Kriki in vreščanja / Screams and Shouts (0:19:13)
Subtitle: Keller
Production: ŠKUC-Forum, 1985
Video work is a compilation of short parodies of horror movie scenes. With expressionist montage, comical approach, DIY solutions and specific electronic music each part of the collage becomes a peculiar experimental video.
Subtitle: Keller
Production: ŠKUC-Forum, 1985
Video work is a compilation of short parodies of horror movie scenes. With expressionist montage, comical approach, DIY solutions and specific electronic music each part of the collage becomes a peculiar experimental video.
Marijan Osole - Max - Avtop (0:04:52)
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Production: ŠKD Forum, 1983
The artist focuses on his figure in two repeated scenes. Details of his face and mid shots of the artist's naked body exchange on a basis of electronic noise music accompanying the whole video.
Marijan Osole - Max - Morte ai sciavi (0:16:28)
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Production: ŠKD Forum, Škuc, 1983
Music video is a montage of Laibach concerts in 1982 and 1983 combined with shots played on TV screen and scenes from a video Documents of Oppression. Video is characterized by a specific dark atmosphere. It was made by Škuc-Forum production.
Goran Devide - Sovražnik (0:04:28)
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Production: Škuc-Forum, FV video, 1984
Computer animation is a music video for a song by group Borghesia. The author uses formally simple animation, which due to light line on a blue surface, creates an illusion of depth. Strong contrast functions aggressively. Animated anthropomorphic figures move together and one against the other, but there is always tension between them. The animation is author's interpretation of estranged and shallow civilization. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video...
Marijan Osole - Max, Irma Mežnarič - Linije sile (0:04:18)
Production: Škuc - Forum, 1983
Video documents alternative fashion show by a group of artists (Mojca Pungerčar, Lidija Bernik, Tanja Lakovnik, Lela B. Njatin) carried out in 1983 in Škuc Gallery. Creations as well as music accompanying the video, are formalistic and futuristic. Simple montage combines wide shots, close ups of model's faces and details of the dresses.
Production: Škuc - Forum, 1983
Video documents alternative fashion show by a group of artists (Mojca Pungerčar, Lidija Bernik, Tanja Lakovnik, Lela B. Njatin) carried out in 1983 in Škuc Gallery. Creations as well as music accompanying the video, are formalistic and futuristic. Simple montage combines wide shots, close ups of model's faces and details of the dresses.
Andrej Lupinc - Mišice in kite / Muscles and Tendons (0:24:07)
Subtitle: Keller
Production: Å kuc - Forum, 1984
Video deals with sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.
Subtitle: Keller
Production: Å kuc - Forum, 1984
Video deals with sexualisation and objectification of bodies through images of naked female and male figure. Explicitly and indirectly erotic scenes are followed by at first sensual and later noise music with narration. Black-and-white and colour photography exchange. Merely material perception of the body is additionally stressed with images of a car and a fish, which are forced in the very end of the video.
Marko A. Kovačič - Mirror Knows the Secret (00:02:34)
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Production: 1986
The video is based on the performance of the same title. The metamorphosis of image is enabled by electronic technology. A step further from the chroma-key procedure of inserting of the front plane of the image into some other background, which invests the modified image with greater dynamics and gives it the mark of experiment. The use of digital (mirror) effects allows for the reproduction of the same image in the rhythm of music. (Source: Videodokument) A short video project made for the TV show Auto-vis...
Mirko Simić - Roška 88 (01:31:05)
Production: V.S. Video / Škuc - Forum, Brut, 1989
Proces proti četverici: Janez Janša, Ivan Borštner, David Tasić, Franci Zavrl - dokumentarni kolaž enotedenskih dogodkov pred vojašnico na Roški ulici. Izdelan je bil za predvajanje na video večerih v Klubu K4 (brez tonske obdelave). (Š-F)
Production: V.S. Video / Škuc - Forum, Brut, 1989
Proces proti četverici: Janez Janša, Ivan Borštner, David Tasić, Franci Zavrl - dokumentarni kolaž enotedenskih dogodkov pred vojašnico na Roški ulici. Izdelan je bil za predvajanje na video večerih v Klubu K4 (brez tonske obdelave). (Š-F)
Mirko Simić - Buga Up (00:06:21)
Production: Škuc - Forum, 1989
Documentary shots of the concert of group The Blach in Ljubljana (?-F)
Production: Škuc - Forum, 1989
Documentary shots of the concert of group The Blach in Ljubljana (?-F)
son:DA, Erinc Seymen - Performance for a Poem 2 (00:08:48)
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Subtitle: Maribor
Production: 2006
The two channel video is a performance and site-specific installation realised in Istanbul and Maribor. In the second one it's clear that the stage where the performer acts and the public space are definitely separated. The low resolution image allows a digital manipulation of video and sound made of pixelization, distorsion, colour key glitch, streching of the image. Key role is given to the recitacion of a Turkish poem of the '30, a remarkable example of nationalist rethoric. The sound and the video image...
Ema Kugler - For the End of Time (02:05:28)
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Production: Zank & VPK, 2009
The video film is an investigation on man and his smallness in front of nature and time, the story is told by a voice-over narrator, with no dialogues between the characters. The camera slowly moves horizontally in panoramic views showing bright wide desert landscapes crossed by traces of death, alternated with futuristic interiors. Computer generated imagery plays an important role in this last work as in the previous ones by Ema Kugler and contributes to the creation of recurrent enviroments which are a p...
Metod Frlic - Svetloba kože / Brightness of Skin (00:05:10)
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Production: VPK, 1997
Pred nami so kože. Pravzaprav tako podobne druga drugi, pa najsi pokrivajo človeške obraze, ponavadi dolgočasne in utrujene, ali pa mlada telesa in telesca, takorekoč igrače, pripravljene za igranje, da lahko ugotovimo, da gre za eno samo kožo. Da gre za eno samo stvaritev, gnilo od zamaščenosti, izsušeno, organo in obleteno obenem. Koža razsvetljena z razkrajanjem. Samo po različni umazanosti svetlobe se razlikujejo krpe te kože med seboj. Pod njimi se skriva ena sama rasa. Nobenih belcev in n...
Nataša Prosenc Stearns - Tango za ribe / Tango for Fish (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Sašo Podgoršek - Pot / Path (00:11:01)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Production: PTL / postprodukcija Studio Tivoli, 1993
The dance video is a play of contrasts: East against West, nature against the city, meditation against energy - a haiku born out of simplicity. (VD)
Sašo Podgoršek - Mobitel WAP (00:00:33)
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Production: Agencija 41 / Nord Cross, 2000
Oglas prikazuje projekt Makrolab avtorja Marka Peljhana. Makrolab je visoko tehnološka postaja, ki povezuje znanost in umetnost. Služi kot prenosnih telekomunikacijskih valov in se odziva na frekvenčne spremembe v okolju.
Zemira Alajbegović - P.O.R. (00:00:29)
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
Subtitle: Burn out #9
Production: ZANK, 2003
Video is a part of a series of eleven noise track videos by a music group BAST titled Burn Out. The camera is still but not completely static. The music dictates the rhythm of fast-forwarded detail shots of cutting a leek and shredding a carrot. Music and image create a comic contrast.
