Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
DIVA Experimental video
324 results in works
Gorazd Krnc - No Title Yet (00:08:30)
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Subtitle: (dream light - girl)
Production: z.guba produkcija, 2000
Video accompanied by electronic music and strongly present editing effects explores the facelessness and impersonality of a crowd. Indistinct anthropomorphic images are covered with a bunch of filters making the figures dreamlike and almost completely unrecognizable.
Gorazd Krnc - Tri vrata (00:03:11)
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Production: Gulag produkcija, 2007
Video collage is accompanied by a narration and a dialog from a film Barbarella (Roger Vadim, 1968). Cut out scenes from the film are with the usage of green screen applied to a background constructed from archive shots covered with different filters in editing. With this procedure the galactic content of the film is transmitted into the real world and a metaphor about the three doors on which Barbarella is based on gets a more realistic context.
Gorazd Krnc - Five AM. Light (00:04:32)
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Production: z.guba produkcija, 2000
Video work is a part of a series of videos, which together create a oscillating rhythm of energy. Electronic musical score follows indistinct images covered with editing filters, which cause an impression of a dream vision and ecstasy. Anthropomorphic figures are shading one into another in the rhythm of music.
Gorazd Krnc - 14° 31' E 46° 02' N (00:09:42)
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Production: 2000
Shots of panoramic views, public interiors, architectural facilities, nature and cultural sights are followed by electronic musical score. Scenes are covered with different filters and create a diverse repertoire of emotions and impressions. Video is marked with a cut up editing of inconsistent shots and due to the listed elements it has a hectic and somewhat anxious effect.
Gorazd Krnc - Fiksacijske točke mačke (00:01:51)
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Production: 2003
Video applies scenes of cats while playing onto archive shots of almost naked girls playing in the pool. Symbolic comparison exposes a critical and humours contrast, which puts an unconcerned and instinctive world of cats on one side and artificial and insincere action of a human being on the other.
Gorazd Krnc - Keltinje (del projekta Archaios xenê) (00:00:52)
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role of women in Celtic communities and about their bravery, following shots of violence in a modern completely patriarchist society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Keošanke (del projekta Archaios xenê) (00:00:47)
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the role and customs of women in community of the Kos Island, following shots of a woman in a sexist and fickle modern society applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Perzijke (del projekta Archaios xenê) (00:01:03)
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Production: 2006
A part of an extensive video project takes a narration, talking about the active role of women in Persian communities, following archive shots of 20th century wars and fragile female faces applied onto a black-and-white video background. Using the video collage the author creates a critical comparison.
Gorazd Krnc - Me V(isual)S(ound) You (00:02:35)
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.
Production: 2006
Video work is an impressionistic collage of author's recordings and archive material found online. Detail of an eye is besieged by images and due to fast and hectic editing the author creates a feeling of anxious entrapment. Narration deals with sonority and with an explanation of how a human ear works it causes an additional awareness of the sounds, which besides the narrative archive recording follow the video.