Zemira Alajbegović - Vortex (00:04:04)
Production: TV Slovenija, 2000
Music video of Iztok Turk (DJ plasma). Vortex is a video limited to rigid symmetrical space which nevertheless shows an extraordinary abundance of shapes. This compositional matrix with a simple concept contains affluence of visual contents connected to the utopia present in the music.
DIVA female
127 results in works
Nataša Skušek - Ecstasy (00:11:28)
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Production: 2005
The video consists of ten close-up shots of the author's face while breastfeeding her daughter. The author got inflammation of the tissue in her breast or mastitis and shows the unpleasant, painful part of motherhood, which is usually depicted with idealized scenes of tenderness. Close-ups are mixed with video image disintegration effects (dissolve).
Nataša Skušek - Fliperautomat (00:02:47)
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Production: 2005
V videu se na štirih slikah, ki se izmenjujejo na ekranu, odvijajo mitološka ženska opravila: kuhanje, pranje, likanje, masiranje, dojenje. Vlogam sodobne ženske - delavke, negovalke, žene, ljubice, urejene lepotice - avtorica dodaja še vlogo matere. Če se je prejšnjim vlogam lahko še nekako izognila, vlogo matere mora sprejeti. Seveda obstaja razlika med posameznimi družbenimi vlogami, ki jih predpisuje socialni okvir, in pa biološkimi, kot je materinstvo.
Nataša Skušek - Lebdenje (00:04:31)
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Production: 2004
V videu avtorica leži v vodi in spominja na Ofelijo, ki je postala ikona obupane ženske. Ko leži v vodi in mimo nje namesto rož, kot na sliki Ophelie Johna Evereta Millaisa, plavajo odsevi kamenja, je popolna. Ne upira se več igri okoli nje in izpolnila bo usodo, ki so si jo zamislili drugi. Vendar ta rumena obleka, zaprte oči in razprte roke naznanjajo, da nekaj sprejema. Zaveda se, da je odigrala dobro vlogo, ve, da bo preživela v našem spominu kot lepa podoba.
Nataša Skušek - Toaleta 1 / 36 (00:03:31)
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Production: 2005
Video collage composed of 36 photographs of the author laying in a bathtub dressed in different clothes.
Nataša Skušek - Wedding (00:01:00)
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Production: 2004
A one-minute video is a simple static shot of an altar celebrating a wedding. It is ornamented with a bouquet of flowers, wedding cards and gilded statue. Above the altar an empty frame is set in which signs quoting personal declarations of married couples are displayed, showing the darker side of long lasting marriages. Video is accompanied by simple sound recordings from musical wedding cards.
Neven Korda, Dario Seraval, Zemira Alajbegović - ZMR (00:03:49)
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Subtitle: From a compilation of the Borghesia music video clips So Young
Production: FV Video, ŠKUC Forum, 1985
Video work is a somewhat atypical video for a song by a group borghesia: static, monumental, melancholic. Author recreates an urban space by combining empty recordings of modern and neoclassical architecture. A lonely female figure almost constantly poses statically is placed inside a completely utopic atmosphere. This surrounding totally deadens the only present character, reduces it to a state of sculpture, where the vividness of the skin and minimal movement is barely noticeable. (DIVA) Video is a part...
Ema Kugler - Taiga (00:08:22)
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Production: Forum Ljubljana & VPK, 1996
Video Taiga is made after eponymous performance carried out at the international festival of contemporary arts City of women in October 1995 in Ljubljana. The viewer enters a dark atmosphere, dictated by dramatic vocal-electronic music, threatening anthropomorphic and wax zoomorphic figures and the movement of the camera. When the author establishes the landscape, she inserts two wrestlers and a drowning woman into it, additionally increasing the suspense. As the dramaturgy reaches its peak, the set scene f...
Neven Korda, Zemira Alajbegović - Icht (00:24:25)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Production: RTV Slovenija, 1993
The dance performance by a man and a woman presents a story of timeless attraction and rejection. Despite of our desire for closeness, the curse of the greatest love for ourselves is omnipresent; sometimes the dancers come together, and then again they challenge and fight with each other yet they never get together. The theme of the stage choreography is partly transferred onto the street. (Source: Videodokument)
Zemira Alajbegović - Quick/Slow (00:11:47)
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.
Production: Zavod ZANK / koprodukcija RTV Slovenija, 2004
The short film explores the modalities of time and connects them to different basic mental states of a human being. Peaceful and slow action in the garden, which we see at the beginning of the film is replaced by first melancholic and then hysteric scenes inside an apartment. The video thus deals with the distress of a modern human being.