Uršula Berlot - Pulsation (0:02:41)
Production: Uršula Berlot, 2007
The video combines medical recordings of the brain and computer manipulation of those images. This animated image becomes symmetrical and dehumanized. We get a completely abstract arena, which reminds us of outer space. The author's cerebral area becomes the starting point for the unpredictable travel of light beams. (Source: DIVA)
DIVA Installation Art
109 results in works
Marko A. Kovačič - AIDA 87 (00:03:22)
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Production: M.K., 1987
Video documents the author's installation with close-ups and details. Video is partly framed with a coloured mask. The author deals with sculptures theoretically as well through quotes featured at the end of the video.
Marko A. Kovačič - Sculptures 82-84 (00:01:47)
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Production: 1984
Video documentation visually notes the author's sculpture work made in the years between 1982 and 1984.
Marko A. Kovačič - Programming the Gaze (00:07:41)
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Production: Studio Brut, 1988
Video documents an exhibition Programming the Gaze in Škuc Gallery in 1988. Camera travels around the exhibition and captures space installations in close-ups and from unexpected perspectives. Shots of five different installations line up, the title of each of them appears on the upper left corner of the screen. An important part of the exhibition introduced by a labyrinth construction, were sonic ambient (Egon March institute) and ambient lighting (Cian. kb).
Marko A. Kovačič - Prediction of Zeus (00:03:11)
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Production: 1990
Black and white recording follows the process of the construction of an installation Prediction of Zeus in Sarajevo in 1989 to its final version. The monumental work combines elements of sculpture and video art for a sinister forecast of an apocalypse.
Marko A. Kovačič - Sarcophagus,The Eye (00:02:49)
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Production: Studio Brut, 1990
Black and white recording documents two space installations entitled Sarcophagus and The Eye, accompanied by opera music. The pieces were part of an exhibition Experience of the Object in Museum of Modern Art Ljubljana in 1989.
Miha Vipotnik - Videogram 4 - 4 tapes (29:02)
Production: RTV Ljubljana, 1976
Videogram 4 is an umbrella name of a project developed by Miha Vipotnik in a period of three years (1976-1979) in the studios of Ljubljana radio and TV station together with the painter and singer Andrej Trobentar, actress Maja Boh and radio presenter Dušan Rogelj. The happening was constructed with a score for synthesizer by Al Stone and activity diagram by Miha Vipotnik. It was shot by four cameras with a fifth one recording goings-on in the direction room. The author established a structured and e...
Production: RTV Ljubljana, 1976
Videogram 4 is an umbrella name of a project developed by Miha Vipotnik in a period of three years (1976-1979) in the studios of Ljubljana radio and TV station together with the painter and singer Andrej Trobentar, actress Maja Boh and radio presenter Dušan Rogelj. The happening was constructed with a score for synthesizer by Al Stone and activity diagram by Miha Vipotnik. It was shot by four cameras with a fifth one recording goings-on in the direction room. The author established a structured and e...
Sašo Vrabič - Hunting High and Low (0:02:45)
Production: Automata Crossconversationcut, 2004
With his video work the authors records every month of the year with a self-portrait. A collage of shots accompanied by continued music is marked by black and white photography and soft shading transmissions. Video was made as a part of an interactive media installation.
Production: Automata Crossconversationcut, 2004
With his video work the authors records every month of the year with a self-portrait. A collage of shots accompanied by continued music is marked by black and white photography and soft shading transmissions. Video was made as a part of an interactive media installation.
Sašo Vrabič - Torek, sreda / Tuesday, Wednesday (0:27:30)
Production: Automata Crossconversationcut, 2004
The author uses a video to note his intimate divided life, when he balances his work and family. A screen cut in half, shows the artist on one side and his family on the other. What connects both of them are quotations by influential thinkers. Video was made as a part of the interactive multimedia installation.
Production: Automata Crossconversationcut, 2004
The author uses a video to note his intimate divided life, when he balances his work and family. A screen cut in half, shows the artist on one side and his family on the other. What connects both of them are quotations by influential thinkers. Video was made as a part of the interactive multimedia installation.
Nika Špan - Ljubljana by Heart (00:05:00)
Production: 2000
The work is a composit of two videos played on a two-channel projection. Both show aerial imagery of Ljubljana. The left camera travels above the actual city and the right one above the bronze model of the city. Video was made for an exhibition "Manifesta 3: Borderline Syndrom: Energies of Defense". Sequence of a looped video is 1 minute and 30 seconds.
Production: 2000
The work is a composit of two videos played on a two-channel projection. Both show aerial imagery of Ljubljana. The left camera travels above the actual city and the right one above the bronze model of the city. Video was made for an exhibition "Manifesta 3: Borderline Syndrom: Energies of Defense". Sequence of a looped video is 1 minute and 30 seconds.