Mirko Simić - Radiorama (00:00:36)
Production: ZM, 1994
Dekle in fant se s terenskim avtomobilom vozita po kolovozni poti. Dekle nenadoma ustavi, izstopi iz vozila in prične plesati, fant se ji medtem približa in jo ustavi. Roki se sklenejo in oba akterja se umirita. V video delu je prisotna dinamična kamera in dolgi kadri, ki želijo ujeti razpoloženje in psihološko karakterizacijo igralcev.

Mirko Simić - No. 6565 (00:00:25)
Production: Strip Core / Forum Ljubljana & VPK, 1994
Inserti iz snemanja videospota skupine 2227, neobdelani in neuporabljeni posnetki. Nekakšen neformalni 'behind the scenes' video spota No Brains No Tumors, kjer člani zasedbe 2227 usklajeno plešejo.

Mirko Simić - Handy Man (00:03:16)
Production: FV, VPK, 1997
Music video of garage rock group called Dicky B. Hardy.

Rok Sieberer Kuri - Ljubjana Trafik (00:05:12)
Production: V.S. - D.V., 1990
Promet v Ljubljani poteka (z montažo) počasneje kakor sicer: avtomobili, dolgi avtobusi in kolesarji, ki pogled usmerjajo v kamero. Spremlja jih bučna glasba, ki s hitrejšim ritmom daje slow motionu slike še večji kontrast. Sporočilo glasbe je: It's nothing you can do.

Rok Sieberer Kuri - Rollins (00:01:03)
Production: V.S. - D.V., 1990
Posnetki lobanj in človeškega okostja preidejo k posnetkom medveda, sove; nagačenih živali. Glas Henrya Rollinsa poda citat Henrya Millerja iz leta 1934: "Tomorrow you may bring about the destruction of your world. Tomorrow you sing in paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom i respect because he has absolutely nothing in common with you - myself. Tonight i shall meditate upon that wh...

Rok Sieberer Kuri - Umetniški večer (00:10:05)
Production: V.S. - D.V., 1990
Podoba Kristusa na križu, okoli katerega kroži dinamična kamera, v obraz ga snema iz dveh perspektiv - iz vsake izgleda drugače. Hitri preskoki perspektiv, ki sežejo v rano na prsih. Nato se pogled preseli na Kristusovo fresko na steni, pod katero glasbeniki igrajo neko povsem drugo melodijo - koncert v živo, ki pritegne pogled kamere na čevlje in udarjanje noge ob tla. Kamera nato potuje po risbah v sobi, ki prikazujejo različne podobe - prostor je umetniški atelje, ki ima v gosteh rock glasbenike.

Rok Sieberer Kuri - Kres II. Razstava (00:01:02)
Production: V.S. - D.V., 1990
Posnetki nočnega kresa in ples okoli ognja. Kamera zmedeno beleži telo v soju ognjenih plamenov.

Rok Sieberer Kuri - Krimi krimič (00:01:21)
Production: V.S. - D.V., 1990
Posnetki figuric-igrač avtomobilčkov, majhnih avionov in vojakov, ki s pištolami merijo eden na drugega. Manipulacija z medijskimi, filmskimi podobami, ki jih avtor pogosto vključuje - akcijo prekine insert streljanja iz akcijskega filma. Figurica nato sede v avto in se odpelje.

Rok Sieberer Kuri - Portret Koncilja (00:03:23)
Production: V.S. - D.V., 1990
Posnetki središča Ljubljane s kamero v roki, posnetki reke Ljubljanice v katero pada dež in ujet pogled na prodajalca revije Tribuna in Mladina - to je Brane Koncilija, pesnik, glasbenik ter punk / hard core aktivist iz Dolenjske. Z njim avtor izvede intervju o tem, kako se tiskovina prodaja in kakšne so njegove metode prodaje.

Rok Sieberer Kuri - Rop bakice (00:02:53)
Production: V.S. - D.V., 1990
Zamaskiran moški oropa babico, tako da jo najprej fizično napade, iz njene košare pada nakupljeno sadje, ona pa se po svojih močeh, a neuspešno brani.

Rok Sieberer Kuri - Preveč slepi, da bi videli / Too Blind To See (00:06:42)
Production: Media Teror, 2000
Kompilacija zmanipulirane slike in zvoka, ki se med seboj ne ujemata in vsaka na svoj način tematizirata sodobno odvisnost od množičnih medijev (v največji meri televizije). V video delu smo priča zvočnim zapisom vročih linij, poročilom, punk glasbi in napovedovalcu poljudnoznanstvene dokumentarne serije, istočasno se ne-ujemajoče z zvokom odvijajo podobe pornografskih filmov, sadističnih prizorov, klavnice, vojn ter informativnih oddaj, vmesne prostore pa polni siva megla in močan šum. Avtor p...

Rok Sieberer Kuri - Media Teror Chroma Quart Mix III (00:11:54)
Production: Media Teror / V.S. video / Forum Ljubljana, 1998
Kratek video kolaž kot zaključek video trilogije Media Teror Chroma Quart Mix - skrajšana verzija Media Teror Chroma Quart Mix II.

Miha Vipotnik - Video 8 Sketch Tape No. 1 (00:39)
Production: CalArts, 1988
A video sketch of the performer Dee McMillan and her project Log On poetically discusses the undeniable human freedom of creation. An insignificant sound from the background triggers a flow of associations and changes the course of editing. The banality of electricity cable is erased with a metaphor of umbilical cord and at the same time the cable defines the duration of the video. (Source: Videodokument)

Miha Vipotnik - Video 8 Sketch Tape No. 3 (01:25)
Production: CalArts, 1988
The mechanical measurement of time presented by a non-functioning clock is the background for the circling of the camera, and thus for the measuring of time. Noises of hammering and of editing procedures are heard in the background. The circling of the camera rhythmically cuts the frozen image. The suspense is growing and the image changes into a female body with the sounds from the background. A movement of the prone body, like the stretching of a ballerina's legs, gives the impression of lightness, which...

Miha Vipotnik - Don't Panic (06:30)
Production: TV Koper Capodistria & Obalne galerije Piran, 1984
The video follows a friendly conversation between the author and a painter and philosopher Andraž Šalamun. It alters the succession of events, thus manipulating the text and creating a complex narrative without logic and continuity. The flow of impulses and associations is reminiscent of the performance and automatic action-writing of poetry. (Source: Videodokument)

Miha Vipotnik - Lenora (04:50)
Subtitle: From TV show with Matejo Koležnik and her friends
Production: RTV Ljubljana, 1983
A folk song about a girl and her deceased lover, sung by Mateja Koležnik and Jani Kovačič. The dialogue of the two singers is followed by a sublime transition from one face to the other. With a constant turning of positives and negatives of images the faces are placed into spaces, which indirectly follow the text of the song. Dynamics of the image show an unconcerned approach to a problem of a portrait, as the latter sporadically almost blends with the colours of the landscape. Due to complete reduction...

Zemira Alajbegović, Neven Korda - Autobus (00:11:10)
Production: TV Slovenija, 1993
The video starts with a graphic sign from which emerge images, and this procedure points to the fact that any documentary is but an artefact. The narrator searches through documents and reconstructs the life of Lela: in the Middle Ages she was accused of witchcraft; in the 20th century she finds herself in the midst of war, in the future she will leave the planet. Lela's individual destiny is being inscribed into the fate of humanity by means of layering the image; only television shots of the war in former...

Zemira Alajbegović, Neven Korda - Zbiralci peska (00:13:06)
Production: V.S. Video / Forum Ljubljana & TV Slovenija, 1995
Video delo pripoveduje zgodbo o zbirateljici umetniških del. K narativi delo pristopa prek protagonistkinih spominov ter pripovedi njenega znanca psihoanalitika. Skozi zgodbo se avtorja v tem in še dveh videih dotikata teoretskih razmišljanj o avantgardni umetnosti v prvi polovici 20. stoletja. S plastenjem črno-belih in barvnih podob ter zvokov delo ustvarja poglobljen in živahen emocionalni prostor. --- ZANK je akronim za umetnika Zemiro Alajbegović in Nevena Kordo, ki sta v obdo...

Andrea Knezović - Liminal (00:11:00)
Production: 2013
Liminal is a video installation that deals with the transformational nature of language and communication through symbolic aspects. The project started as an experiment in which artist involved people coming from different national and linguistic backgrounds; from Sweden, France, UK to Serbia and United States. She gave them an assignment - to write a short story of their choosing, true or fictional, and focus on memorizing its general content. Then they were instructed to elaborate these stories in imagina...

Neven Korda - The Triumpf of Desire (compilation) (01:03:20)
Subtitle: A compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists
Production: FV Video, Brut, VS Video / Forum, E-motion film, TV Slovenija & PIAS, Ljubljana, 1989
This compilation of Borghesia video clips (Document, G.U.M., Poppers, Triptych Futurists, No Hope No Fear, Discipline, Mud, She, Venceremos) continues with the iconography introduced in the So Young video, but this time it is formally and technically much more elaborated. Issued by the FV Editions in 1989, it was successfully distributed via alternative channels. Videos are unique collages, which blend music, video and image with a hectic montage. Using images and symbols it is dedicated to alternative move...