Metka Zupanič - And Here We Are (00:01:33)
Production: M.Z., 2016
The video shows a pendulum used in hypnosis, whereas a closer look reveals that the pendulum is in fact a cartridge. A low male voice takes the viewer to a state of mind that would enable him to erase all thoughts referring to military and hatred from his memory. Video is part of the art project And Here We Are which tackle the issue of military defence/surveillance of an individual and the influences of military structures on people's everyday lives. (Source: Metka Zupanič)
DIVA anxiety
39 results in works
Bojan Štokelj - The Uneasiness in front of a Mirror Image (48:28)
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Production: 1991
The video documented the performance The Uneasiness in front of a Mirror Image (CRMK - Shelter, Šempeter near Nova Gorica, 18.1.1991), where he collaborated with Ema Kugler, Marko Košnik / Egon March Institute in Tanja Zgonc. The performance began as a counterpoint to the ritual movement of live actors and stationary sculptures in a glass cage (mirror system). Later it was launched by a performer in costume from the mirror system which reflected the space with viewers in a circular movement. W...
Kaja & Sava Kosmač - Nosferatu (00:02:35)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Production: Kaja Kosmač in Sava Kosmač, 2006
Homage to F. W. Murnau. With background Björk music, black and white and colour shots of urban venues and snow-covered forest landscapes are exchanged in predominantly night scenes. We monitor the cramped movement of an undefined person, which is enhanced by a dynamic camera. Rotating and dynamic scenes are interrupted by the close ups of images of face and eyes, as well as by red traces in the snow, which form an atmosphere of unreality and evoke the expressionist symphony of horror. (Diva)
Sara Bezovšek - Revenge Porn (04:53)
Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 1.del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Cyberstalking (05:27)
Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 2. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Sara Bezovšek - Sextortion (06:06)
Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Subtitle: 3. del trilogije wwwiolenc=3
Production: Aksioma - Zavod za sodobne umetnosti, 2019
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Lealudvik - Teufelskreis (02:25)
Production: Lealudvik, 2018
The video is an endless loop presenting a top-down view of an empty white surface, on which the naked protagonist crawls with obvious difficulty. Just before she disappears at the other end of the frame, a new instance appears, crawling to the other side with difficulty again. The overlap of the frames illustrates a vicious circle (Teufelskreis) from which there is no way out. (Source: DIVA Station) The video installation was part of the exhibition Lealudvik: As it is, so be it at Škuc Gallery in 2020.
Production: Lealudvik, 2018
The video is an endless loop presenting a top-down view of an empty white surface, on which the naked protagonist crawls with obvious difficulty. Just before she disappears at the other end of the frame, a new instance appears, crawling to the other side with difficulty again. The overlap of the frames illustrates a vicious circle (Teufelskreis) from which there is no way out. (Source: DIVA Station) The video installation was part of the exhibition Lealudvik: As it is, so be it at Škuc Gallery in 2020.
Lealudvik - I would go poof! (02:04)
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Production: Lealudvik, 2017
The two-channel video in the single-channel version shows two parallel images. The video on the left shows the protagonist walking from the city through the park into the woods. At the first trees she undresses and goes naked even deeper into the forest. The video is disrupted by digital glitches which causes the image of the body to disappear, merging with its surroundings. The right video in a short endless loop shows a naked female torso leaning, perhaps strapped, to a tree. Distinct breathing is noticea...
Lada Cerar - Blow my bills away (02:51)
Subtitle: Calculator
Production: Lada Cerar Sedlaček, 2012
The video is part of the Blow My Bills Away project in which the artist humorously tackles the nuisance of paying monthly bills. Video shows close up view of a large calculator which the artist uses to sum the amounts of monthly bills from a period of several years. The large pile of bills, fast editing, accelerated movement and the growing sum on the calculator screen intensify the feeling of discomfort and illustrate the stress associated with the concern for survival that artists in a precarious situatio...
Subtitle: Calculator
Production: Lada Cerar Sedlaček, 2012
The video is part of the Blow My Bills Away project in which the artist humorously tackles the nuisance of paying monthly bills. Video shows close up view of a large calculator which the artist uses to sum the amounts of monthly bills from a period of several years. The large pile of bills, fast editing, accelerated movement and the growing sum on the calculator screen intensify the feeling of discomfort and illustrate the stress associated with the concern for survival that artists in a precarious situatio...
Tatiana Kocmur - Sunflower (12:34)
Production: Associazioni Ottovolante, Društvo Boja, 2020
The video is part of the project entitled From 1.5 to COLLI 6.66’ created at the art residency between Izola and Bologna during the coronavirus epidemic. It was presented at the international exhibition TRK at the Salsaverde Gallery. Sunflower is a video performance without an audience, shot on the seashore. The author stands on daily newspapers and in her hands holds a communication tools in her hands – two 1.5 m long sticks made of wood found on the shore. Felt-tip pens are attached to th...
Production: Associazioni Ottovolante, Društvo Boja, 2020
The video is part of the project entitled From 1.5 to COLLI 6.66’ created at the art residency between Izola and Bologna during the coronavirus epidemic. It was presented at the international exhibition TRK at the Salsaverde Gallery. Sunflower is a video performance without an audience, shot on the seashore. The author stands on daily newspapers and in her hands holds a communication tools in her hands – two 1.5 m long sticks made of wood found on the shore. Felt-tip pens are attached to th...