Rok Sieberer Kuri - Kuri kompilacija (00:34:29)
Production: V.S.Đ.V., Ljubljana, 1991
The Kuri Compilation combines several humorous short video clips: Crisis, Yello Party, Ljubljana Trafik, Art Evening, Bonfire, Rollins, Crime-Criminal Story, The Koncilija Portrait, and Grandma's Robbery. An interview with a street newsvendor, city traffic, 'family' video in nature, video burlesque, criminal story featuring toys. (VD)
DIVA 1990-1999
173 results in works
Mirko Simić - Dugtren (00:05:27)
Production: Bris, 1991
The graphic signs appearing at the beginning are immediately transformed into real images of elements: shaping of clay, a fountain, a toilet bowl and the flushing of water accompanied by the sound of a train. Images follow the rhythm of the music which links them.
Production: Bris, 1991
The graphic signs appearing at the beginning are immediately transformed into real images of elements: shaping of clay, a fountain, a toilet bowl and the flushing of water accompanied by the sound of a train. Images follow the rhythm of the music which links them.
ZANK - 400 (0:03:55)
Production: TV Slovenija & PIAS, 1991
Music video by Neven Korda for the song 400 by Borghesia (PIAS 1991) is a collage of different found footage, remakes of a performance by Marko Kovačič and Sebastjan Starič from 1991 and edited recordings of scenes performed by a theater group Gledališče za proizvodnjo fikcije, both members of Borghesia group and deaf-mute students. "400 kilometers is the distance between Belgrade and Zagreb, two cities of the same country in 1991." (Videodokument) ------- Borghesia (1983 - 1939) was a multimedia...
Production: TV Slovenija & PIAS, 1991
Music video by Neven Korda for the song 400 by Borghesia (PIAS 1991) is a collage of different found footage, remakes of a performance by Marko Kovačič and Sebastjan Starič from 1991 and edited recordings of scenes performed by a theater group Gledališče za proizvodnjo fikcije, both members of Borghesia group and deaf-mute students. "400 kilometers is the distance between Belgrade and Zagreb, two cities of the same country in 1991." (Videodokument) ------- Borghesia (1983 - 1939) was a multimedia...
Neven Korda - Nestrpnost (0:35:26)
Production: TV Slovenija & Brut, 1991
Based upon a novel by Lela B. Njatin, an extremely fragmented piece of narrative. The film retains all characteristics of the original text, introducing the fragmentariness both in the video image and music score. The heroine experiences only fragments of events, she gets involved in meetings which start but never end, she has wishes which are outlined, but never consumed. In the video film, all these fleeting and intolerable moments, transvestism and changes of identities are indicated with layering of vis...
Production: TV Slovenija & Brut, 1991
Based upon a novel by Lela B. Njatin, an extremely fragmented piece of narrative. The film retains all characteristics of the original text, introducing the fragmentariness both in the video image and music score. The heroine experiences only fragments of events, she gets involved in meetings which start but never end, she has wishes which are outlined, but never consumed. In the video film, all these fleeting and intolerable moments, transvestism and changes of identities are indicated with layering of vis...
Bojan Štokelj - The Uneasiness in front of a Mirror Image (48:28)
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Marko Kovačič - No More Heroes Any More (0:18:15)
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exagge...
Production: V.S. VIDEO/Forum Ljubljana, 1992
Video deals with the theme of war in a parodic and grotesque manner. With Chroma key procedure the two main protagonists or shall we say antagonists - evil and conniving political leaders are set inside a TV studio, where so called Royal game takes place. War battle metaphorically packed as a twisted game of chess, which sees real people as toys in the hands of malicious and greedy politics, is getting more and more insane and uncontrollable. Performative character of the video allows the actors to exagge...
Sašo Podgoršek - Koza je preživela (00:09:03)
Production: 1992
Posnetki prikazujejo posameznike, ki se zbirajo pred zapornico: oseba v avtomobilu, ki čaka na svoje dekle, oseba na vozu, oseba na motorju in nekdo s kozo v naročju. Kolona pred zapornico čaka na vlak, vname se pretep, koza pa se v zmedi znajde privezana na zapornico, ki se, ko vlak odide, dvigne s kozo vred. Video predstavlja zrežirane komične prizore, ki prikazujejo resničnost sodobne družbe.
Production: 1992
Posnetki prikazujejo posameznike, ki se zbirajo pred zapornico: oseba v avtomobilu, ki čaka na svoje dekle, oseba na vozu, oseba na motorju in nekdo s kozo v naročju. Kolona pred zapornico čaka na vlak, vname se pretep, koza pa se v zmedi znajde privezana na zapornico, ki se, ko vlak odide, dvigne s kozo vred. Video predstavlja zrežirane komične prizore, ki prikazujejo resničnost sodobne družbe.
Mirko Simić - Do you hear the sound of silence (00:03:02)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Production: Bris & V.S. Video / Forum Ljubljana, 1992
A black and white video which builds on the details of the body under the shower. The images are not disturbed either by sounds or music because - as the title says - only the silence can be heard. That the eye of the video camera is always voyeuristic is best illustrated by the detail of the bath drain, a fetishistic and 'psychotic' object of the greatest voyeur among film directors - Hitchcock. (VD)
Mirko Simić - Back to the Bible (00:03:41)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)
Production: Bris, 1992
The author collects inserts from various sources: Eisenstein's Battleship Potemkin, Lang's Metropolis, Reggio's Koyanisquatsi, archive shots, etc. Editing by the repetition of images erases their source, and the editing of associations; builds a link between the spectators view and the title: the creation of images as a ritual and the return to primeval man. (VD)
Mirko Simić - Anti Nazy (00:09:06)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Production: Bris & VS Video / Strip core, 1992
A collage of documentary shots of totalitarian regimes of various periods and places. (VD)
Mirko Simić - Mala terasa (00:03:11)
Production: Bris, 1992
Video for the song called Mala terasa of Slovenian group U redu.
Production: Bris, 1992
Video for the song called Mala terasa of Slovenian group U redu.
Miha Vipotnik - Eight (00:24:52)
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's...
Production: 1992
Eight is based on the story from the novel Moment of Silence by Tomislav Longinović (Burning Books: San Francisco, 1990) that addresses the question of disintegration of Yugoslavia, search for identity, personal experience of history and the meaning "lost in translation". The video was made for the Remember Yugoslavia exhibition in New York (1991-92), but Vipotnik withdraw it due to the nationalistic tendencies of Serbian artists. Video was presented as an installation at the Vipotnik's...
Nataša Prosenc Stearns - Tango za ribe (00:04:21)
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Production: Mladinski program TV Slovenija, 1992
The eternal issue of the relation between the sexes is presented by pairs and accentuated by the details which are doubled. In the foreground we see fish ('real' fish, or a graphic sign), and from time to time they completely fill the screen. The video image is supplemented by art objects - a constant feature in Prosenc's works.
Jasna Hribernik - Stopnišče / Starcase (0:16:07)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
Production: VPK, Ministrstvo za kulturo RS & Studio Ljubljana, 1992
Two dancers, a man and a woman, present different human positions and movements in the space, and thus represent different times and spaces. The repetitive scenes of people walking around indicate the passage of time, while the fixed structure of the staircase delienates permanency.(source: Videodokument)
ZANK - Podoba 2: Marijan Osole - Max (00:15:21)
Production: Kanal A, 1992
Serija televizijskih oddaj o slovenski video produkciji. [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič Oddaje Podoba [1] ŠKUC-Forum, [2] Marijan Osole - Max, [4] Hard-Core in [5] Marko Kovačič so dostopne na povezavi Zanka: Dokumentarni filmi/televizija
Production: Kanal A, 1992
Serija televizijskih oddaj o slovenski video produkciji. [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič Oddaje Podoba [1] ŠKUC-Forum, [2] Marijan Osole - Max, [4] Hard-Core in [5] Marko Kovačič so dostopne na povezavi Zanka: Dokumentarni filmi/televizija
ZANK - Podoba 1: ŠKUC Forum (00:25:12)
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
Prva iz serije televizijskih oddaj o slovenski video produkciji prikazuje množično in kritično video produkcijo, ki je bila konstitutivni del in hkrati že učinek ljubljanske alternativne in subkulturne scene v 80. letih 20. stoletja (ŠKUC-Forum video produkcija). Oddaje Podoba: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič Oddaje Podoba [1] ŠKUC-Forum, [2] Marijan Osole - Max, [4] Hard-Core in [5] Marko Kovačič so dostopne na povezavi Z...
Subtitle: Video produkcija 81-85
Production: Kanal A, 1992
Prva iz serije televizijskih oddaj o slovenski video produkciji prikazuje množično in kritično video produkcijo, ki je bila konstitutivni del in hkrati že učinek ljubljanske alternativne in subkulturne scene v 80. letih 20. stoletja (ŠKUC-Forum video produkcija). Oddaje Podoba: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič Oddaje Podoba [1] ŠKUC-Forum, [2] Marijan Osole - Max, [4] Hard-Core in [5] Marko Kovačič so dostopne na povezavi Z...
Zemira Alajbegović, Neven Korda - Podoba 1, 2, 3, 5 (02:07:55)
Production: Kanal A, 1992/93
Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television. The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič
Production: Kanal A, 1992/93
Podoba is a TV series on Slovene video production by Zemira Alajbegović and Neven Korda. The series was the most important contribution to original video production in the 1980s on television. The five episodes were focusing on: [1] ŠKUC-Forum [2] Marijan Osole - Max [3] Peter Vezjak [4] Hard-Core [5] Marko Kovačič
Darij Kreuh - Mine Mind Do you Mind (00:03:18)
Subtitle: Imena skulptur: Treadmill, Push it, Cabine
Production: 1993
Posnetek serije skulptur, ki delujejo kot nihala. Gre za interaktivno delo predmeta s predmeti in za dokumentarne posnetke iz razstave, v katere montaža minimalno poseže. Kamera posega v različne kote eksponatov, zato da jih lažje - razločneje vidimo.
Subtitle: Imena skulptur: Treadmill, Push it, Cabine
Production: 1993
Posnetek serije skulptur, ki delujejo kot nihala. Gre za interaktivno delo predmeta s predmeti in za dokumentarne posnetke iz razstave, v katere montaža minimalno poseže. Kamera posega v različne kote eksponatov, zato da jih lažje - razločneje vidimo.
Zemira Alajbegović, Neven Korda - Podoba 5: Marko Kovačič (00:39:45)
Production: TV Slovenija, 1993
An introduction of the artist Marko Kovačič: sculptures, involvement in the Ana Monro Theatre, videos. The interview was conducted by Zemira Alajbegović. The video features edited material taken from the artist's personal archives, the Ana Monro Theatre, VS Škuc-Forum and Brut Film. The video is a part of TV series Podoba by Zemira Alajbegović and Neven Korda (“The Image of Zemira Alajbegović and Neven Korda”), which was the most important contribution to original video production in...
Production: TV Slovenija, 1993
An introduction of the artist Marko Kovačič: sculptures, involvement in the Ana Monro Theatre, videos. The interview was conducted by Zemira Alajbegović. The video features edited material taken from the artist's personal archives, the Ana Monro Theatre, VS Škuc-Forum and Brut Film. The video is a part of TV series Podoba by Zemira Alajbegović and Neven Korda (“The Image of Zemira Alajbegović and Neven Korda”), which was the most important contribution to original video production in...
Marko Kovačič - I've Seen That... Like It Is (0:06:40)
Production: V.S. Video & Strip Core / Forum Ljubljana, 1993
A music video for a song - collage I've seen that … Like it is by a music group 2227 from Ljubljana blends shots of the group's performance with projections of graffiti by Strip Core group. Usage of lights and postproduction create chaotic and expressive atmosphere, which follows the dramaturgy of music. Scenes of one part of the video are shot in a smaller space with walls covered in graffiti. Lights and projections make the space flat and almost two-dimensional. Projections of graffiti draw an outline o...
Production: V.S. Video & Strip Core / Forum Ljubljana, 1993
A music video for a song - collage I've seen that … Like it is by a music group 2227 from Ljubljana blends shots of the group's performance with projections of graffiti by Strip Core group. Usage of lights and postproduction create chaotic and expressive atmosphere, which follows the dramaturgy of music. Scenes of one part of the video are shot in a smaller space with walls covered in graffiti. Lights and projections make the space flat and almost two-dimensional. Projections of graffiti draw an outline o...
