Zemira Alajbegović, Neven Korda - Med štirimi stenami (00:33:17)
Production: ZANK, VPK & TV Slovenija (izobraževalni program), 1999
V dokumentarcu Med štirimi stenami svoje zgodbe pripovedujejo ženske, ki so pobegnile pred nasiljem v lastnih družinah in poiskale pomoč v zatočišču. Spregovorijo o letih zlorabe, nasilja, posilstev in osamljenosti. Zgodovinarji in antropologi pa spregovorijo o širših razsežnostih nasilja. Film vsebuje tudi posnetke iz zatočišča za ženske in otroke - žrtve nasilja iz centrov za socialno delo in skupine za nenasilno komunikacijo, v kateri moški spreminjajo...
DIVA 1990-1999
174 results in works
Zemira Alajbegović, Neven Korda - Within Four Walls (English version) (00:33:17)
Production: ZANK, VPK & TV Slovenija, 1999
A documentary (orig. Med štirimi stenami) problematizes violence towards women through stories of those who ran away from it and found help in shelters. With covered faces they speak about years of abuse, violence, rape and loneliness. Film includes scenes from the shelter for women and children - victims of violence, shots filmed in social work centres and in groups for nonviolent communication which help men change their violent behaviour. Historians and anthropologists share their opinion and talk...
Production: ZANK, VPK & TV Slovenija, 1999
A documentary (orig. Med štirimi stenami) problematizes violence towards women through stories of those who ran away from it and found help in shelters. With covered faces they speak about years of abuse, violence, rape and loneliness. Film includes scenes from the shelter for women and children - victims of violence, shots filmed in social work centres and in groups for nonviolent communication which help men change their violent behaviour. Historians and anthropologists share their opinion and talk...
Janez Janša - The More You Know The Less You Kill (00:03:02)
Production: Aksioma, VPK, 1999
Glasbeni video za skupino BAST sestoji iz treh minut navigacije kamere skozi antropomorfne detajle šestih digitalnih slik, ki so del instalacije/foto zbirke Conversion avtorjev Davida Grassija in Rajka Bizjaka. Tema foto zbirke je prehod bitja iz prenatalnega v natalno stanje. Gibanje kamere je računalniško generirano (program Matador proizvajalca Avid). Menjava digitalnih slik je povezana z ritmom, ki ga spremlja glasbena podlaga Alda Ivančiča in Vuka Krakoviča. Na dvd-ju je tudi foto dokumentacija (4...
Production: Aksioma, VPK, 1999
Glasbeni video za skupino BAST sestoji iz treh minut navigacije kamere skozi antropomorfne detajle šestih digitalnih slik, ki so del instalacije/foto zbirke Conversion avtorjev Davida Grassija in Rajka Bizjaka. Tema foto zbirke je prehod bitja iz prenatalnega v natalno stanje. Gibanje kamere je računalniško generirano (program Matador proizvajalca Avid). Menjava digitalnih slik je povezana z ritmom, ki ga spremlja glasbena podlaga Alda Ivančiča in Vuka Krakoviča. Na dvd-ju je tudi foto dokumentacija (4...
Duba Sambolec - I Don't Remember (02:00:28)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In a video performance lasting for 120 minutes the author with blinded eyes and heavy luggage staggers in front of a big projection following a rail. She is guided by a strict, ordering and violet male voice, which wants to make her get out of the screen, of the visual field and metaphorically out of public life. The movement on the tracks occasionally turns, the train goes backwards in its own path. The movement of the train is edited, usually with the transition from the darkness. NoHomeVideos© are 14...
Duba Sambolec - Questioning, Answering (00:58:16)
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances in which the author is dealing with the experience...
Subtitle: NoHomeVideos©
Production: Duba Sambolec, 1999
In the video we witness an interrogation of a woman with a blind over her eyes. Strict and somewhat violet interrogation is executed by the second female character. Eventually it becomes clear, that shots of both people were merged in postproduction. The viewer is therefore manipulated as is the video, and at the same time he/she takes on the role of an accomplice, as he/she accepts the game of the interrogator. NoHomeVideos© are 14 video performances in which the author is dealing with the experience...
Borut Savski - Sound Biotope (00:14:07)
Production: Galerija Kapelica, 1999
Biotope could be described as a self-regulating system of several micro phonies (eight in total), which filled the frequency domain of the gallery. The changes in the sound were a combination of the motion of the microphones, the motion of the space, the absorption bodies in the room and the sound in the room. In short: the installation "listened" to the sound in the space (and thus of itself), and this translates into the movement of microphones. This led to a change in the frequency spectrum in the whole...
Production: Galerija Kapelica, 1999
Biotope could be described as a self-regulating system of several micro phonies (eight in total), which filled the frequency domain of the gallery. The changes in the sound were a combination of the motion of the microphones, the motion of the space, the absorption bodies in the room and the sound in the room. In short: the installation "listened" to the sound in the space (and thus of itself), and this translates into the movement of microphones. This led to a change in the frequency spectrum in the whole...
Boštjan Kavčič - Oko / Eye (0:05:39)
Subtitle: Videodokument - akcija ob dnevu zemlje
Production: 1999
Video documents performative action that took place on international earth day. Two protagonists Boštjan Kavčič and Cristina Andersen take a walk in Ljubljana streets ending up at a tree, which is used by the author as a canvas as he paints an eye on it.
Subtitle: Videodokument - akcija ob dnevu zemlje
Production: 1999
Video documents performative action that took place on international earth day. Two protagonists Boštjan Kavčič and Cristina Andersen take a walk in Ljubljana streets ending up at a tree, which is used by the author as a canvas as he paints an eye on it.
Nataša Prosenc Stearns - Alone Together – Evening (00:11:06)
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Production: Arsmedia, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Sašo Vrabič - TNT (0:01:00)
Production: 1999
Video is made as a computer edit with a simple cut from a movie with latter added sound. It was made only for a CD-ROM.
Production: 1999
Video is made as a computer edit with a simple cut from a movie with latter added sound. It was made only for a CD-ROM.
Nika Špan - Per aspera ad astra (04:05:00)
Production: Nika Špan, 1999
Video work shows a footage of over four hour long constant changing of 150 television channels over Astra satellite. Video has been recorded without a video camera directly from television onto a VHS cassette with a VHS recorder. The duration of the video is determined by the length of the VHS tape. Video was shot on 5th July, 1999 between 5:23 pm and 9:27 pm in Düsseldorf.
Production: Nika Špan, 1999
Video work shows a footage of over four hour long constant changing of 150 television channels over Astra satellite. Video has been recorded without a video camera directly from television onto a VHS cassette with a VHS recorder. The duration of the video is determined by the length of the VHS tape. Video was shot on 5th July, 1999 between 5:23 pm and 9:27 pm in Düsseldorf.
Kolja Saksida - Eksperimentalec (00:09:31)
Production: ZVVIKS Production, 1999
Shot in 8 mm, the film takes inspiration from the genre of action film. In particular it ironically reconstructs the dynamics of a pursuit, the suspense, and the sudden cuts of the martial art film of the '70s. With the same purpose it uses a grained image and black corners around the scene. The film tells about a chance encounter between two expert jugglers and a pyromaniac that takes place around a semi-destroyed factory in Jesenice area. In this unusual environment the jugglers become hostages until...
Production: ZVVIKS Production, 1999
Shot in 8 mm, the film takes inspiration from the genre of action film. In particular it ironically reconstructs the dynamics of a pursuit, the suspense, and the sudden cuts of the martial art film of the '70s. With the same purpose it uses a grained image and black corners around the scene. The film tells about a chance encounter between two expert jugglers and a pyromaniac that takes place around a semi-destroyed factory in Jesenice area. In this unusual environment the jugglers become hostages until...
Barbara Borčić - Reception of Video Production in Slovenia
Production: 1999
"Reception of Video Production in Slovenia" is from: Videodokument.Video Art in Slovenia 1969-1998, ur. B. Borčić, OSI-Slovenia, SCCA-Ljubljana, 1999-2001.
Production: 1999
"Reception of Video Production in Slovenia" is from: Videodokument.Video Art in Slovenia 1969-1998, ur. B. Borčić, OSI-Slovenia, SCCA-Ljubljana, 1999-2001.
Nataša Prosenc Stearns - Alone Together – Morning (00:01:13)
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Production: Kanalya Pictures, 1999
When solitude becomes too painful, we start imagining things.The film project Alone Together consists of two short films, Morning and Evening, whose stories unwind between reality and imagination. They both talk about solitude and isolation in contemporary society. Morning is a story of a lonely man, while Evening focuses on female perspective.
Ana Nuša Dragan - In Medias Res (00:47:00)
Subtitle: Umetniški portret Metke Krašovec
Production: TV Slovenija, 1999/2000
Metka Krašovec je slikarka, je outsiderka, je samotarka, je svetovna popotnica, je profesorica in je žena. Je borka vendar kot ženska nima težav v svetu, ki je po moško determiniran. Nasprotno, to ji daje veliko svobode, ker se ji nii treba zapletati v igre moči, kar pomeni, da lahko v miru dela. Gonilna sila v njenem slikarstvu ni raziskava jazika ampak eksistencialna izkušnja, notranja nuja, ljubezen in iskanje boga. Njeno življansko zgodbo najprej vodi filmska slika, njeno slikarsko dvojnost, ko...
Subtitle: Umetniški portret Metke Krašovec
Production: TV Slovenija, 1999/2000
Metka Krašovec je slikarka, je outsiderka, je samotarka, je svetovna popotnica, je profesorica in je žena. Je borka vendar kot ženska nima težav v svetu, ki je po moško determiniran. Nasprotno, to ji daje veliko svobode, ker se ji nii treba zapletati v igre moči, kar pomeni, da lahko v miru dela. Gonilna sila v njenem slikarstvu ni raziskava jazika ampak eksistencialna izkušnja, notranja nuja, ljubezen in iskanje boga. Njeno življansko zgodbo najprej vodi filmska slika, njeno slikarsko dvojnost, ko...
