Sašo Podgoršek - Tanz mit Laibach (0:03:29)
Production: Mute Records, 2004
Video for a song Tanz mit Laibach by Laibach group places the lead singer of the group in front of different backgrounds showing symbols and scenes from Slovene art and history. Occasionally the scenes exchange with recordings shot at the group's concerts.
DIVA 2000-2009
409 results in works
Sašo Vrabič - Ljudje s tivolskega gradu / People from the Castle Tivoli (0:33:38)
Production: Balkon Production, 2004
Project titled "People from the Castle Tivoli" was orientated to people working in the castle space in the middle of Ljubljana's Tivoli Park. The project was based on interviews with each of MGLC employees. The product of the interviews and my second part in the workshop were also dry point portraits printed with copper plates matrixes that I took from video stills.
Production: Balkon Production, 2004
Project titled "People from the Castle Tivoli" was orientated to people working in the castle space in the middle of Ljubljana's Tivoli Park. The project was based on interviews with each of MGLC employees. The product of the interviews and my second part in the workshop were also dry point portraits printed with copper plates matrixes that I took from video stills.
Sašo Vrabič - Hunting High and Low (0:02:45)
Production: Automata Crossconversationcut, 2004
With his video work the authors records every month of the year with a self-portrait. A collage of shots accompanied by continued music is marked by black and white photography and soft shading transmissions. Video was made as a part of an interactive media installation.
Production: Automata Crossconversationcut, 2004
With his video work the authors records every month of the year with a self-portrait. A collage of shots accompanied by continued music is marked by black and white photography and soft shading transmissions. Video was made as a part of an interactive media installation.
Sašo Vrabič - Let's Go Away For Awhile (0:02:24)
Production: Balkon Production, 2004
Video uses photographs and recordings to document empty Ljubljana streets on a boring Sunday on January 1th 2004. Skilful editing and melancholic music add to the feeling of emptiness and the desire to escape.
Production: Balkon Production, 2004
Video uses photographs and recordings to document empty Ljubljana streets on a boring Sunday on January 1th 2004. Skilful editing and melancholic music add to the feeling of emptiness and the desire to escape.
Sašo Vrabič - Torek, sreda / Tuesday, Wednesday (0:27:30)
Production: Automata Crossconversationcut, 2004
The author uses a video to note his intimate divided life, when he balances his work and family. A screen cut in half, shows the artist on one side and his family on the other. What connects both of them are quotations by influential thinkers. Video was made as a part of the interactive multimedia installation.
Production: Automata Crossconversationcut, 2004
The author uses a video to note his intimate divided life, when he balances his work and family. A screen cut in half, shows the artist on one side and his family on the other. What connects both of them are quotations by influential thinkers. Video was made as a part of the interactive multimedia installation.
Dejan Habicht, Tanja Lažetić - Avtokino Barje (00:04:07)
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - First Impression (0:09:08)
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Evelin Stermitz - A Gift for the Moon (0:03:37)
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Production: E.S., 2004
This video is an interpretation of the poem by Maja Haderlap. It shows a moving and twisting face in the dark. The face seems to observe the spectator, so it is a break and change of the traditional rules of watching and being watched at the normal situation of the spectator watching television. The poem deals like the video with watching, looking and finding something. (Source: Evelin Stermitz) Music: Iva Bittová, kapitulni sin, 1994.
Evelin Stermitz - Concentration Camp of Ljubelj (0:14:33)
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Production: 2004
At a cruel place, one woman moves; determined with pain, fears and depression but also with hope for a way out. The dancer is standing for the painful feeling of women in concentration camps, but also for physic and psychic discrimination of women in general. Actually this place is more imaginary and not bound to the real place as it could be any place where women suffer from cruelty and hopelessness, so it could be any woman who suffers from violence. The sense of feeling and moving is transferred into a c...
Nataša Berk - PolyPlay (04:18)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)
Subtitle: Demo Version
Production: 2004
The artist stages a musical performance with the band PolyPlay. As she says in her introductory speech, she always wanted to play in a band. However, since she is not a professional musician, no one wanted to accept her into the band. That is why she founded one with her own multiple personalities.In the process of editing, the artist assembles different parts of different shots into a common frame, which forms a new visual and musical whole, possible only in the form of video. (Source: DIVA Station)