Mirko Simić - Out of Memory (00:04:47)
Production: Bris, VPK, V.S. Video / Forum & KUD Naprej Idrija, 1994
Precise editing and sharp cuts stress the sense of hopelessness and isolation of the world. The main hero moves through urban areas, but finally finds himself in the midst of the 'endlessness' of nature, none the less strange and unpredictable. Dreams of a different life are complemented by graphics and computer animation, additionally perfecting a visually rich and conceptually 'old-fashioned' video. (VD)
DIVA Works
1168 results in works
Mirko Simić - Do you hear the sound of silence (00:03:02)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Alenka Pirman, Maja Šubic - Ajiaco (0:05:15)
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Production: Ljudmila, 1998
In this video by Alenka Pirman and Maja Šubic, the artists present the traditional Colombian dish ajiaco and through photographs describe the land and culture in which it originates. Adhering strictly to the cooking show genre, they set about preparing a dish that, from now on, we too can make for ourselves in Slovenia. A certain irony is audible in what the artists say, although the tone of their speech is never less than proper. At the end of the video they enjoy the ajiaco with the popular singer Ja...
Nataša Prosenc Stearns - Ne poznaješ me / You Don't Know Me (00:04:56)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Production: TV Sarajevo, 1989
The dance-floor and dancer are symbols of two worlds and generations placed in opposition. The division is defined by music and chromatic contrasts. The dancer first dances a waltz, but this later changes to rock'n'roll. The video is enhanced by drawings, which impart to the image an impression of multiple layers. (VD)
Apolonija Šušteršič - Entrance de Singel (0:05:50)
Production: 1997
Javni plesni performans, izveden na lokaciji Vlaams cultureel centrum de Singel v Antwerpnu, Belgiji. Posnetki vstopanja v zgradbo in dogajanja pri notranjih vhodnih vratih kulturnega centra. Kamera je statična, posnetki so režirani in zmontirani - gre za plesni performans med vrati. Site specific zvočna intervencija.
Production: 1997
Javni plesni performans, izveden na lokaciji Vlaams cultureel centrum de Singel v Antwerpnu, Belgiji. Posnetki vstopanja v zgradbo in dogajanja pri notranjih vhodnih vratih kulturnega centra. Kamera je statična, posnetki so režirani in zmontirani - gre za plesni performans med vrati. Site specific zvočna intervencija.
Apolonija Šušteršič - Studio 016 (0:02:11)
Production: 1995
Zvočna intervencija v prostorih Rijksakademie van beeldene kunsten Amsterdam. Video prikazuje posnetke postopnega vstopanja v svetli prostor, snemanje tal ob hoji, snemanje obiskovalcev, ki poslušajo instalacijo na slušalke. Kamera je statična, na trenutke tudi premična. Na koncu videa se prostor postopoma izprazni. Zvočna kulisa, ki opremlja posnetek, je sestavljena iz korakov in hrupa obiskovalcev.
Production: 1995
Zvočna intervencija v prostorih Rijksakademie van beeldene kunsten Amsterdam. Video prikazuje posnetke postopnega vstopanja v svetli prostor, snemanje tal ob hoji, snemanje obiskovalcev, ki poslušajo instalacijo na slušalke. Kamera je statična, na trenutke tudi premična. Na koncu videa se prostor postopoma izprazni. Zvočna kulisa, ki opremlja posnetek, je sestavljena iz korakov in hrupa obiskovalcev.
Mirko Simić - Parfum de la terre / Vonj po zemlji (00:25:02)
Production: VPK, KUD Etno karavana, 1997
The meeting of gipsies in Southern France.
Production: VPK, KUD Etno karavana, 1997
The meeting of gipsies in Southern France.
Mirko Simić - Parabola (00:35:28)
Production: VPK & Human Creative Net, 1997
Parabola is a short version of six hours long video performance in a club Gavioli Ambasy in Izola, Slovenia that the artist VJ Simo has performed at a live visual act. It is presenting a collage of numerous found fotages and documentary recordings from this tiny costal town. The video is interlaced with a rich electronic manipulation of image and patterns.
Production: VPK & Human Creative Net, 1997
Parabola is a short version of six hours long video performance in a club Gavioli Ambasy in Izola, Slovenia that the artist VJ Simo has performed at a live visual act. It is presenting a collage of numerous found fotages and documentary recordings from this tiny costal town. The video is interlaced with a rich electronic manipulation of image and patterns.
Ana Nuša Dragan - Lyhnida (00:08:47)
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also depend on the body technique. The communicability can be understood, among other things, as one of the variations of the functioning of the body within the sequential regime of signs.(source: Ana Nuša Dragan)
Production: TV Skopje, 1989
A woman's body communicates with its surroundings; it is a receptor of the macrocosm that bears traces of all other laws, including even the physiology with all its energetic zones. This is the energy that corresponds to spiritual experiences, which also depend on the body technique. The communicability can be understood, among other things, as one of the variations of the functioning of the body within the sequential regime of signs.(source: Ana Nuša Dragan)
Mirko Simić - Anti Nazy Mix (00:18:02)
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Production: V.S. Video / Forum, Strip Core & Bris, 1993
A collage of documentary shots of totalitarian regimes of various periods and places.
Apolonija Šušteršič - Bonnevoie by day & night (0:07:54)
Production: 1998
Video odslikuje podobo predela mesta Bonnevoie. Razgibana kamera raziskuje prostor, snema ključne točke četrti (železniška postaja, mestne ulice, gradbišče, privatne in javne prostore). Raziskovanje delovnega in bivalnega prostora mesta in njegovih prostorov za kulturno dejavnost. Bonnevoie je mestna četrt, ki slovi kot najbolj mešan predel Luksemburga z 80% emigrantske populacije.
Production: 1998
Video odslikuje podobo predela mesta Bonnevoie. Razgibana kamera raziskuje prostor, snema ključne točke četrti (železniška postaja, mestne ulice, gradbišče, privatne in javne prostore). Raziskovanje delovnega in bivalnega prostora mesta in njegovih prostorov za kulturno dejavnost. Bonnevoie je mestna četrt, ki slovi kot najbolj mešan predel Luksemburga z 80% emigrantske populacije.
Apolonija Šušteršič - How To Make Orange Juice I (0:02:08)
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Production: 1998
Podroben potek priprave naravnega pomarančnega soka v domači kuhinji. Notranjost Juice Bara sestavljajo zelene plošče, ki služijo kot 11-metrski bar in barski stoli, oranžne stene in tla, mize in stoli, ki jih je oblikoval Arne Vehovar za Magis, naslovni logotip Irene Woelle, skodelice z odtisnjenim logotipom, sokovniki, posode, pomaranče, hladilnik in koši za smeti.
Apolonija Šušteršič - (Cre)Action Directe (0:13:57)
Subtitle: Intervju z Riek van der Kerchove
Production: 1998
Pogovor z ustvarjalcem in producentom Rickom van der Kerchovom. Kamera ne snema intervjujanca, ampak spremlja dogajanje v skoraj preznem baru v Luxemburgu. Pogovor je bil uporabljen za potrebe festivala Manifesta.
Subtitle: Intervju z Riek van der Kerchove
Production: 1998
Pogovor z ustvarjalcem in producentom Rickom van der Kerchovom. Kamera ne snema intervjujanca, ampak spremlja dogajanje v skoraj preznem baru v Luxemburgu. Pogovor je bil uporabljen za potrebe festivala Manifesta.
Apolonija Šušteršič - Memories of the Future (0:08:03)
Production: 1997
Prostor v mestu Bennevoie, kjer v zapuščenem industrijskem objektu sodobni plesalec izvaja javno vajo sodobnega izraznega plesa.
Production: 1997
Prostor v mestu Bennevoie, kjer v zapuščenem industrijskem objektu sodobni plesalec izvaja javno vajo sodobnega izraznega plesa.
Apolonija Šušteršič - Ausverkauf (0:09:45)
Production: 1999
Množica obiskovalcev prihaja v kino dvorano, kjer se najprej posedejo in ogledujejo film, nato pa jo popolnoma izpraznijo.
Production: 1999
Množica obiskovalcev prihaja v kino dvorano, kjer se najprej posedejo in ogledujejo film, nato pa jo popolnoma izpraznijo.
Mirko Simić, Stanka Brljević - Scream (00:03:53)
Production: VPK, Bris, 1995
Video for the song Scream of group Borghesia. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video works, music videos, video tapes, music records and cassettes) formed by Zemira Alajbegović, Goran Devide (✝), Aldo Ivančić, Neven Korda and Dario Sereval. Borghesia was active as a multimedia group until 1989 and was later changed to a music duo by Aldo Ivančić and Dario Sereval.
Production: VPK, Bris, 1995
Video for the song Scream of group Borghesia. ------- Borghesia (1983 - 1939) was a multimedia group (concert performance, video works, music videos, video tapes, music records and cassettes) formed by Zemira Alajbegović, Goran Devide (✝), Aldo Ivančić, Neven Korda and Dario Sereval. Borghesia was active as a multimedia group until 1989 and was later changed to a music duo by Aldo Ivančić and Dario Sereval.
Mirko Simić - No Brains No Tumors (00:03:11)
Production: Strip Core/ FORUM Ljubljana in VPK, 1995
Video spot za skladbo zasedbe 2227 z naslovom No Brains no Tumors, ustvarjen v sodelovanju plesno skupino Fourclor (fourclor physical theatre). V šali velja za najhitrejši slovenski video. Video delo je sestavljeno iz zelo kratkih izsekov, ki včasih prikazujejo isto sceno. Vendar je v montaži gibanje realizirano skozi nabor izsekov, ki ustvarjajo iluzijo hitrosti tudi ko dinamika kamera ni intenzivna.
Production: Strip Core/ FORUM Ljubljana in VPK, 1995
Video spot za skladbo zasedbe 2227 z naslovom No Brains no Tumors, ustvarjen v sodelovanju plesno skupino Fourclor (fourclor physical theatre). V šali velja za najhitrejši slovenski video. Video delo je sestavljeno iz zelo kratkih izsekov, ki včasih prikazujejo isto sceno. Vendar je v montaži gibanje realizirano skozi nabor izsekov, ki ustvarjajo iluzijo hitrosti tudi ko dinamika kamera ni intenzivna.
Mirko Simić - Kema Merav (00:04:49, na št. 93 0:04:47)
Production: Šukar & VPK, 1996
Video spot Šukar. Skupina Šukar v video spotu z vožnjo v belem mercedesu (letnik '58) skušajo romsko ikonografijo prikazati v simpatični in pozitivni luči, saj se je ni potrebno sramovati.
Production: Šukar & VPK, 1996
Video spot Šukar. Skupina Šukar v video spotu z vožnjo v belem mercedesu (letnik '58) skušajo romsko ikonografijo prikazati v simpatični in pozitivni luči, saj se je ni potrebno sramovati.
Mirko Simić - Passer By (00:04:20)
Production: Bris & VS VIDEO / Škuc - Forum Ljubljana, 1990
A multitude of moving images presenting everyday life from various viewing angles. Images of life vibrate in the rhythm of music by Sergej Kurjohin. Although dance is in the forefront of this video, this is not a video spot. (VD)
Production: Bris & VS VIDEO / Škuc - Forum Ljubljana, 1990
A multitude of moving images presenting everyday life from various viewing angles. Images of life vibrate in the rhythm of music by Sergej Kurjohin. Although dance is in the forefront of this video, this is not a video spot. (VD)
Mirko Simić - Dugtren (00:05:27)
Production: Bris, 1991
The graphic signs appearing at the beginning are immediately transformed into real images of elements: shaping of clay, a fountain, a toilet bowl and the flushing of water accompanied by the sound of a train. Images follow the rhythm of the music which links them.
Production: Bris, 1991
The graphic signs appearing at the beginning are immediately transformed into real images of elements: shaping of clay, a fountain, a toilet bowl and the flushing of water accompanied by the sound of a train. Images follow the rhythm of the music which links them.
