Sašo Sedlaček - Veliki izklop / The Big Switch Off (00:01:48)
Production: Aksioma, 2011
The Big Switch Off is a part of Supertrash exhibition in which the artist problematizes mass destruction of worn out technological equipment and the dumping of it in the third world countries. In the video in question, characterized by a utopian touch, we follow opening and closing of windows of a big apartment building through which some of the tenants throw out cathodic TV receivers. The video gives a comment about introducing digital signal, which replaced the analogue one and as a result the devices, wh...
DIVA digital
46 results in works
Sašo Sedlaček - Qi Gai (00:16:16)
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Production:
Robot-Žicar v azijskem gospodarskem središču - mogoče gre za najboljšo adaptacijo Sedlačekova projekta. Namreč, v boljšem okolju si ga ne bi mogli zamisliti. V tehnološko napredni državi je bil projektu z značilno robotično socialno noto uspeh zagotovljen. V stresnem hitrem in individualističnem okolju se funkcija Robota-Žicarja kaže v svoji pravi luči - pritegne pozornost s svojo tehnološko nedolžnostjo in tako opravi svojo funkcijo zbiranja denarja.
Ana Čigon - Dear Ladies, Thank You (Kapelica Gallery) (00:05:06)
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artist in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art inst...
Subtitle: Digital performance
Production: Galerija Kapelica, 2011
DEAR LADIES, THANK YOU - Ljubljana (second version) Performance presented in Kapelica Gallery 2011 Idea, performance and technology: Ana Čigon Additional technical support and programming: Vasja Progar The performance Dear Ladies, Thank You critically addresses the issues of (in)visibility of women artist in the art world. Instead of addressing my critique directly to the public sphere, and instead of analysing statistical facts about the presence of women artists' works in contemporary art inst...
Aleksandra Saška Gruden - Self-portrait (00:01:54)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Production: 2001
The video shows the artist wearing a see through mask, which partially covers and deforms her face. A slow rotating camera and the disruption created by the movement add a grotesque and secretive atmosphere to the recording. The black-and-white video is occasionally covered by the disruptions in colour spots, which bring a premonition of a crossing into another reality. (Source: A. S. Gruden)
Neža Jurman - Morph (00:02:04)
Production: Nez Pez, 2016
Video je nastal za potrebe pri razstavi 'Morfoze', ki je bila izvedena julija 2016. Poimenovanje instalacije na razstavi izhaja iz angleške različice grške besede morph (glasovna predstavitev morfema, najmanjšega dela besede kot nosilca pomena). Kot inspiracijo sem jemala obdelovanje posameznih elementov animacije kot zlogovanje do končnega produkta videa, ki pa nima vnaprej določenega rezultata. Tako nastane eklektičen ambient, ki bazira na grajenju in razslojevanju. Vsaka ilustracija je r...
Production: Nez Pez, 2016
Video je nastal za potrebe pri razstavi 'Morfoze', ki je bila izvedena julija 2016. Poimenovanje instalacije na razstavi izhaja iz angleške različice grške besede morph (glasovna predstavitev morfema, najmanjšega dela besede kot nosilca pomena). Kot inspiracijo sem jemala obdelovanje posameznih elementov animacije kot zlogovanje do končnega produkta videa, ki pa nima vnaprej določenega rezultata. Tako nastane eklektičen ambient, ki bazira na grajenju in razslojevanju. Vsaka ilustracija je r...
Uršula Berlot - Inverse Space (04:24)
Production: 2017
The video works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of crystallization, which involves the transformation of an ionic liquid state into a solid matter triggered for the purpose of maintaining a balanced system. The recording of the formation of various crystal types is interrupted by a set of static images of geometrically-shaped concentric patterns...
Production: 2017
The video works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of crystallization, which involves the transformation of an ionic liquid state into a solid matter triggered for the purpose of maintaining a balanced system. The recording of the formation of various crystal types is interrupted by a set of static images of geometrically-shaped concentric patterns...
Tanja Vujinović - W-Diptych (00:03:00)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Production: Ultramono, 2014
The ether landscape is an infinite playground of signals and static noise between radio channels, transmissions between various emitters such as electronic toys or gadgets, even large telecommunication systems. It is an enigmatic space, full of invisible connections between devices and people, a space usually hidden and invisible. Positioned within this space, mutating fields of fluxes, drafts of vibrations and temporary field trajectories warp in infinity. (Source: Tanja Vujinović)
Tanja Vujinović - Mindfulness (00:10:14)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Production: Ultramono, 2015
Mindfulness is a record of one day of meditation in the otherwise noisy, crowded place of online social gaming environment Second Life. As principles of fashionable mindfulness dictate, the avatar is trying to be aware of its surroundings, to breath-in the atmosphere, to remain in the moment of digital blissfulness. (Source: Tanja Vujinović)
Tanja Vujinović - U_Sound_Objects (00:18:33)
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Production: Ultramono, 2015-2017
U_sound_objects is a group consisting of six generative audio-visual works. They are made of constantly mutating 3D objects, partially transformed by six sounds appropriated from a well known library of unexplained sounds. Polygons of three-dimensional objects are being generated, fragmented and re-positioned in real time while different, random parameters of low frequency noise generators affect their surface textures. The inner trails of these abstract digital bodies envelop the unknown while their trajec...
Tanja Vujinović - Universal Objects: Explosions (00:16:00)
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Production: Ultramono, 2015-2017
Universal Objects: Explosions is a work containing four scenes of exploding objects. Only for a brief fragment of time are we able to see the delicate objects before and after they start exploding. These events are silently observed by a group of avatars. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioral patterns through which the situations themselves become like an...
Tanja Vujinović - Universal Objects: Observers (00:01:44)
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
Production: Ultramono, 2015
In the series of works called Universal Objects: Observers, avatars observe iterations of themselves displayed in a gallery environment. Environments from the Universal Objects series are non-narrative situations – vibrational, living surroundings filled with elements that are either inanimate or executing simple behavioural patterns through which the situations themselves become like an organism. The units of these works were made through data bending. This involves converting files to various formats,...
Vesna Bukovec - Circular (00:03:40)
Production: 2016
Video Okrožnica / Circular is a simple animation of spinning circle. A preloader is familiar to all computer and Internet users. The aim of the spinning circle animation is to inform the user that certain process is taking place in the background even though the result is not yet visible. If the circle is spinning for too long, we become nervous and even angry. The endlessly spinning circle could be compared to the slowness of bureaucratic procedures and the powerlessness of those who are waiting. Continu...
Production: 2016
Video Okrožnica / Circular is a simple animation of spinning circle. A preloader is familiar to all computer and Internet users. The aim of the spinning circle animation is to inform the user that certain process is taking place in the background even though the result is not yet visible. If the circle is spinning for too long, we become nervous and even angry. The endlessly spinning circle could be compared to the slowness of bureaucratic procedures and the powerlessness of those who are waiting. Continu...
Neža Jurman - Untitled Pez (00:01:57)
Production: Nez Pez, 2014
Video sestavlja niz nekajsekundnih gif animacij, ki jih je avtorica sestavila iz lastnih risb in slik in jih podložila s fotografijami iz različnih lokacij (tovarna Rog, Kolezija, Bosna). Eksperimentalna video animacija je raziskovanje procesa animiranja s prepletanjem digitaliziranih analognih podob s pomočjo plastenja in repeticije.
Production: Nez Pez, 2014
Video sestavlja niz nekajsekundnih gif animacij, ki jih je avtorica sestavila iz lastnih risb in slik in jih podložila s fotografijami iz različnih lokacij (tovarna Rog, Kolezija, Bosna). Eksperimentalna video animacija je raziskovanje procesa animiranja s prepletanjem digitaliziranih analognih podob s pomočjo plastenja in repeticije.
Keiko Miyazaki - What Is Your Fetish? (00:06:41)
Production: K.M., 2018
This video was shown in the Center of contemporary art, gallery Račka in Celje 2018 as a part of documentational material of the artwork. It is an interview documentary video. The interviewees are coming from different backgrounds and different generations, ages and genders. They are from Slovenia, Japan, and England. They are describing their sexual fetishes and fantasies. Their intimate stories are very personal and secretive. In the end the artist shows how fetish reviles a lot of personal background in...
Production: K.M., 2018
This video was shown in the Center of contemporary art, gallery Račka in Celje 2018 as a part of documentational material of the artwork. It is an interview documentary video. The interviewees are coming from different backgrounds and different generations, ages and genders. They are from Slovenia, Japan, and England. They are describing their sexual fetishes and fantasies. Their intimate stories are very personal and secretive. In the end the artist shows how fetish reviles a lot of personal background in...
Keiko Miyazaki - A Hole (00:01:58)
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Production: K.M. & SCCA-Ljubljana, 2018
This video is about the Japanese concept of MA in conversation. Ma roughly means "gap", "space", "pause" or "the space between two structural parts." In our daily life we are experiencing MA either positively or in a negative way. MA is in the purposeful pauses in speech which make words stand out. We realise how much we are communicating with non verbal gestures. Sometime the silent moment between words speaks more than the words themselves. The video explores this concept by satirically portraying a conve...
Lea Culetto - (Without) (00:02:48)
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
Production: L.C., 2017
The video is a collage of numerous advertisements for cosmetic products showing the female body in seductive poses. Their rapid exchange is disrupted by digital glitches. The sound in the video consists of a quote from the text Foucault, Femininity and the Modernization of Patriarchal Power by Sandra Lee Bartky. The author of the video reads the part of the text listing cosmetic products that a woman is supposed to use to achieve the perfect look.
Sara Bezovšek - Revenge Porn (04:53)
Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Cyberstalking (05:27)
Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Sextortion (06:06)
Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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