Sašo Sedlaček - Žicar 1.0 / Beggar 1.0 (0:04:33)
Production: Galerija Kapelica / Kura, 2006
Video documents author's action in which he placed a robot - bagger inside a shopping mall and later inside a gallery. With this action the author points out a growing poverty. The robot attracted a surprising number of visitors and thus the author concluded the project with a result that people prefer to deal with problems of the margin from a safe distance. Scenes captured with hand held camera are exchanged with shots documented by security cameras.
DIVA public space
90 results in works
Sašo Sedlaček - Žicar 2.0 / Beggar 0.2 (0:12:43)
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Production: IAMAS, 2006
Video documents author's action, in which he placed a robot-bagger in a public space in Tokyo Japan. Although he already reached into public space in Ljubljana with it, the installation of it in a highly technologically developed country, where bagging is almost completely absent got different reactions and results. The author developed the new version of the robot and also offered the plan for it free online for the potential users.
Dejan Habicht, Tanja Lažetić - Avtokino Barje (00:04:07)
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
Production: Tanja Lažetić & Dejan Habicht, 2004
Avtokino Barje je enkratna javna akcija na avtocestnem postajališču ljubljanske obvoznice (4. oktobra 2004). Avtorja sta na ta način želela opozoriti na neizkoriščenost nekaterih nevidnih javnih prostorov, kamor večina ljudi ne zahaja. Na postajališču sta organizirala dveurni umetniški program ter prikazala dela različnih domačih avtorjev, ki so se dogodka tudi udeležili. Javna akcija je bila nato dokumentirana v video mediju in je tako tudi sama postala umetniško...
Tanja Lažetić - The Wrong Place (00:00:52)
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Production: Tanja Lažetić, 2006
Avtorica na svoji poti z vlakom iz Ljubljane v Firence na brezimni železniški postaji zabeleži hipni prizor interakcije mladega para. Njun pogovor, ki ga gledalec ne sliši, nakazuje veliko mero pozitivne energije med osrediščenima protagonistoma. Nato avtorica s hitrim razsrediščenjem v kader zajame širši prostor glasnega in neosebnega javnega prostora, v katerem se prizor odvija.
Tanja Lažetić - Hotel Kumrovec (00:07:42)
Production: Tanja Lažetić, 2007
Z delom Hotel Kumrovec avtorica raziskuje različne taktike, s katerimi želi država kljub zasuku ideologije ohraniti spomenik z velikim simbolnim potencialom: lokalno prebivalstvo, nekdanji delavci hotela, so plačani, da urejajo in vzdržujejo hotel, ki je praktično brez funkcije. Kumrovec je rojstno mesto Josipa Broza Tita, ki je bilo po letu 1991 skorajda opuščeno, nekdaj cvetoči hotel pa je ostal brez namembnosti. Prebivalci vasi kljub nefunkcionalnosti vztrajno skrbijo za hotelski kompleks....
Production: Tanja Lažetić, 2007
Z delom Hotel Kumrovec avtorica raziskuje različne taktike, s katerimi želi država kljub zasuku ideologije ohraniti spomenik z velikim simbolnim potencialom: lokalno prebivalstvo, nekdanji delavci hotela, so plačani, da urejajo in vzdržujejo hotel, ki je praktično brez funkcije. Kumrovec je rojstno mesto Josipa Broza Tita, ki je bilo po letu 1991 skorajda opuščeno, nekdaj cvetoči hotel pa je ostal brez namembnosti. Prebivalci vasi kljub nefunkcionalnosti vztrajno skrbijo za hotelski kompleks....
Maja Slavec - Woman Beauty Power Less (00:04:40)
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
Production: 2008
A well-dressed woman is carrying with her a black box which has inside the sound of the countdown before the explosion of a bomb. She is walking with a resolute gait on the main street of Ljubljana during the rush-hour as a Suicide-bomber. With this action she is looking to provoke the people and attract their attention to this possible terroristic attack.
KOLEKTIVA, Vesna Bukovec, Lada Cerar, Metka Zupanič - First Impression (0:09:08)
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Production: Kolektiva, 2004
Video is a collage of voyeuristic recordings of people in public space in the main square of Ljubljana. Authors make statements about people caught on camera based on their own impressions. Screen is divided into four parts, where we can see the presumptions of the three authors, and in one of the small screens we see the facts collected after an informative conversation with the person under surveillance. Authors question human perception influenced by physical appearance and about voyeurism.
Ana Čigon, Brina Torkar - Ulikses / Ulysses (0:24:00)
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Production: Ana Čigon, Brina Torkar, 2005
Ulysses is a visual documentary, a video film about Dublin, where the authors went for a student exchange. The video paints different sides of this city and Ireland. It is composed from different parts each dealing with different aspects of Dublin following the chapters of Lonely planet tour guides. The whole of this alternative, personal guide consists of shorts scenes, following each other in different intervals and building a visual story.
Ana Čigon, Cristiana Arena - Real Presence (0:01:05)
Production: Ana Čigon, Cristiana Arena, 2008
This performative fiction art video places human figures in architectural niches, which freeze in different positions, eventually forming biblical iconographic motives (pieta, oranta …). Video is composed out of short and fast shots.
Production: Ana Čigon, Cristiana Arena, 2008
This performative fiction art video places human figures in architectural niches, which freeze in different positions, eventually forming biblical iconographic motives (pieta, oranta …). Video is composed out of short and fast shots.
Amir Muratović - Impresija velemesta (00:13:45)
Production: Amir Muratović
Video je dokumentarna animacija zbranih fotografij Berlina. Avtor fotografira dogajanje v mestu in s tem ustvarja nov ritem velemesta, kar dobro izrazi predsodek o prenatrpanih in rastočih urbanih središčih. Urbani dogodki, ki so v vsakdanjem življenju postali skoraj neopazni, se skozi avtorjev pogled pokažejo v neki povsem novi obogateni estetiki. Še posebej to pride do izraza v pravilnih usmerjenih gibanjih, ki v ponavljajoči se animirani tehniki izpostavljajo red in tehnološkost velemesta.
Production: Amir Muratović
Video je dokumentarna animacija zbranih fotografij Berlina. Avtor fotografira dogajanje v mestu in s tem ustvarja nov ritem velemesta, kar dobro izrazi predsodek o prenatrpanih in rastočih urbanih središčih. Urbani dogodki, ki so v vsakdanjem življenju postali skoraj neopazni, se skozi avtorjev pogled pokažejo v neki povsem novi obogateni estetiki. Še posebej to pride do izraza v pravilnih usmerjenih gibanjih, ki v ponavljajoči se animirani tehniki izpostavljajo red in tehnološkost velemesta.
PUNce, Pila Rusjan, Tina Krajnc, Nina Bric - Vidiš umetnost? (00:05:46)
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Production: KUD PUNce, 2010
Dokumentarni posnetek performativne akcije skupine PUNce (Pila Rusjan, Tina Krajnc, Nina Bric) s posnetkom avtorske izjave, ki jo je za skupino podala Pila Rusjan. V posnetku spremljamo performans treh akterk in reakcije naključnih mimoidočih sprehajalcev. Performans je bila neformalna intervencija v razstavo Viktorja Bernika v Mali galeriji Moderne galerije na Slovenski cesti. Bernik je 20. junija 2010 kot svojo samostojno razstavo izpraznil prostor in na stežaj odprl vrata, da bi zastavil vprašanje gl...
Luka Dekleva, Elena Fajt - The Memory (00:02:01)
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Production: E. F., L. D., 2009
The photo animation was designed by Elena Fajt (installation), Luka Dekleva (photo), Luka Prinčič (sound) at the time of the II. Biennial of Sloevene Independent Illustration in 2009. Fajt set up ice cubes in three open-air locations containing the frozen ink that gradually changed the image. Time-based installations and abstract illustration were the result of the author's reflection on developing a specific method for graphic printing. The colour was frozen in an ice cube, under which the textile w...
Luka Dekleva, Luka Prinčič - Singing Bizovik Bridge (00:04:07)
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Production: Kapelica, Codeep. KinoDvor, 2008
The authors created new contents and techniques by manipulating video and audio recordings of a bridge. In this video performance the sound is coming from the microphones mounted on cables and construction of the bridge. Thus, Jodi Rose, Cym and Luka Prinčič combined the recorded sound material in a live event and a video of the bridge that has been simultaneously manipulated by Luka Dekleva. Artists escalate the presence of environmental sound, in order to expand the importance of sound architecture as t...
Pila Rusjan - We are all Big Brother and Big Brother is just one of us (0:08:14)
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
Production: AKTO 4 in KUD PUNce, 2009
Video performans, ki ga je Pila Rusjan izvedla leta 2009 v Bitoli, je ustvarjen tako za naključno publiko v živo, kot za kamero oziroma video; na istem mestu se je kasneje predvajal ta isti video javne akcije. Video je ustvarjen v site specific maniri, saj je prvenstveno namenjen za specifičen prostor in kontekst. Avtorica je vzpostavila dvojni pogled: predvajanje videa ulice na tej isti ulici ter lastno prisotnost na mestu predvajanja videa. Video performans sestoji iz izmenjujočih se dolgih kadrov; pr...
(Mrevlje - Pollak) Jaša - Something to be afraid of (00:05:56)
Production: Mrevlje, Jaša, 2007
Production: Mrevlje, Jaša, 2007
Mark Požlep - Maybe Weird and Dark but Certainly Alive (0:05:00)
Subtitle: Maybe Weird and dark but certainly alive; Never Exactly sure what i will find, never exactly sure what i will search; Is my cock big enough, is my brain small enough, for you to make me a star; Disco fever killed my beaver; It is never too late to have a
Production: 2010
Video predstavlja dokumentacijo glasbenega performansa ob otvoritvi razstave ‘Maybe Weird and Dark but Certainly Alive’ v galeriji Plevnik-Kronkowska v Celju. Skupina v volkodlake maskiranih glasbenikov v izložbenem oknu galerije izvaja hrupne minutne kompozicije (avtor Gašper Piano). Sleherna skladba kljub svoji instrumentalni naravi predstavlja refleksijo na določeno temo, saj so se izvajalci z zvokom odzvali na predlagane naslove: 'Maybe Weird and Dark but Certainly Alive', 'Never E...
Subtitle: Maybe Weird and dark but certainly alive; Never Exactly sure what i will find, never exactly sure what i will search; Is my cock big enough, is my brain small enough, for you to make me a star; Disco fever killed my beaver; It is never too late to have a
Production: 2010
Video predstavlja dokumentacijo glasbenega performansa ob otvoritvi razstave ‘Maybe Weird and Dark but Certainly Alive’ v galeriji Plevnik-Kronkowska v Celju. Skupina v volkodlake maskiranih glasbenikov v izložbenem oknu galerije izvaja hrupne minutne kompozicije (avtor Gašper Piano). Sleherna skladba kljub svoji instrumentalni naravi predstavlja refleksijo na določeno temo, saj so se izvajalci z zvokom odzvali na predlagane naslove: 'Maybe Weird and Dark but Certainly Alive', 'Never E...
Zoran Srdić Janežič - Bobby goes to Zlaty Milos (00:01:13)
Production: KID Production, 2009
Video animacija ima značilnosti nadrealističnega hororja. Glavni lik vstopi v čudno gostilno, kjer se liki ustvarjajo s kombinacijo živih in mrtvih elementov. Gostilna je prostor sanj, kjer je vsak detajl povezan z neko nadrealistično vsebino. Prostor pred gostilno je samo napoved čudnih dogajanj v gostilni. Tako pri prehodu iz zunanjega prostora v notranji gledalec z glavnim likom prestopi iz budnega stanja v sanje.
Production: KID Production, 2009
Video animacija ima značilnosti nadrealističnega hororja. Glavni lik vstopi v čudno gostilno, kjer se liki ustvarjajo s kombinacijo živih in mrtvih elementov. Gostilna je prostor sanj, kjer je vsak detajl povezan z neko nadrealistično vsebino. Prostor pred gostilno je samo napoved čudnih dogajanj v gostilni. Tako pri prehodu iz zunanjega prostora v notranji gledalec z glavnim likom prestopi iz budnega stanja v sanje.
Amir Muratović - Urbanaria (Slovenski magazin) (00:05:21)
Production: RTV Slovenija, 1998
TV documentary presents the Urbanaria exhibition and its individual projects, realised in the span of three years in non-exhibition spaces across Ljubljana, with a final statement by one of the curators. Urbanaria was conceived, curated and organised by the Soros Center for Contemporary Arts in Ljubljana (1994-1997). Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 proposals the international expert jury selected 14 pro...
Production: RTV Slovenija, 1998
TV documentary presents the Urbanaria exhibition and its individual projects, realised in the span of three years in non-exhibition spaces across Ljubljana, with a final statement by one of the curators. Urbanaria was conceived, curated and organised by the Soros Center for Contemporary Arts in Ljubljana (1994-1997). Its general concept was art in the urban context. The public announcement was open to all forms of expression and visual media. Out of 52 proposals the international expert jury selected 14 pro...
Sašo Sedlaček - Rent a Žicar / Rent a Beggar (00:19:23)
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Production: 2006
Dokumentarni video o problemu "žicanja" denarja. Umetnik ponudi pravemu žicarju robota, ki bo namesto njega opravljal sramotno prakso pridobivanja denarja. Zaradi simbolno-estetske kategorije robota ima le-ta to prednost pred žicarjem, da lahko vstopi v določene javne prostore, ki so žicarjem sicer prepovedani. A video ne kaže samo na probleme skupine ljudi, ki eksistirajo na margini družbe - robot predstavlja tudi strategijo izboljševanja žicarskih pogojev, predstavlja višjo učinkovitost, višjo...
Sašo Sedlaček - Rekviem za umirajoči medij / Requiem for a Dying Medium (00:09:43)
Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2007, Galerija Kapelica - Zavod K6/4, 2007
Video je del avtorjeve Iniciative za ustanovitev avtonomne medijske cone Infokalipsa zdaj! Rekviem za umirajoči medij na nek način časti izginotje analognega signala iz množične rabe. Prostor, ki je bil dolga leta polje različnih bojev, je zdaj prazen in neizkoriščen. Polaganje zastave tik ob veliki anteni oddajnika na Nanosu pomeni zasedbo zapuščenega prostora, je navidezna okupacija, pirova zmaga, iz katere se vendarle zna zgoditi nekaj koristnega.
Production: Aksioma - Institute for Contemporary Art, Ljubljana, 2007, Galerija Kapelica - Zavod K6/4, 2007
Video je del avtorjeve Iniciative za ustanovitev avtonomne medijske cone Infokalipsa zdaj! Rekviem za umirajoči medij na nek način časti izginotje analognega signala iz množične rabe. Prostor, ki je bil dolga leta polje različnih bojev, je zdaj prazen in neizkoriščen. Polaganje zastave tik ob veliki anteni oddajnika na Nanosu pomeni zasedbo zapuščenega prostora, je navidezna okupacija, pirova zmaga, iz katere se vendarle zna zgoditi nekaj koristnega.
