Pila Rusjan - Elisa, 5 (00:04:51)
Production: 2010
Elisa, 5 is a video about a girl who ends up on a street on her 5th birthday, is a video about reality of São Paulo, about the problem of homeless and social differences in the world. Video was produced in time of Traffic Jam #1 residency in São Paulo, Brasil. (Source: Pila Rusjan)
DIVA capitalism
43 results in works
Nika Autor - Solidarity (00:05:04)
Production: Obzorniška fronta, 2012
The film is a reshot of the 1973 movie Solidarity by Joyce Wieland. It documents workers’ protests in Ljubljana. It raises questions such as: what is solidarity today, who is showing solidarity, with whom and when? The reshot of the movie was motivated by a current situation of mass unemployment, horrifyingly exploitative work conditions, ever more exploitative restructurations of the labour market when the question of solidarity is undermined by structures of domination. (Source: Nika Autor) NOTE: O...
Production: Obzorniška fronta, 2012
The film is a reshot of the 1973 movie Solidarity by Joyce Wieland. It documents workers’ protests in Ljubljana. It raises questions such as: what is solidarity today, who is showing solidarity, with whom and when? The reshot of the movie was motivated by a current situation of mass unemployment, horrifyingly exploitative work conditions, ever more exploitative restructurations of the labour market when the question of solidarity is undermined by structures of domination. (Source: Nika Autor) NOTE: O...
Nika Autor - In the land of bears (01:12:33)
Production: Obzorniška fronta, 2012
In 2010 and 2011, the huge Slovenian construction sector, which employed more than 70,000 foreign workers, collapsed, leaving behind it debts, halted construction activities and exploited and unpaid workers. Most employed workers came from the territory of former Yugoslavia, especially Bosnia and Herzegovina. While the government silently watched the exploited, underpaid, unpaid and humiliated workers, the accumulation of wealth on one side led to the accumulation of indignation and resistance on the side o...
Production: Obzorniška fronta, 2012
In 2010 and 2011, the huge Slovenian construction sector, which employed more than 70,000 foreign workers, collapsed, leaving behind it debts, halted construction activities and exploited and unpaid workers. Most employed workers came from the territory of former Yugoslavia, especially Bosnia and Herzegovina. While the government silently watched the exploited, underpaid, unpaid and humiliated workers, the accumulation of wealth on one side led to the accumulation of indignation and resistance on the side o...
Barbara Borčić - From art in the urban context to fictional distopia (00:01:20)
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Subtitle: Projected Visions
Production: SCCA-Ljubljana, Apollonia, 2018
Projected Visions. From art in the urban context to fictional distopia (in frame of the project e.city-Ljubljana) Selection from SCCA-Ljubljana video archive DIVA Station Curator: Barbara Borčić Espace Apollonia / Apollonia, échanges artistiques européens,Strasbourg 27 January–25 February 2018 The exhibition consists of eighteen video works and one film, bound to the theme of urban and public space in their everyday dimension but also in its utopian and dystopic aspects. Participating artis...
Toni Poljanec - Buy Nothing Day – Can't Buy Me Love (00:02:57)
Production: Hupa Brajdič produkcija, 2016
The video documents a performative intervention in the public space on the Buy Nothing Day of the Hupa Brajdič group, while at the same time problematizing the hyper-production and mass consumption of Black Friday. (Source: Toni Poljanec)
Production: Hupa Brajdič produkcija, 2016
The video documents a performative intervention in the public space on the Buy Nothing Day of the Hupa Brajdič group, while at the same time problematizing the hyper-production and mass consumption of Black Friday. (Source: Toni Poljanec)
Lenka Djorojević, Matej Stupica - Free Fall (00:21:30)
Production: Zavod P.A.R.A.S.I.T.E., 2016
The video performance was first introduced as part of the installation entitled Free Fall in the P74 Gallery, Ljubljana in 2016. The solo exhibition was part of the OHO Young Visual Artist Award, which the authors received in 2015. The installation was designed as an empty office space with a video window. The entire room was rotated for 90 degrees. The video shows man and woman alternately (Primož Bezjak and Katarina Stegnar), dressed in a simple gray uniform, we see them frontally. At first glance, they...
Production: Zavod P.A.R.A.S.I.T.E., 2016
The video performance was first introduced as part of the installation entitled Free Fall in the P74 Gallery, Ljubljana in 2016. The solo exhibition was part of the OHO Young Visual Artist Award, which the authors received in 2015. The installation was designed as an empty office space with a video window. The entire room was rotated for 90 degrees. The video shows man and woman alternately (Primož Bezjak and Katarina Stegnar), dressed in a simple gray uniform, we see them frontally. At first glance, they...
Danilo Milovanović - Product (00:06:27)
Production: D.M., 2017
The goal of the intervention is to place the product, as a cell of consumer society, somewhere where it is not expected. The first step of the intervention is visiting supermarkets and collecting authentic brand labels found on imported fruit. This fruit represents the majority of accessible fruit on the market. The second step is to paste the stickers on the still groving fruits of a living tree. With this, I wanted to achieve 'branded' fruit effect before it became recognized as an 'edible product of natu...
Production: D.M., 2017
The goal of the intervention is to place the product, as a cell of consumer society, somewhere where it is not expected. The first step of the intervention is visiting supermarkets and collecting authentic brand labels found on imported fruit. This fruit represents the majority of accessible fruit on the market. The second step is to paste the stickers on the still groving fruits of a living tree. With this, I wanted to achieve 'branded' fruit effect before it became recognized as an 'edible product of natu...
Miha Mohorič - Where are you? (00:03:52)
Production: Sagar Kolektiv, Tirana Art Lab, Balkans Beyond Borders, 2011
The video was created at a film workshop in Tirana entitled Who is afraid of Big Bad Crisis? The author is looking for homeless people in the city and asks random passers-by for guidance. The video intertwines dynamic footage of streets, passages and backyards with footage of statements by people whose identity is partially protected – inside a black frame, there is only a narrow band of video with a part of the face, next to it there's an English translation.
Production: Sagar Kolektiv, Tirana Art Lab, Balkans Beyond Borders, 2011
The video was created at a film workshop in Tirana entitled Who is afraid of Big Bad Crisis? The author is looking for homeless people in the city and asks random passers-by for guidance. The video intertwines dynamic footage of streets, passages and backyards with footage of statements by people whose identity is partially protected – inside a black frame, there is only a narrow band of video with a part of the face, next to it there's an English translation.
Anja Medved - Spovednica tihotapcev. Pogledi skozi železno zaveso (21:51)
Subtitle: Čezmejne akcije zbiranja spomina
Production: Kinoatelje, 2010
Spovednica tihotapcev je prva spominodajalska akcija iz serije Čezmejne akcije zbiranja spomina: Carinarnica na meji med dvema mestoma, državama, družbenima sistemoma, med romanskim in slovanskim svetom 65 let po končani vojni. 20. decembra 2007 z vstopom Slovenije v schengensko območje se Nova Gorica prvič v svoji kratki zgodovini znajde brez mejnih zapornic. Isti večer se ta travmatični prostor spremeni v prostor srečanj. V njem so nameščeni kamera, mikrofon, računalnik in zavesa, za kat...
Subtitle: Čezmejne akcije zbiranja spomina
Production: Kinoatelje, 2010
Spovednica tihotapcev je prva spominodajalska akcija iz serije Čezmejne akcije zbiranja spomina: Carinarnica na meji med dvema mestoma, državama, družbenima sistemoma, med romanskim in slovanskim svetom 65 let po končani vojni. 20. decembra 2007 z vstopom Slovenije v schengensko območje se Nova Gorica prvič v svoji kratki zgodovini znajde brez mejnih zapornic. Isti večer se ta travmatični prostor spremeni v prostor srečanj. V njem so nameščeni kamera, mikrofon, računalnik in zavesa, za kat...
Anja Medved - Passages (26:51)
Subtitle: video meditacije za dve razstavi, dve Gorici in eno umetnost
Production: Kinoatelje, 2007
Talks with some Gorizia artists from both sides of the border (between Yugoslavia and Italy), who participated in two transparent art exhibitions in Gorizia and Nova Gorica in the year of the opening of the border. We were interested in what the transition point means, who or what determines national and cultural identity, and how to live and create without limits.
Subtitle: video meditacije za dve razstavi, dve Gorici in eno umetnost
Production: Kinoatelje, 2007
Talks with some Gorizia artists from both sides of the border (between Yugoslavia and Italy), who participated in two transparent art exhibitions in Gorizia and Nova Gorica in the year of the opening of the border. We were interested in what the transition point means, who or what determines national and cultural identity, and how to live and create without limits.
Peter Cerovšek - Fundaments (trailer) (1:41)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
Production: EnaBanda, 2018
The director of the film follows the construction of a luxury hotel through his kitchen window. Fragments of the dissolution of his relationship unintentionally sneak into the recorded material and shake the very foundations of the film. (Source: EnaBanda)
Anja Medved - Smuggler’s Confessional. Views through the Iron Curtain (21:51)
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, 2010
A customs office building on the border between two towns, two countries, two social systems, two worlds, the Romanic and the Slavic, 65 years after the end of the war. On the 20th of December with the entry of Slovenia into the Schengen area, Nova Gorica for the first time in its short history finds itself without border fences. The same night, this traumatic space transforms into a meeting place. Inside are placed a camera, a microphone, a computer, and a curtain and people from both sides of the border s...
Subtitle: Cross-Border Memory Collection Actions
Production: Kinoatelje, 2010
A customs office building on the border between two towns, two countries, two social systems, two worlds, the Romanic and the Slavic, 65 years after the end of the war. On the 20th of December with the entry of Slovenia into the Schengen area, Nova Gorica for the first time in its short history finds itself without border fences. The same night, this traumatic space transforms into a meeting place. Inside are placed a camera, a microphone, a computer, and a curtain and people from both sides of the border s...
Zmago Lenardič - NeoDance (12:39)
Production: Zmago Lenardič, 2010
Production: Zmago Lenardič, 2010
Vesna Bukovec - Kaj je nevarnost? (02:00)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Production: V.B., 2020/21
Kako govoriti o nevarnosti v neslavnem letu 2020? Kratek vizualni dnevnik različnih nevarnosti od pandemije koronavirusa do izkoriščanja, nasilja, podnebnih sprememb in lažnih novic.Video je nastal na povabilo FemLink-Art, za mednarodni video kolaž na temo nevarnosti: Danger. (Vir: avtorica)
Vesna Bukovec - What is danger? (02:00)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
Production: V.B., 2020/21
How to speak about danger in the infamous year 2020 ? A short and intensive visual diary of the many dangers ranging from coronavirus pandemic to exploitation, violence, climate change and fake news.The video was made by invitation to participate in the FemLink-Art‘s international video collage on the topic of Danger. (Source: author)
SCCA-Ljubljana, Luksuz produkcija - Faking keš (Balans) (04:16)
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
Subtitle: Music video workshop
Production: SCCA-Ljubljana, Društvo Kraken, Luksuz produkcija, 2021/2022
The music video for the song Faking keš (Fucking Cash) by Balans was created at the Video Workshop produced by SCCA-Ljubljana, Društvo Kraken and Luksuz produkcija. Mentors: Matic Zavodnik, Matevž Jerman and Peter Cerovšek. Authors: Lučka Peterlin, Tilen Peterlin
Dr. Xenia, Andreja Džakušič, Keiko Miyazaki, Iva Tratnik, Simon Macuh - Stealing Land (07:15)
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Production: SCCA-Ljubljana, Galerija Alkatraz, Festival Mesto žensk, 2021
The performance Stealing Land Dr Xenia performs on the land of the former Rakuš mill in Celje, a textbook example of capital appetites for plots in good locations, which evict ideas of non-profit spaces for culture intended for common and public good. The fight for territory begins and ends with incantations of masked performers dressed in black business attires: "I'm stealing, you're stealing, we're all stealing." (Source: excerpt of the curatorial text by Vesna Bukovec, Ana Grobler and Sebasti...
Ana Likar - Myriad Tentacles Will be Needed (Again and Again) (12:40)
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Production: Ana Likar, 2022
What used to be the largest warehouse complex in times of Yugoslavia, grew in the 1990s into a “living, dynamic commercial organism,” a shopping centre called City. Simultaneously, a large part of the Slovenian Natural History Museum's collection (its insects, its vertebrates, its herbaria) began to inhabit the area. It was supposed to be just a temporary solution until a better space was made available by the ministry of culture, but that never happened and the animals became one of the most pe...
Sara Bezovšek - www.s-n-d.si (13:39)
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Production: Sara Bezovšek, 2021
A screen recording of the webpage www.s-n-d.si. Sara Bezovšek was drawn to various apocalyptic scenarios that could lead to the end of the world as we know it. She collaged visual material, found online in the form of short videos, memes, photographs, gifs, emoticons and various external links, with her own works, thereby creating a complex and visually saturated narrative that follows typical Hollywood film premises, and takes the viewer from an idyllic situation to scenes of natural catastrophes, g...
Vesna Bukovec - Briga me ... / I can't be bothered ... (03:09)
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...
Production: Vesna Bukovec, 2018
The video presents a series of 19 scanned drawings, originally drawn in ink, one after the other on a long roll of paper. In addition to the common title Briga me... / I can't be bothered..., the individual drawings have their own title, which appears before each drawing in the video. Drawings are a commentary on the country’s social-political reality (barbed-wire fences at the borders, a president who is only concerned about his image on Instagram, the influence of the Church, the erased) and addres...
