Jatun Risba - Mpasturavacche. The taboo of meeting the chimera of oneself (Mpasturavacche. Tabu srečanja s himero samega sebe) (09:25)
Subtitle: Artist Lecture at TTT 2020
Production: Jatun Risba & STEAM Atelier, 2019/2020
A recording of the lecture by the artist Jatun Risba at the Interdisciplinary Conference Taboo - Transgression - Transcendence in Art & Science in November 2020 at the University of Applied Arts in Vienna (Angewandte). The audio recording of the lecture is accompanied by video documentation of the Mpasturavacche performance. In the lecture, the artist presents this one-on-one performance, using low-tech equipment and open source technology to address the relationships of power of the gaze, physicality,...
DIVA Works
1168 results in works
Jatun Risba - Getting Gold (11:07)
Production: Jatun Risba & Franco G. Livera, 2019
Getting Gold is a vanitas video that questions the impact of value systems on ideas of authorship and art-making. The video performance between Jatun Risba, Franco G. Livera and Daniele Semeraro is a meditation on the fugacity of existence in all its forms. Bodies are growing (g)old, human behaviors are becoming outdated, wild species are getting extinct and technologies obsolete. Amidst the impermanence of life, what is worth doing? (Source: author)
Production: Jatun Risba & Franco G. Livera, 2019
Getting Gold is a vanitas video that questions the impact of value systems on ideas of authorship and art-making. The video performance between Jatun Risba, Franco G. Livera and Daniele Semeraro is a meditation on the fugacity of existence in all its forms. Bodies are growing (g)old, human behaviors are becoming outdated, wild species are getting extinct and technologies obsolete. Amidst the impermanence of life, what is worth doing? (Source: author)
Jatun Risba - Down-going (03:15)
Production: Jatun Risba & Franco G. Livera, 2019
Down-going was taken during a collaborative art intervention at an operating hospital in S Italy in summer 2019. The produced photos and video stage a playful act of medical self-determination and resilience. By taking control over the use of medical spaces and tools, the artists underline and overturn the dynamics of power in contemporary medical contexts. (Source: author) The video has no sound.
Production: Jatun Risba & Franco G. Livera, 2019
Down-going was taken during a collaborative art intervention at an operating hospital in S Italy in summer 2019. The produced photos and video stage a playful act of medical self-determination and resilience. By taking control over the use of medical spaces and tools, the artists underline and overturn the dynamics of power in contemporary medical contexts. (Source: author) The video has no sound.
Jatun Risba - Drop-off (trailer) (08:22 (trailer 02:45))
Production: Jatun Risba & Franco G. Livera, 2020
A year of desires ...for a new Beginning ...for changing the Course of ...desires ...to end desires ...DROP-OFF Drop-off is a work that reclaims the beauty and vitality of life in its darkest places. (Source: author)
Production: Jatun Risba & Franco G. Livera, 2020
A year of desires ...for a new Beginning ...for changing the Course of ...desires ...to end desires ...DROP-OFF Drop-off is a work that reclaims the beauty and vitality of life in its darkest places. (Source: author)
Jatun Risba - In My Sweetie's Arms (trailer) (06:53 (trailer 02:28))
Production: Jatun Risba & Franco G. Livera, 2020
A still dance in the comfort of nonconceptualityis putting trust in the hands of my sweetie.Turkish delight, honey, greed ...You, Beloved spider, are swallowing downknots of sugar in abandonment.An unruly tongue teases suspicion.Can you taste the bitterness of the machinewith a gloved hand? In my sweetie's arm searches for the mover behind the movements in both the machine and the human. (Source: author)
Production: Jatun Risba & Franco G. Livera, 2020
A still dance in the comfort of nonconceptualityis putting trust in the hands of my sweetie.Turkish delight, honey, greed ...You, Beloved spider, are swallowing downknots of sugar in abandonment.An unruly tongue teases suspicion.Can you taste the bitterness of the machinewith a gloved hand? In my sweetie's arm searches for the mover behind the movements in both the machine and the human. (Source: author)
Jatun Risba - Wrapping (06:16)
Production: Jatun Risba & Franco G. Livera, 2019
A body wrapped in plastic … to retain moisture and preserve freshness. The plastic foil is perforated by medical tools. A body transformed into a Christmas tree decorated with surgical instruments. What does this piece of body celebrate? What has been wrapped (up) in secrecy through the process of medicalization? Wrapping holds a mirror to the medical wrapping of life. (Source: author)
Production: Jatun Risba & Franco G. Livera, 2019
A body wrapped in plastic … to retain moisture and preserve freshness. The plastic foil is perforated by medical tools. A body transformed into a Christmas tree decorated with surgical instruments. What does this piece of body celebrate? What has been wrapped (up) in secrecy through the process of medicalization? Wrapping holds a mirror to the medical wrapping of life. (Source: author)
Ema Kugler - Man with Shadow (01:40)
Subtitle: trailer
Production: ZANK & VPK, 2019
The genetic code forces man in reproduction. A newborn has no choice. Without her/his will, it is sorted to this world and as a completely helpless creature in the dressage of civilizational norms, which are determined by those in the position of power ... But what if something else is possible?
Subtitle: trailer
Production: ZANK & VPK, 2019
The genetic code forces man in reproduction. A newborn has no choice. Without her/his will, it is sorted to this world and as a completely helpless creature in the dressage of civilizational norms, which are determined by those in the position of power ... But what if something else is possible?
Nataša Berk - Törpe (01:30)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Production: N.B., 2006
The short video is a performance for the camera. We see a close-up shot of a face staring fixedly at the camera. Nose-picking is followed by an unexpected gesture. (Source: DIVA Station)
Nataša Berk - Eine Revolution Ohne Tanzen Ist Eine Revolution Die Sich Nicht Lohnt (03:36)
Production: N.B., 2011/12
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Production: N.B., 2011/12
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Nataša Berk - Eine Revolution Ohne Tanzen Ist Eine Revolution Die Sich Nicht Lohnt (03:38)
Production: N.B., 2017
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Production: N.B., 2017
The video consists of two editions (2011/12 and 2017). Each was filmed at a different location, probably in the artist's apartment at the time. The work is a dance performance for the camera. The artist dances to music not recorded in the video. The very absence of music is the essence of the work, as the artist invites the viewers to choose the music they will listen to while watching her dance. The title of the work is based on a famous quote attributed to the American anarchist Emma Goldman (If I can't d...
Vesna Bukovec - Kaj je nevarnost? (02:00)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Vesna Bukovec - What is danger? (02:00)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
SCCA-Ljubljana, Luksuz produkcija - U reki (MRFY) (04:20)
Subtitle: Delavnica videospota 2020
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song U reki (In the River) by MRFY was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lea Badovinac, Ela Romih, Amadej Zalokar
Subtitle: Delavnica videospota 2020
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song U reki (In the River) by MRFY was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lea Badovinac, Ela Romih, Amadej Zalokar
SCCA-Ljubljana, Luksuz produkcija - Skupivn (SBO) (03:34)
Subtitle: Delavnica videospota
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song Skupivn (Outtogether) by SBO was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Ela Hartman, Jakob Žorž, Kaja Horvat
Subtitle: Delavnica videospota
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, Kinodvor (Kinotrip), 2020
The music video for the song Skupivn (Outtogether) by SBO was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija and Kinodvor (Kinotrip).Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Ela Hartman, Jakob Žorž, Kaja Horvat
SCCA-Ljubljana, Luksuz produkcija - Faking keš (Balans) (04:16)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
SCCA-Ljubljana, Luksuz produkcija - My Juliet Beckons (Niko Novak) (04:17)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song My Juliet Beckons by Niko Novak was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Lea Badovinac
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song My Juliet Beckons by Niko Novak was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Lea Badovinac
SCCA-Ljubljana, Luksuz produkcija - Shadows (YREX) (03:16)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Sence (Shadows) by YREX was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Maria Sorokina
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Sence (Shadows) by YREX was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Author: Maria Sorokina
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - The House of Cards (06:45)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
In the performance The House of Cards, Dr Xenia does not travel north or west by train, but in a south-easterly direction. On the route that led to Kumrovec in the previous country, but ends at the last station in front of the Croatian border in the new country, it tries to make a house out of cards. The impossible task is reminiscent of the inability to create safe life and home, which constantly elude refugees and migrants, as well as precarious workers of all ages, including cultural workers. At the end...
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Man, Don't Get Angry (19:34)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
Man, Don't Get Angry is first and foremost a feminist response to the familiar image of (dressed) Marcel Duchamp and (naked) Eva Babitz's chess game from 1963. It is also a reference to the performance Mojca ärgere dich nicht, which was performed by Petja Grafenauer, Zoran Srdić Janežič, and Simon Macuh in 2013 at the Red Dawn festival with the aim of defending the use of nudity in works of art. Here, next to the dressed women, there is a half-naked man, who does not get to make a move during the ga...
