Duba Sambolec - NATO Women Waiting (09:33)
Production: Duba Sambolec, 2001/2013
Umetnica je idejo za video dobila v 90-tih, ko je na letališču na Norveškem opazila povečano število vojaškega osebja, ki je bilo namenjeno na vojna območja na Balkanu. Pozornost so ji vzbudile vojakinje in sprožile razmišljanja o njihovi pripravljenosti na preživetje, na potencialno spolno nasilje in spolne vloge v vojski in vojni. Pozneje se je seznanila tudi s problematičnimi ravnanji enot ZN na Balkanu (nezakonita preprodaja orožja in drog, spolne zlorabe, korup...
DIVA Works
1138 results in works
Duba Sambolec - Installations 1988-1996 (29:01)
Production: Duba Sambolec, 1996
Video documentation of Duba Sambolec's exhibitions and installations from the period between 1988 and 1996:- Exhibition Unpleasure in Space, Moderna galerija, Ljubljana, 1988/1989- Exhibition of drawings, Equrna Gallery, Ljubljana, 1988/1989- Installation Interscape I, 25th Salon of Fine Arts, Student Centre Gallery, Zagreb, 1990- Installation Interscape IV, Kunstakademiet Trondheim, Project Space, Norway, 1993- Installation Interscape VI / Night (1993/96), Kunstakademiet Trondheim, Project Space,...
Production: Duba Sambolec, 1996
Video documentation of Duba Sambolec's exhibitions and installations from the period between 1988 and 1996:- Exhibition Unpleasure in Space, Moderna galerija, Ljubljana, 1988/1989- Exhibition of drawings, Equrna Gallery, Ljubljana, 1988/1989- Installation Interscape I, 25th Salon of Fine Arts, Student Centre Gallery, Zagreb, 1990- Installation Interscape IV, Kunstakademiet Trondheim, Project Space, Norway, 1993- Installation Interscape VI / Night (1993/96), Kunstakademiet Trondheim, Project Space,...
Translacija | Traslación, Tatiana Kocmur, Francisco Tomsich - Rdeče niti: TV Auction
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
Subtitle: SCCA-Ljubljana, 19. 10. 2019
Production: Translacija | Traslación, SCCA-Ljubljana, KUD/AAC Boja, Galerija Salsaverde, 2021
Rdeče niti: TV Auction (Red Threads: TV Auction) reproduces in TV format (8 video and 7 audio sources) a video presentation of the “Red Threads” research model applied to Martina Bastarda’s TV Auction (2003) performance study. The presentation took place on 19 October 2019 in the SCCA Project Room and included a closed-loop TV, which is replaced here by video documentation of the event. (Source: Translation | Translation)
SCCA-Ljubljana, Duba Sambolec - Video evening with DIVA Station: Duba Sambolec (01:27:52)
Production: SCCA-Ljubljana, Galerija Photon, 2022
Video documentation of the Video evening with DIVA Station: Duba Sambolec event at the Photon Gallery on May 4, 2022. Vesna Bukovec, expert associate of DIVA Station, talked with the artist about her relationship to video and performance in the context of her wider artistic practice. The talk was in Slovene langauge. Duba Sambolec has created a series of video works in her extensive and diverse artistic oeuvre. In 2000, a cycle of 14 video performances entitled NoHomeVideos© was presented in seve...
Production: SCCA-Ljubljana, Galerija Photon, 2022
Video documentation of the Video evening with DIVA Station: Duba Sambolec event at the Photon Gallery on May 4, 2022. Vesna Bukovec, expert associate of DIVA Station, talked with the artist about her relationship to video and performance in the context of her wider artistic practice. The talk was in Slovene langauge. Duba Sambolec has created a series of video works in her extensive and diverse artistic oeuvre. In 2000, a cycle of 14 video performances entitled NoHomeVideos© was presented in seve...
Francisco Tomsich - Trembling studies (03:06)
Subtitle: Silent Works
Production: Francisco Tomsich / Makedonida (Skopje), 2018
Trembling studies is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Subtitle: Silent Works
Production: Francisco Tomsich / Makedonida (Skopje), 2018
Trembling studies is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Francisco Tomsich - A day in Murska Sobota (04:45)
Subtitle: Silent Works
Production: Francisco Tomsich / Barbara Pregelj, 2019
A day in Murska Sobota is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing...
Subtitle: Silent Works
Production: Francisco Tomsich / Barbara Pregelj, 2019
A day in Murska Sobota is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing...
Francisco Tomsich - A winter’s tale and a summer’s tale (08:33)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
A winter’s tale and a summer’s tale is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate te...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
A winter’s tale and a summer’s tale is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate te...
Francisco Tomsich - The futures (Elegija version) (06:53)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
The futures is part of the series of silent, usually monochrome video essays and meditations "Silent Works", developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, drawing and collage. T...
Francisco Tomsich - Lepa scena (19:45)
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...
Subtitle: Silent Works
Production: Francisco Tomsich / Cirkulacija 2, 2020
Lepa scena (A Beautiful Scene) is part of the series of silent, usually monochrome video essays and meditations Silent Works, developed since 2016. These works dialogue with traditions of experimental documentary film, video art and early cinema and are primarily aimed to be projected on a large scale, often in groups and in dialogue with objects, installations and the space where they are shown. They are manipulations of Francisco Tomsich's own video diaries and sometimes integrate text, animations, d...
Duba Sambolec - Hands (04:10)
Production: Filmska šola z Mirjano Borčić / Pionirski dom Ljubljana, 1969/1970
The film was shot on 8mm black and white film. It was created at a film school with Mirjana Borčić in Pionirska dom in Ljubljana while Sambolec studied at Faculty of Law, University of Ljubljana, and before her studying of sculpture at the Academy of Fine Arts in Ljubljana.The amateur film, as the artist calls it, consists of short scenes of close-ups of her hands against a dark background with vertical lines. According to the artist, it is an animated film with a living object. The starting id...
Production: Filmska šola z Mirjano Borčić / Pionirski dom Ljubljana, 1969/1970
The film was shot on 8mm black and white film. It was created at a film school with Mirjana Borčić in Pionirska dom in Ljubljana while Sambolec studied at Faculty of Law, University of Ljubljana, and before her studying of sculpture at the Academy of Fine Arts in Ljubljana.The amateur film, as the artist calls it, consists of short scenes of close-ups of her hands against a dark background with vertical lines. According to the artist, it is an animated film with a living object. The starting id...
Ester Ivakič - Sometimes I wish I were an angel sometimes (06:32)
Production: Ester Ivakič, 2022
There must be a way of existing without existing. (Source: Ester Ivakič)
Production: Ester Ivakič, 2022
There must be a way of existing without existing. (Source: Ester Ivakič)
Marko A. Kovačič - Hruporona 2020. The Last Tunnel (3:21)
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Production: Gibatorij, 2020
During the corona pandemic and forced isolation, Yevgenij Skavchenko, an expert in genetic mechanics and a fan of unusual sound phenomena, visits the Plastos' temporary residence in “Javka pri Rdeči zvezdi” (The Post at the Red Star). With the help of the hrupofon (bruitphone, noisemaker), a light-sound instrument, they perform the ritual of the cult of speed together.
Marko A. Kovačič - Post at the Red Star (2:40)
Production: Gibatorij, 2021
During the corona pandemic in 2020 and 2021, the author opened Javka pri Rdeči zvezdi (Post at the Red Star) in the former Mehanika factory and now Ropotarnca in Trbovlje to the public. In the heart of the once proletarian and revolutionary Red Districts, he performed the most complex staging of his fascinating forty-year artistic process to date, and through art encompassed social periods full of contradictions and paradoxes. (Source: DIVA)
Production: Gibatorij, 2021
During the corona pandemic in 2020 and 2021, the author opened Javka pri Rdeči zvezdi (Post at the Red Star) in the former Mehanika factory and now Ropotarnca in Trbovlje to the public. In the heart of the once proletarian and revolutionary Red Districts, he performed the most complex staging of his fascinating forty-year artistic process to date, and through art encompassed social periods full of contradictions and paradoxes. (Source: DIVA)
Ana Likar - Myriad Tentacles Will be Needed (Again and Again) (12:40)
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Sara Bezovšek - www.s-n-d.si (13:39)
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Marko A. Kovačič - The Four Horsemen (3:47)
Production: Marko A. Kovačič, 1993
The video was created on the basis of a group performance in the urban environment Bellum contra solem of the Fusnet Association, which was staged in a block settlement in Nova Gorica on the summer solstice in 1991. The arrival of the Four Horsemen of the Apocalypse in fantastic futuristic costumes - the Conquest, War, Hunger, and Death - in a Ljubljana sand pit illustrates the time around the declaration of Slovenian independence and the break away from the Yugoslav state. (Source: DIVA Station)
Production: Marko A. Kovačič, 1993
The video was created on the basis of a group performance in the urban environment Bellum contra solem of the Fusnet Association, which was staged in a block settlement in Nova Gorica on the summer solstice in 1991. The arrival of the Four Horsemen of the Apocalypse in fantastic futuristic costumes - the Conquest, War, Hunger, and Death - in a Ljubljana sand pit illustrates the time around the declaration of Slovenian independence and the break away from the Yugoslav state. (Source: DIVA Station)
Vesna Bukovec - Briga me ... / I can't be bothered ... (03:09)
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...
Vesna Bukovec - And yet I do bother (exhibition) (11:25)
Production: Vesna Bukovec, Galerija GONG, 2020
The video was created as an adapted form of a solo exhibition In vendar me briga / And yet I do bother at the GONG Gallery in Nova Gorica in December 2020, when cultural institutions were closed due to the Covid-19 pandemic. Works included the exhibition and in the video:- Ali me nočete, ker sem kritična / Do you not want me, because I’m critical, series of drawings, ink on paper2012- Na čigav račun / At whose expense, series of drawings, ink on paper, 2015- As if, collage, 2014- Not in my Name,...
Production: Vesna Bukovec, Galerija GONG, 2020
The video was created as an adapted form of a solo exhibition In vendar me briga / And yet I do bother at the GONG Gallery in Nova Gorica in December 2020, when cultural institutions were closed due to the Covid-19 pandemic. Works included the exhibition and in the video:- Ali me nočete, ker sem kritična / Do you not want me, because I’m critical, series of drawings, ink on paper2012- Na čigav račun / At whose expense, series of drawings, ink on paper, 2015- As if, collage, 2014- Not in my Name,...
